Wood Nymph Collection

Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. The twenty-year-old Alice Liddell (1852-1934) as the embodiment of fruitful abundance, Pomona, Roman goddess of gardens and fruit trees

"A Wood Nymph, "by C B Birch, presented to the Members of the Art-Union of London (engraving)
1620621 " A Wood Nymph, " by C B Birch, presented to the Members of the Art-Union of London (engraving) by English School

Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn
Vertumnus and Pomona

Vertumnus and Pomona. Creator: Nikolaus Knüpfer
Vertumnus and Pomona

Portrait of a Lady as Pomona, early 18th century. Creator: Jean Ranc
Portrait of a Lady as Pomona, early 18th century

Vertumnus and Pomona. Creator: Jean Lemaire
Vertumnus and Pomona

Pomona, late 17th-early 18th century. Creator: Robert Tournieres
Pomona, late 17th-early 18th century

Vertumnus and Pomona, between 1607 and 1610. Creator: Workshop of Jacob Matham
Vertumnus and Pomona, between 1607 and 1610. From Eight Disparate Subjects; Gods and Nymphs, plate 1

Vertumnus and Pomona, 1605. Creator: Jan Saenredam
Vertumnus and Pomona, 1605

Vertumnus and Pomona, 1613. Creator: Hendrik Goltzius
Vertumnus and Pomona, 1613

Design for a theatre piece: the blindfolded Amaryllis grabs Mirtillo, 1715-1798. Creator: Dionys van Nijmegen
Design for a theatre piece: the blindfolded Amaryllis grabs Mirtillo, 1715-1798. Design for a painting

Vertumnus and Pomona, 1617. Creator: Jan Tengnagel
Vertumnus and Pomona, 1617

Pomona Receiving the Harvest of Fruit, 1626. Creator: Cornelis Cornelisz van Haarlem
Pomona Receiving the Harvest of Fruit, 1626

Pan and Syrinx, c.1637-c.1640. Creator: Caesar Boëtius van Everdingen
Pan and Syrinx, c.1637-c.1640

Homage to Pomona, 1734. Creator: Hendrik Carree
Homage to Pomona, 1734

L'oeuvre d'Antoine Watteau (volume I), c. 1740. Creator: Various Artists after Antoine Watteau
L'oeuvre d'Antoine Watteau (volume I), c. 1740

Allegorical Figure of Summer Flanked by Pomona and Ceres, c. 1630

Pomona and Pan, 1550s. Creator: Giulio Bonasone
Pomona and Pan, 1550s

The Garden of Pomona, 1540-56. Creator: Leon Davent
The Garden of Pomona, 1540-56

Vertumnus and Pomona, ca. 1550-55. ca. 1550-55. Creator: Anon
Vertumnus and Pomona, ca. 1550-55

Pomona Surprised by Vertumnus and Other Suitors, 1535 / 40. Creator: Unknown
Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona, Brussels, 1535/40. Detail from a larger artwork

Pomona (From Flora and Pomona), England, 1906. Creators: Walter Taylor, John Keich
Pomona (From Flora and Pomona), England, 1906. Figure design 1882, background design 1898. Woven by Walter Taylor and John Keich at the Merton Abbey Tapestry Works, London

Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona, Brussels, 1535/40

Mr Burne-Jones, ARA, at the New Gallery (engraving)
1603912 Mr Burne-Jones, ARA, at the New Gallery (engraving) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Mr Burne-Jones, ARA, at the New Gallery)

A Wood Nymph (engraving)
1614341 A Wood Nymph (engraving) by Greuze, Jean Baptiste (1725-1805) (after); Private Collection; (add.info.: A Wood Nymph. Illustration for The Illustrated London News, 14 November 1885)

A Wood-Nymph (engraving)
1628294 A Wood-Nymph (engraving) by Seifert, Alfred (1850-1901); Private Collection; (add.info.: A Wood-Nymph. Illustration for The Illustrated London News, Summer Number 1895)

Ode on a Distant Prospect of Eton College, design 21 for
XYC285541 Ode on a Distant Prospect of Eton College, design 21 for The Poems of Thomas Gray, 1797-98 (w/c with pen & black ink) (see 285542 for verso) by Blake

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Orpheus and Eurydice, 1862 (oil on canvas)
HTL122339 Orpheus and Eurydice, 1862 (oil on canvas) by Poynter, Edward John (1836-1919); Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Orpheus and Euridyce (oil on canvas)
LGH224376 Orpheus and Euridyce (oil on canvas) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Vertumnus and Pomona, from Game of Mythology (Jeu de la Mythologie), 1644

Vertumnus and Pomona. Creator: Richard van Orley
Vertumnus and Pomona

Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, ca

Triomphe de Pomone (Triumph of Pomona), 18th century. Creator: Charles Nicolas Cochin
Triomphe de Pomone (Triumph of Pomona), 18th century. After Francois Boucher

Vertumnus and Pomona, 1765. Creator: Augustin de Saint-Aubin
Vertumnus and Pomona, 1765. After Francois Boucher

The Wood Nymph, c1787, (1925). Artist: John Raphael Smith
The Wood Nymph, c1787, (1925). From English Rural Life in the Eighteenth Century, by W. Gaunt. [The Connoisseur, London, 1925]

Pomona bringing the fruits of the earth to Hygeia, 1885. Artist: M Corquodale
Pomona bringing the fruits of the earth to Hygeia, 1885. In Roman mythology, Pomona was the goddess of fruit trees, gardens and orchards. Advertisement for Enos Fruit Salt

Tree Nymph Butterfly. Distasteful. Inhabits wet ropical forests and mangroves. Occurs in Philippines
ASW-4430 Tree Nymph Butterfly Occurs in Philippines. Idea leuconoe Inhabits wet ropical forests and mangroves. Alan J. S. Weaving Please note that prints are for personal display purposes only

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In the enchanting world of art, the concept of a wood nymph has captivated artists throughout history. From Julia Margaret Cameron's mesmerizing photograph "A Wood Nymph" to C B Birch's exquisite engraving presented to the Members of the Art-Union of London, these depictions transport us into a realm where nature and myth intertwine. Leon Davent's masterpiece, "The Garden of Pomona, " painted between 1540-56, showcases the ethereal beauty and grace associated with wood nymphs. The delicate figures seem to emerge from within nature itself, embodying its essence in every movement. An anonymous artist brings forth the tale of Vertumnus and Pomona in their painting from ca. 1550-55. This mythical encounter between a goddess and her suitors is filled with intrigue and desire, as Pomona finds herself surprised by their presence. The artist skillfully captures both vulnerability and strength in this captivating scene. Another unknown creator presents us with "Pomona Surprised by Vertumnus and Other Suitors" from 1535/40. Here we witness yet another moment frozen in time as Pomona navigates through an array of admirers vying for her attention. The composition exudes sensuality while highlighting her power over nature. Moving forward in time to England in 1906, Walter Taylor and John Keich collaborate on "Pomona (From Flora and Pomona). " Their portrayal emphasizes femininity intertwined with botanical elements, celebrating the symbiotic relationship between women and nature. As we delve deeper into this mystical realm, we stumble upon Mr Burne-Jones' engraving titled "A Wood Nymph. " His intricate lines bring life to this elusive creature who dwells among ancient trees whispering secrets only understood by those attuned to nature's language. In another enchanting engraving simply titled "A Wood-Nymph, " an unknown artist invites us to explore the hidden depths of the forest.