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William Shakespeare Collection (page 100)

William Shakespeare, the legendary playwright and poet, continues to captivate audiences even centuries after his time

Background imageWilliam Shakespeare Collection: Stratford church as seen from the river, Stratford-upon-Avon, Warwickshire, 1885

Stratford church as seen from the river, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
Stratford church as seen from the river, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: William Shakespeare and Lord Bryron, c1900

William Shakespeare and Lord Bryron, c1900. English poets of the 16th and 19th century. French advertising for Liebig, extract of meat, c1900

Background imageWilliam Shakespeare Collection: Louis Francois Roubiliac making a sculpture of Shakespeare, c1765, (1920s). Artist: David Martin

Louis Francois Roubiliac making a sculpture of Shakespeare, c1765, (1920s). Artist: David Martin
Louis Francois Roubiliac making a sculpture of Shakespeare, c1765, (1920s). Roubiliac is shown finishing the terracotta model on which the marble was based

Background imageWilliam Shakespeare Collection: Matheson Lang and Nora Kerin in a scene from Romeo and Juliet, 1908. Artist: Daily Mirror Studios

Matheson Lang and Nora Kerin in a scene from Romeo and Juliet, 1908. Artist: Daily Mirror Studios
Matheson Lang and Nora Kerin in a scene from Romeo and Juliet, 1908

Background imageWilliam Shakespeare Collection: Frank Benson (1858-1939), English actor and theatre manager, early 20th century

Frank Benson (1858-1939), English actor and theatre manager, early 20th century. Artist: J Caswall Smith
Frank Benson (1858-1939), English actor and theatre manager, early 20th century

Background imageWilliam Shakespeare Collection: John Hall (c1575-1635), English physician

John Hall (c1575-1635), English physician. Hall was the son-in-law of William Shakespeare

Background imageWilliam Shakespeare Collection: The chancel of Stratford church, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull

The chancel of Stratford church, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
The chancel of Stratford church, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: The pew at Clopton church, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull

The pew at Clopton church, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
The pew at Clopton church, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: Clifford church and old house, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull

Clifford church and old house, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
Clifford church and old house, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: Anne Hathaways cottage at Shottery, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull

Anne Hathaways cottage at Shottery, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
Anne Hathaways cottage at Shottery, Stratford-upon-Avon, Warwickshire, 1885. Anne Hathaway (1556-1623) was the wife of William Shakespeare

Background imageWilliam Shakespeare Collection: Stratford-upon-Avon, Warwickshire, as seen from the southeast, 1885. Artist: Edward Hull

Stratford-upon-Avon, Warwickshire, as seen from the southeast, 1885. Artist: Edward Hull
Stratford-upon-Avon, Warwickshire, as seen from the southeast, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: The great hall of Charlecote Park, Warwickshire, 1885. Artist: Edward Hull

The great hall of Charlecote Park, Warwickshire, 1885. Artist: Edward Hull
The great hall of Charlecote Park, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: Charlecote Park, Warwickshire, 1885. Artist: Edward Hull

Charlecote Park, Warwickshire, 1885. Artist: Edward Hull
Charlecote Park, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: Mary Ardens cottage at Wilmcote, Warwickshire, 1885. Artist: Edward Hull

Mary Ardens cottage at Wilmcote, Warwickshire, 1885. Artist: Edward Hull
Mary Ardens cottage at Wilmcote, Warwickshire, 1885. Mary Arden (c1540-1608) was the mother of William Shakespeare. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare

Background imageWilliam Shakespeare Collection: Mr Holman in Faulconbridge, 1786. Artist: Thornthwaite

Mr Holman in Faulconbridge, 1786. Artist: Thornthwaite
Mr Holman in Faulconbridge - Austrias head lie there, 1786. British actor Joseph George Holman (1764-1817) in the role of Robert Faulconbridge in Shakespeares play The Life and Death of King John

Background imageWilliam Shakespeare Collection: Bust of Shakespeare and signatures of celebrated actors, (1840)

Bust of Shakespeare and signatures of celebrated actors, (1840). Drawing of a monumental bust of William Shakespeare (1564-1616) at his birthplace, Stratford-Upon-Avon

Background imageWilliam Shakespeare Collection: Additions to Shakespeares A Midsummers Nights Deam by David Garrick, 18th century, (1840)

Additions to Shakespeares A Midsummers Nights Deam by David Garrick, 18th century, (1840). Artist: David Garrick
Additions to the comic part of Shakespeares A Midsummers Nights Deam in David Garricks handwriting, 18th century, (1840). Additions made by by the actor David Garrick (1717-1779)

Background imageWilliam Shakespeare Collection: Stratford church as seen from the north, Stratford-upon-Avon, Warwickshire, 1885

Stratford church as seen from the north, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
Stratford church as seen from the north, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: The Guildhall, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull

The Guildhall, Stratford-upon-Avon, Warwickshire, 1885. Artist: Edward Hull
The Guildhall, Stratford-upon-Avon, Warwickshire, 1885. From Stratford-on-Avon, from the Earliest Time to the Death of William Shakespeare, by Sidney L Lee (London, 1885)

Background imageWilliam Shakespeare Collection: William Shakespeares house, Stratford-upon-Avon, Warwickshire, late 19th century

William Shakespeares house, Stratford-upon-Avon, Warwickshire, late 19th century. Shakespeares house birthplace at Henley Street as restored in 1864

Background imageWilliam Shakespeare Collection: HM the Empress Eugenie, c1879. Artist: Faustin

HM the Empress Eugenie, c1879. Artist: Faustin
HM the Empress Eugenie, c1879. Caricature portrait of Empress Eugenie de Montijo (1826-1920), wife of Napoleon III of France

Background imageWilliam Shakespeare Collection: Mrs W West as Cordelia, 1820. Artist: Woolnoth

Mrs W West as Cordelia, 1820. Artist: Woolnoth
Mrs W West as Cordelia, 1820. Actress playing Cordelia, possibly the character in Shakespeares King Lear

Background imageWilliam Shakespeare Collection: John of Gant mounted, or, Mars on his Journey... 1747

John of Gant mounted, or, Mars on his Journey... 1747
John of Gant mounted, or, Mars on his Journey. If music be the food of love, play on, 1747. The Duke of Cumberland, younger son of George II, uncle of George III and famous womaniser

Background imageWilliam Shakespeare Collection: Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray

Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray
Shakespeare sacrificed, or the offering to avarice, 1789. Publisher John Boydell commissioned paintings illustrating subjects from Shakespeares plays

Background imageWilliam Shakespeare Collection: James Boswell, esq in the dress of an armed Corsican Chief, 1769. Artist: James Wale

James Boswell, esq in the dress of an armed Corsican Chief, 1769. Artist: James Wale
James Boswell, esq in the dress of an armed Corsican Chief, as he appeared at Shakespeares Jubilee, at Stratford upon Avon, September 1769. Portrait of Scots writer James Boswell (1740-1795)

Background imageWilliam Shakespeare Collection: The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian

The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian
The Theatrical Steel Yards of 1750, (1751). Players hang from scales surmounted by the motto Totus mundus agit histrionem, - All the worlds a stage

Background imageWilliam Shakespeare Collection: Mr Woodward in the character of Mercutio, 1753

Mr Woodward in the character of Mercutio, 1753. Actor Henry Woodward (1717-1777) in the part of Mercutio from Shakespeares Romeo and Juliet

Background imageWilliam Shakespeare Collection: Queen Elizabeth And Shakespeare, 16th century, (c1850)

Queen Elizabeth And Shakespeare, 16th century, (c1850). Queen Elizabeth I is said to have requested Shakespeare to read his works to her

Background imageWilliam Shakespeare Collection: Costume designs for Shakespeares play, Henry VIII, 19th century

Costume designs for Shakespeares play, Henry VIII, 19th century. Queen Anna, Barons, the Bishops of London and Winchester, the Duchess of Norfolk

Background imageWilliam Shakespeare Collection: The Croker Janssen, 1910

The Croker Janssen, 1910. From a plate bearing the inscription: Shakspeare, engraved by R Cooper. A print from The Connoisseur, (London, 1910)

Background imageWilliam Shakespeare Collection: Room in which Shakespeare was born, (c1920s)

Room in which Shakespeare was born, (c1920s). Shakespeares (1564-1616) birthplace in Henley Street, Stratford-upon-Avon, Warwickshire

Background imageWilliam Shakespeare Collection: Shakespeares house, Stratford-on-Avon, Warwickshire, c1920s

Shakespeares house, Stratford-on-Avon, Warwickshire, c1920s. The house of William Shakespeare (1564-1616). Cigarette card produced by the Westminster Tobacco Co Ltd

Background imageWilliam Shakespeare Collection: Guard, costume design for Shakespeares play, Henry VIII, 19th century

Guard, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Secretary, costume design for Shakespeares play, Henry VIII, 19th century

Secretary, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Scribe, costume design for Shakespeares play, Henry VIII, 19th century

Scribe, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Ophelia, 1892. Artist: Taylor

Ophelia, 1892. Artist: Taylor
Ophelia, 1892. Scene from Shakespeares Hamlet: Theres fennel for you, and columbines. A print from the Illustrated London News, (6 Febuary 1892)

Background imageWilliam Shakespeare Collection: Anne Hathaways Cottage, Stratford-On-Avon, England, late 19th century. Artist: John L Stoddard

Anne Hathaways Cottage, Stratford-On-Avon, England, late 19th century. Artist: John L Stoddard
Anne Hathaways Cottage, Stratford-On-Avon, England, late 19th century. The cottage at Shottery in Warwickshire, said to be the family home of Anne Hathaway (1556-1623), wife of William Shakespeare

Background imageWilliam Shakespeare Collection: Loves Labours Lost, 1856. Artist: Orrin Smith

Loves Labours Lost, 1856. Artist: Orrin Smith
Loves Labours Lost, 1856. Scene from Shakespeares play. A print from The Illustrated London News, (24 May 1856)

Background imageWilliam Shakespeare Collection: King Lear by William Shakespeare (1564-1616), (c1900)

King Lear by William Shakespeare (1564-1616), (c1900). Act 4: Lears Men of stone speech, with Cordelia dead in his arms. From a series of Famous Tragedies

Background imageWilliam Shakespeare Collection: The Shakespeare Jubilee At Stratford upon Avon, c1850

The Shakespeare Jubilee At Stratford upon Avon, c1850
The Shakespeare Jubilee at Stratford upon Avon, c1850. The Shakespeare birthday celebrations in the town that was his birthplace date back to the 18th century

Background imageWilliam Shakespeare Collection: Letter from Francois Marie Arouet de Voltaire to George Keat, 16th January 1760. Artist: Voltaire

Letter from Francois Marie Arouet de Voltaire to George Keat, 16th January 1760. Artist: Voltaire
Letter from Francois Marie Arouet de Voltaire to George Keat, 16th January 1760. Letter, in English, expressing his admiration of Englsih philosophy and literature

Background imageWilliam Shakespeare Collection: Theatre costume design for Shakespeares play, Henry VIII, 19th century

Theatre costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Anne Boleyn, costume design for Shakespeares play, Henry VIII, 19th century

Anne Boleyn, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century design for Anne Boleyns costume, for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Sir Nicholas Vaux, costume design for Shakespeares play, Henry VIII, 19th century

Sir Nicholas Vaux, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Sir Thomas Lovell, costume design for Shakespeares play, Henry VIII, 19th century

Sir Thomas Lovell, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Buckingham, costume design for Shakespeares play, Henry VIII, 19th century

Buckingham, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for the character of Edward Stafford, 3rd Duke of Buckingham

Background imageWilliam Shakespeare Collection: Court usher, costume design for Shakespeares play, Henry VIII, 19th century

Court usher, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageWilliam Shakespeare Collection: Boatman, costume design for Shakespeares play, Henry VIII, 19th century

Boatman, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII



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William Shakespeare, the legendary playwright and poet, continues to captivate audiences even centuries after his time. His works have become timeless classics, inspiring countless adaptations and interpretations across various art forms. In John William Waterhouse's painting "Miranda. The Tempest, " we see the enchanting character from Shakespeare's play brought to life with vivid colors and intricate details. This portrayal reminds us of the magic and mystery that permeate his works. Verdi's opera Otello also pays homage to Shakespeare's genius, as depicted in the poster for its first performance at Teatro Fenice. It showcases the power of music in conveying emotions similar to those found in Shakespearean tragedies. The actors on stage during Shakespeare's era were instrumental in bringing his words alive for eager audiences. Their performances transported viewers into worlds filled with passion, tragedy, and comedy - a testament to both their talent and Shakespeare's ability to craft compelling characters. Max Jacob's artwork depicting Hamlet captures the brooding nature of this iconic character who grapples with existential questions. It serves as a reminder of how deeply human emotions are explored within Shakespearean plays. Giuseppe Verdi further immortalized one of Shakespeare's most tragic tales through his opera Otello. In an illustration for this masterpiece, we witness Desdemona, Othello, and Iago entangled in a web of deceit and jealousy – themes that continue to resonate today. Handbills advertising performances like Hamlet at Theatre Leeds demonstrate how popular these plays were during their time. They attracted diverse crowds who eagerly awaited each new production by this masterful playwright. Shakespeare not only excelled at crafting intense dramas but also delighted audiences with comedic gems such as A Midsummer Night’s Dream. The four fairy costumes showcased here remind us of the whimsical charm present throughout this beloved play. In Falstaff Enacting Henry IV by unknown artist c1834 (oil on canvas), we glimpse another facet of Shakespeare's genius – his ability to create memorable and complex characters.