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NAST: TWEED CARTOON. Wholesale and Retail. One of Thomas Nasts vitriolic attacks on William M

NAST: TWEED CARTOON. Wholesale and Retail. One of Thomas Nasts vitriolic attacks on William M


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NAST: TWEED CARTOON. Wholesale and Retail. One of Thomas Nasts vitriolic attacks on William M

NAST: TWEED CARTOON.
Wholesale and Retail. One of Thomas Nasts vitriolic attacks on William M. Boss Tweed and the Tweed Ring published shortly before the New York state and municipal elections of 1871

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12322420

1871 Bakery Beating Corruption Employer Magear Marcy Nast Nightstick Nypd Police Political Retail Satire Stealing Storefront Tammany Treasury Tweed Tweed Ring Wholesale William


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EDITORS COMMENTS
This print titled "NAST: TWEED CARTOON. Wholesale and Retail" transports us back to the political landscape of 1871 America. Renowned artist Thomas Nast's vitriolic attack on William M. Boss Tweed and the infamous Tweed Ring is vividly depicted in this satirical cartoon, which was published just before the crucial New York state and municipal elections. The image showcases an exterior view of a bustling city street, where a bakery storefront takes center stage. However, it is not the delicious pastries that catch our attention but rather the scene unfolding in front of it. A group of people representing corrupt politicians are shown stealing from the treasury while wearing police uniforms, symbolizing their abuse of power within Tammany Hall's notorious political machine. Nast's sharp wit is evident as he portrays these figures engaging in illicit activities under cover of darkness, emphasizing their clandestine nature. The use of a nightstick by one individual further highlights their oppressive tactics employed against innocent citizens. Through this powerful visual commentary, Nast exposes the deep-rooted corruption plaguing American politics during this era. His work serves as a reminder that even in times when deceit seems pervasive, art can be used as a weapon to expose truth and provoke change.

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