Wren Howard Collection

First Page of The Armenian Letters, 1928. Artist: Leonardo da Vinci
First Page of The Armenian Letters, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

St. John the Baptist as a Youth, 1928. Artist: Leonardo da Vinci
St. John the Baptist as a Youth, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci
Portrait of a Young Princess, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. Artist: Leonardo da Vinci
Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Studies of Birds in Flight When Rising and Circling, 1928. Artist: Leonardo da Vinci
Studies of Birds in Flight When Rising and Circling, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci
Anatomical Study of Muscles of Foot, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Plan of Canal Ascending Hill By Means of Locks, 1928. Artist: Leonardo da Vinci
Plan of Canal Ascending Hill By Means of Locks, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Dress for Tournament, 1928. Artist: Leonardo da Vinci
Dress for Tournament, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Ballista, 1928. Artist: Leonardo da Vinci
Ballista, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring
In a melancholy frame of old clipped trees, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring
The Luxembourg Paris loves trees and children. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring
A diversity of creatures, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring
St. Germain Des Pres In the old quarter. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring
The Daub Fair A monstrous jumble sale, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring
They can really be called village shops, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring
La Place Du Tertre An untouched village square. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring
A long way from Mr. Berry Walls flowing cravats, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

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"Wren Howard: A Journey through the Artistic Mind of Leonardo da Vinci" Step into the world of Wren Howard, a captivating individual whose passion for art knows no bounds. Inspired by the genius works of Leonardo da Vinci, Wren explores a multitude of masterpieces that have left an indelible mark on history. As we turn to the first page of "The Armenian Letters, " we are transported back to 1928, where da Vinci's intricate strokes come alive under Wren's gaze. The delicate brushwork in "The Madonna with the Laughing Child" captures a moment of pure joy and innocence. Intriguingly, it is not only da Vinci's religious pieces that captivate Wren; his fascination extends to other facets as well. "St. John the Baptist as a Youth" showcases da Vinci's ability to portray human emotion with remarkable precision, while "Portrait of a Young Princess" reveals his mastery in capturing beauty and grace. But it is not just paintings that enrapture Wren; she delves into da Vinci's scientific mind too. With awe-inspiring detail, she studies his flying machine apparatus and ground plan mechanisms in "Study of Motive Apparatus. " She marvels at his meticulous observations in "Studies of Birds in Flight When Rising and Circling. " Wandering further down this artistic path, Wren discovers another facet – anatomical studies. In her exploration of "Anatomical Study of Muscles, " she witnesses how da Vinci dissected nature itself to unravel its secrets. Yet there is more than meets the eye when it comes to Wren Howard. Her interests extend beyond Leonardo alone; she finds solace amidst Henry Franks Waring's melancholic frames depicting old clipped trees and Parisian love for nature in "The Luxembourg Paris loves trees and children. " With each step along this journey through time and artistry, one thing becomes clear – wrens, like Wren Howard, are creatures of flight and exploration.