Zarzuela Collection

Francisco Asenjo Barbieri
3118814 Francisco Asenjo Barbieri; (add.info.: Portrait of Francisco Asenjo Barbieri (1823-1894) a Spanish composer. Dated 19th Century.); Universal History Archive/UIG.

Manuel Fernandez Caballero
3118810 Manuel Fernandez Caballero; (add.info.: Portrait of Manuel Fernandez Caballero (1835-1906) a Spanish composer. Dated 19th Century.); Universal History Archive/UIG.

Miguel Echegaray y Eizaguirre
3253000 Miguel Echegaray y Eizaguirre; (add.info.: Miguel Echegaray y Eizaguirre, 1848-1927. Spanish playwright. From Enciclopedia Ilustrada Segui, published c. 1900).

Posada, Advertisement, Teatro Infantil, Don Juan Tenorio
Advertisement, Teatro Infantil, Don Juan Tenorio -- a children's toy theatre, featuring the story of Don Juan Tenorio, a version of the legend of Don Juan

Emilio Arrieta (1823-1894). Colored engraving
Emilio Arrieta (1823-1894). Spanish composer. Engraving of The Academy, 1878. Colored

Juan Carlos I. (1938 -), King of Spain, at the Zarzuela Palace with the 4th government of President Adolfo Suarez

Cover of the operetta La Verbena de la Paloma, 1893, Tomas Breton composers work

Cover of the operetta La Dolores, 1895, work by composer Tomas Breton

Francisco Asenjo Barbieri, 1823 A

Rafael MillAan Picazo, 1893 -1957. Spanish Composer Specializing In The Zarzuela, Or Spanish Operetta. From La Esfera, 1914

Pascual Juan Emilio Arrieta Corera Born 1821 Died 1894. Spanish Composer. From Album Artistico Published Circa 1890

CHUECA, Federico (1846-1908). Spanish composer of Zarzuela music. Ending scene of a zarzuela by Federico Chueca. Agua, azucarillos y aguardiente. 1897. Oil on canvas. SPAIN

Francisco Camprodon Lafont (1816-1870). Engraving. Colored
Francisco Camprodon Lafont (1816-1870). Spanish writer. Engraving by Capuz (1824-1899). The Spanish and American Illustration, 1870. Colored

Emilio Arrieta (1823-1894). Colored engraving
Emilio Arrieta (1823-1894). Spanish composer. Engraving of The Academy, 1878. Colored

Posada, Cover design, El Rey Que Rabio
Cover design, El Rey Que Rabio -- The King Who Went Mad, a comic zarzuela (Spanish operetta) with lyrics by Miguel Ramos Carrion and Vital Aza, and music by Ruperto Chapi

Broadsheet, relating, great calavera, Chin-Chun-Chan, zarzuela, traditional form
Broadsheet relating to the great calavera of the Chin-Chun-Chan, a zarzuela (traditional form of musical comedy), Jose Guadalupe Posada (Mexican, 1851-1913), Manuel Manilla (Mexican, Mexico City ca)

Un Soir de Folie at the Folies Bergere
The Prologue (Top) in Un Soir de Folie at the Folies Bergere, Paris, 1925 followed by (left to right) La Pantomine Anglais, L Operetta Viennoise and La Zarzuela Espagnole Date: 1925

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"Zarzuela: A Melodic Journey through Spanish Operetta" Step into the enchanting world of zarzuela, a vibrant and beloved form of Spanish operetta that has captivated audiences for centuries. With its roots deeply embedded in Spanish culture, zarzuela combines music, dance, and theater to create a truly unique and immersive experience. Federico Chueca, a renowned composer of the genre, brought zarzuela to new heights with his compositions that showcased the rich tapestry of Spanish melodies. His works like "La Reina Mora" depicted colorful scenes filled with passion and drama, while Emilio Arrieta's colored engravings beautifully captured the essence of this art form. The Zarzuela Palace holds a special place in Spain's cultural landscape as it serves as both an official residence for King Juan Carlos I and a venue for theatrical performances. From Teatro Infantil productions to grand spectacles like Don Juan Tenorio, zarzuela continues to delight audiences young and old. Tomas Breton's compositions such as "La Verbena de la Paloma" and "La Dolores" adorned many covers during their time. These masterpieces showcased the melodic brilliance that made zarzuela so popular across Spain. Francisco Camprodon Lafont's exquisite engravings further immortalized this art form by capturing its essence in vivid detail. Meanwhile, Francisco Asenjo Barbieri contributed greatly to zarzuela's repertoire with his musical genius. Rafael Millan Picazo was another notable figure who dedicated his life to composing captivating pieces for this uniquely Spanish operetta genre. His contributions were celebrated in publications such as La Esfera magazine in 1914. Whether you find yourself immersed in Posada’s advertisements or mesmerized by El Rey Que Rabio cover design at every turn, one thing is certain –zarzuela will continue to be cherished as a treasured part of Spain's cultural heritage.