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KING OF ITALY, c1861. A man seated in a chair entitled People of Barbarian Nations, The King of Italy. Japanese woodcut in colors by Yoshitsuya Utagawa, c1861
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KING OF ITALY, c1861. A man seated in a chair entitled People of Barbarian Nations, The King of Italy. Japanese woodcut in colors by Yoshitsuya Utagawa, c1861
KING OF ITALY, c1861.
A man seated in a chair entitled People of Barbarian Nations, The King of Italy. Japanese woodcut in colors by Yoshitsuya Utagawa, c1861
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7560517
Chair Edo Period Foreigner Italy Japan Japanese Robe Royalty Wood Cut Yoshitsuya
EDITORS COMMENTS
This print from Granger Art on Demand showcases a remarkable Japanese woodcut in colors by Yoshitsuya Utagawa, dating back to c1861. Titled "KING OF ITALY" the image depicts a man of great importance seated regally in a chair. The accompanying text identifies him as the King of Italy and further describes the scene as "People of Barbarian Nations". The intricate details and vibrant colors of this woodcut bring to life an intriguing fusion between Italian royalty and Japanese artistry. The king is depicted wearing an exquisite robe, symbolizing his status and power. His posture exudes confidence and authority, while the ornate chair adds an element of grandeur to the composition. This piece serves as a fascinating representation of cultural exchange during the mid-Edo period, showcasing how foreign figures were perceived through Japanese eyes. It offers a unique perspective on how different nations viewed each other during this era. The artist, Yoshitsuya Utagawa, demonstrates exceptional skill in capturing both the essence of Italian royalty and traditional Japanese woodcut techniques. This print not only highlights his talent but also serves as a testament to the enduring appeal of cross-cultural artistic collaborations. Overall, this print invites viewers into a captivating world where East meets West, offering insights into historical perceptions and artistic expressions that transcend time and borders.
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