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FASHION: BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830

FASHION: BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830


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FASHION: BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830

FASHION: BUSTLE, c1830.
The Bustle. Satirical etching by William Heath, c1830

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12234445

1830 Bonnet Bustle Corset Cushion Dressing Dressing Room Etching Heath Mannequin Mirror Satire Textile Upper Class Vanity William Dressing Table


FASHION - BUSTLE, c1830. The Bustle. Satirical etching by William Heath, c1830

EDITORS COMMENTS
. This print takes us back to the early 19th century in England, where fashion was a spectacle of its own. In this satirical etching by William Heath, we are transported into an elegant dressing room adorned with all the trappings of upper-class indulgence. The focal point of the image is undoubtedly the bustle - a prominent and exaggerated cushion-like structure worn at the back of women's dresses during this era. It symbolizes both opulence and societal constraints imposed on women's bodies. As we explore further, our eyes wander through various elements that define this period's fashion scene - from bonnets and corsets to hats and textiles carefully displayed on mannequins. A beautifully ornate mirror reflects not only physical appearances but also vanity itself. Heath's keen eye for satire is evident as he humorously captures the absurdity of these fashionable trends while simultaneously critiquing society's obsession with appearance and conformity. This print from Granger Art on Demand allows us to appreciate how fashion has always been intertwined with social commentary throughout history. It serves as a reminder that even though styles may change over time, certain aspects such as vanity and societal expectations remain constant threads woven into our collective narrative.

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