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Without People Collection

In a world without people, nature's beauty takes center stage

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Without People Collection: Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving after an illustration by James
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Without People Collection: White flowers and green tea leaves, Thea bohea, Camellia sinensis
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Without People Collection: Vast golden wheat field
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Without People Collection: Harvest moon reflected in water
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Without People Collection: Grizzly Bear and Mount Denali (McKinley), Denali National Park and Preserve, Alaska, USA
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Without People Collection: A view along Woolacombe Beach from Mortehoe, near Barnstaple, Devon
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Without People Collection: Eurasian lynx in snow, Bavarian Forest National Park, Bavaria, Germany
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Without People Collection: Daisy Nook, 1886 (watercolour on paper)
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Without People Collection: Casino, Monte Carlo, c.1890-1900 (photochrom print)
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Without People Collection: Saftar Jung Tomb, Delhi, c. 1890s (platinum print)
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Without People Collection: Flowers, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
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Without People Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
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Without People Collection: Animal Studies: Two Silver Herons, 1898 (embossed lithograph)
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Without People Collection: Skyphos, c.1100-800 BC (ceramic)
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Without People Collection: Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic)
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Without People Collection: Spouted Vessel with Tubular Handle: Macaw Effigy, 300-100 BC (ceramic)
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Without People Collection: Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
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Without People Collection: Old Oldham Church, 1924 (oil on canvas)
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Without People Collection: Still Life with Fruit, 1873 (oil on fabric)
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Without People Collection: Oil Lamp, 1880 (copper )
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Without People Collection: Theatre of Ostrava (formerly Mahr Ostrau) in Czechoslovakia end of 19th century beg of 20th
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Without People Collection: Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)
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Without People Collection: Vessel, Dbl-Sp Str-Hdl (Deity Figure), 200 (ceramic)
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Without People Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
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Without People Collection: Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)
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Without People Collection: Secession Building in Jugendtstil style, Vienna, Austria (photo)
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Without People Collection: Hall of Mirrors in versailles, 1910 (photo)
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Without People Collection: Vase, c.1910 (enamel, silver mounts, plique-a-jour, cloisonne)
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Without People Collection: Map of Manhattan, 1895 (print)
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Without People Collection: Secession Building in Jugendtstil style, Vienna, Austria (photo)
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Without People Collection: Chew Valley, Greenfield, 1897 (oil on canvas)
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Without People Collection: Summer Garden, undated (oil on canvas)
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Without People Collection: Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono)
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Without People Collection: Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)
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Without People Collection: Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)
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Without People Collection: Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)
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Without People Collection: Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)
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Without People Collection: A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c
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Without People Collection: The Sphinx, c. 1853 (salted paper print from waxed paper negative)
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Without People Collection: Maternal Solicitude, 1873 (oil on wood)
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Without People Collection: Autumn in the Catskills, 1873 (oil on canvas)
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Without People Collection: Autumn, a Wood Path, 1876 (oil on canvas)
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Without People Collection: Snuff Box, 1800-1815 (striated agate in gold and enamel mounts)
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Without People Collection: Pedestal Kero, 1630-1780 (wood, lacquer-like paint)
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Without People Collection: Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint)
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Without People Collection: Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint)
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Without People Collection: Kero, late 16th-mid 18th century (wood, metal & paint)
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Without People Collection: Kero with geometric design, 1435-1600 (ceramic, slips)


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In a world without people, nature's beauty takes center stage. The harvest moon casts its enchanting glow upon the still waters, creating a mesmerizing reflection that seems to hold secrets of the universe. In Denali National Park and Preserve, Alaska, Mount Denali proudly stands tall as a grizzly bear roams freely beneath its majestic peak. The tranquility is further enhanced by delicate white flowers and green tea leaves gently swaying in the breeze, reminding us of the simple pleasures found in Camellia sinensis. Across the Atlantic Ocean, Woolacombe Beach stretches out before us like an untouched paradise. From Mortehoe near Barnstaple in Devon, Great Britain, we witness this breathtaking view where land meets sea in perfect harmony. As we venture into Bavarian Forest National Park in Germany during winter's embrace, an elusive Eurasian lynx gracefully treads through pristine snow-covered landscapes. Stepping away from natural wonders and into human creations reveals artifacts that tell stories of cultures past. An Africanist curule stool crafted with beech wood transports us back to the 1920s when craftsmanship was revered for its elegance and functionality. A gold ring adorned with a cameo whispers tales from ancient civilizations dating back to the 3rd century B. C. , showcasing timeless beauty created by skilled hands. As we delve deeper into history's mysteries, an initiation crown adorned with skulls captivates our imagination with its intricate design made of gilt paint and leather from centuries ago. Moving on to artistry captured on paper brings forth vivid imagery - a rabbit basking under a full moon evokes whimsy while Kingfisher birds dance amidst vibrant irises painted delicately using color woodcut techniques. The wild side is not forgotten as we encounter a roaring tiger immortalized through another stunning color woodcut piece; it reminds us of both their power and vulnerability within our shared ecosystem. Finally, abstract-futurist composition invites us to explore the boundaries of creativity, as a c.