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A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895
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A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895
JAPANESE CARTOON, c1895.
A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895
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Media ID 7959555
1895 Anti Chinese China Chinese Conch Cymbal Drum Emperor Empress Japan Japanese Kiyochika Kobayashi Meiji Musician Percussion Platform Political Satire Wood Block
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EDITORS COMMENTS
This intriguing print captures a Japanese satire from around 1895, created by Kiyochika Kobayashi. The artwork humorously depicts a Chinese Emperor and Empress in a state of misery, seated on an elevated platform. In front of them, percussion musicians are seen playing their instruments. However, what catches the eye is the physical deformities portrayed on the Emperor and Empress. The Emperor has lost his nose and part of his right shoulder, while the Empress is missing part of her scalp. This woodblock print reflects both political commentary and cultural stereotypes prevalent during that era. It serves as a satirical representation of China's imperial power at the time. Through exaggerated features and caricature-like imagery, it conveys an anti-Chinese sentiment often found in Japanese art during this period. The detail in this artwork showcases Kiyochika Kobayashi's skill as a woodblock artist. From the intricate depiction of musical instruments to the expressions on each character's face, every element adds depth to this thought-provoking piece. As we observe this historical artifact today, it offers us insight into Japan's relationship with China during Meiji-era Japan (1868-1912). It reminds us how art can be used as a medium for political expression and social commentary across different cultures throughout history.
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