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ELEANOR GWYN (1650-1687). Known as Nell. English actress and mistress of King Charles II. Stipple engraving after Sir Peter Lely

ELEANOR GWYN (1650-1687). Known as Nell. English actress and mistress of King Charles II. Stipple engraving after Sir Peter Lely


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ELEANOR GWYN (1650-1687). Known as Nell. English actress and mistress of King Charles II. Stipple engraving after Sir Peter Lely

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7539317

17th Century Charles Ii Curl Decolletage Ellenore Gown Lely Mistress Nell Pieter


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > King Charles

> Arts > Artists > L > Peter Lely

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II


EDITORS COMMENTS
This print showcases the enchanting Eleanor Gwyn, also known as Nell, an influential figure in 17th century England. As an English actress and mistress of King Charles II, she held a prominent position within the royal court. The stipple engraving after Sir Peter Lely beautifully captures her elegance and allure. Dressed in a regal gown befitting her status, Nell exudes confidence and grace. Her attire reflects the fashion of the time with its intricate details and opulent fabric. The artist skillfully depicts every curl in her hair and highlights her décolletage, emphasizing her beauty. Nell's role as both actress and mistress made her a fascinating personality during this era. She captivated audiences on stage with her talent while simultaneously capturing the heart of one of England's most powerful kings offstage. This print serves as a reminder of Nell's significant influence over Charles II. The Granger Collection has preserved this historical gem for us to admire today. It allows us to delve into the world of 17th century England, where power dynamics intertwined with artistry and passion. Whether you are drawn to fashion or fascinated by royalty, this print is sure to captivate your imagination.

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