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FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563

FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563


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FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563

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Media ID 7522801

1554 Behead Book Of Martyrs Catholic Death Duke Executioner Father Foxe Gray Henri Heretic Jane Lord Martyr Noble Man Protestant Public Scaffold Spectator Suffolk Tower Tower Hill Violence


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EDITORS COMMENTS
This print captures a significant moment in history, depicting the beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey. The scene is set on 21st February 1554 and is portrayed through a detailed line engraving from a late 18th-century English edition of John Foxe's renowned work, "The Book of Martyrs". The image showcases the solemnity and brutality surrounding this event during the Renaissance period. Standing tall on Tower Hill, we witness the towering figure of Henry Grey facing his fate with unwavering courage. The executioner holds an axe poised to strike as spectators gather around to witness this public display. Intriguingly, this historical moment reflects the religious tensions prevalent at that time. As a Protestant martyr, Henry Grey's execution was seen as an act against Catholicism by those who deemed him a heretic. This visual representation serves as both documentation and commentary on the violence inflicted upon individuals due to their beliefs. As we delve into this powerful image from Granger Art on Demand's collection, it becomes apparent how it encapsulates not only one man's tragic end but also echoes broader themes such as power struggles within noble families and societal divisions based on religious affiliations. Through its intricate details and evocative composition, this print invites us to reflect upon our shared human history while reminding us of the consequences that arise when intolerance prevails over understanding and compassion.

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