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ALCHEMY ALLEGORY, 1617. The gray wolf devours the king, after which it is burned on the pyre, consuming the wolf and restoring the king to life. Allegorical drawing of the alchemical purification of gold. Woodcut from the Atalanta Fugiens by Michael Maier, 1617
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ALCHEMY ALLEGORY, 1617. The gray wolf devours the king, after which it is burned on the pyre, consuming the wolf and restoring the king to life. Allegorical drawing of the alchemical purification of gold. Woodcut from the Atalanta Fugiens by Michael Maier, 1617
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Media ID 7548831
1617 Alchemy Allegory Chemistry Corpse Dead Emblem Fire Gold Kill Michael Myth Pyre Rebirth Resurrection Wolf Wood Cut Maier Purify
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This woodcut print, titled "Alchemy Allegory, 1617" is a mesmerizing depiction of the alchemical purification of gold. Created by Michael Maier for his book Atalanta Fugiens in 1617, this illustration tells a symbolic story through its intricate details. In the center of the image, we see a gray wolf devouring a king. This act represents the destructive process required to purify and transform base metals into gold. However, the narrative takes an unexpected turn as both the wolf and the king are consumed by flames on a pyre. The fire symbolizes purification and transformation, leading to rebirth. The allegorical nature of this artwork reflects ancient myths and legends that often incorporated animals as symbols of power or transformation. In this case, it highlights how death can be necessary for new life to emerge. The meticulous woodcut technique used in creating this print adds depth and texture to every element within it. The attention to detail allows viewers to appreciate each stroke that brings these mythical characters to life. Overall, "Alchemy Allegory" serves as a visual representation of alchemical principles: destruction followed by resurrection; death leading to rebirth; chaos transforming into order. It invites us into the mystical world of alchemy while showcasing Maier's artistic skill in capturing complex concepts through imagery.
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