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Cartoon, 1900, by Frederick Burr Opper showing President William McKinley, as the trusts little boy, complaining that his new playmate Vice President Theodore Roosevelt wants to run the Republican minstrel show, while the trusts and Republican party boss Mark Hanna look on

Cartoon, 1900, by Frederick Burr Opper showing President William McKinley, as the trusts little boy, complaining that his new playmate Vice President Theodore Roosevelt wants to run the Republican minstrel show, while the trusts and Republican party boss Mark Hanna look on


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Cartoon, 1900, by Frederick Burr Opper showing President William McKinley, as the trusts little boy, complaining that his new playmate Vice President Theodore Roosevelt wants to run the Republican minstrel show, while the trusts and Republican party boss Mark Hanna look on

ROOSEVELT CARTOON, 1900.
Cartoon, 1900, by Frederick Burr Opper showing President William McKinley, as the trusts little boy, complaining that his new playmate Vice President Theodore Roosevelt wants to run the Republican minstrel show, while the trusts and Republican party boss Mark Hanna look on

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Media ID 7779975

1900 Alonzo Anti Trust Burr Commerce Frederick Hanna Marcus Mark Mckinley Opper Political Acts Progressive Era Republican Party Roosevelt Satire Theodore Trust Will I Am


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EDITORS COMMENTS
In this satirical cartoon print from 1900 by Frederick Burr Opper, we see President William McKinley portrayed as a little boy representing the trusts. He is seen complaining about his new playmate, Vice President Theodore Roosevelt, who wants to take control of the Republican minstrel show. As they engage in this power struggle, the trusts and Republican party boss Mark Hanna observe with intrigue. This political cartoon captures the essence of early 20th-century American politics during the Progressive Era. It highlights the tension between McKinley's administration and Roosevelt's progressive agenda. The image symbolizes McKinley's frustration at losing control over his own party due to Roosevelt's growing influence. Opper uses satire to criticize both politicians and their ties to big business interests represented by "the trusts". By depicting them as children engaged in a petty dispute over a minstrel show, he mocks their actions and portrays them as immature figures incapable of leading effectively. The cartoon also reflects broader themes such as anti-trust sentiments prevalent during that time period. It serves as a reminder of America's complex relationship with commerce and political acts that influenced policy decisions. Overall, Opper's artwork provides us with an insightful glimpse into American history while showcasing his talent for capturing political commentary through visual storytelling.

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