William And Mary Collection

Fashion during the reign of William and Mary of the Kingdoms of England, Scotland and Ireland
3119094 Fashion during the reign of William and Mary of the Kingdoms of England, Scotland and Ireland; (add.info.: Fashion during the reign of William)

William and Mary of the Kingdoms of England, Scotland and Ireland
3119169 William and Mary of the Kingdoms of England, Scotland and Ireland; (add.info.: Portrait of William, the Dutch Prince of Orange King William III (&II) and Mary (Queen Mary II)

Mary, (1662-1694), 1830. Creator: Unknown
Mary, (1662-1694), 1830. Mary II (1662-1694) Queen of England, Scotland, and Ireland, with her husband, William III & II, from 1689 until her death

Dutch William and Mary Marquetry Cabinet-on-Stand, c. 1690-1700 (olivewood, ebony & marquetry)
5891950 Dutch William and Mary Marquetry Cabinet-on-Stand, c.1690-1700 (olivewood, ebony & marquetry) by Van Mekeren, Jan (1658-1733) (attr)

Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas)
3545940 Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63.5 cm; Rijksmuseum, Amsterdam

William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas)
3545909 William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas) by Schalken or Schalcken, Godfried (1643-1706); 76.5x65 cm; Rijksmuseum, Amsterdam

The Great Seal of King William III and Queen Mary (engraving)
5233636 The Great Seal of King William III and Queen Mary (engraving) by English School, (19th century); Private Collection; (add.info)

Sir William Robinson, Knt. 1693 (oil on canvas)
HEH416371 Sir William Robinson, Knt. 1693 (oil on canvas) by Kneller, Godfrey (1646-1723); 127x102.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Key from a William and Mary striking table clock with pull quarter repeat, no. 167, c
867497 Key from a William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (wood & metal) (see also 867495-6) by Tompion

Queen Anne stand, c. 1710 (giltwood)
5895223 Queen Anne stand, c.1710 (giltwood) by French School, (18th century); height: 105 cm; Private Collection; (add.info)

A William and Mary needlework picture, c. 1690 (linen & wool)
5906543 A William and Mary needlework picture, c.1690 (linen & wool) by Unknown Artist, (17th century); 43x31 cm; Private Collection; (add.info.: Worked in crewel wools on linen)

Portrait of William III, Prince of Orange and Stadtholder, c. 1680-84 (oil on canvas)
3545939 Portrait of William III, Prince of Orange and Stadtholder, c.1680-84 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63 cm; Rijksmuseum, Amsterdam

Commemorative pewter beaker with wrigglework portraits of William III and Mary II, c
695546 Commemorative pewter beaker with wrigglework portraits of William III and Mary II, c.1689-94 (pewter) by European School, (17th century); The Geffrye Museum of the Home, London

Embroidered panel depicting a lady in a garden, c. 1700 (silk)
LMG208932 Embroidered panel depicting a lady in a garden, c.1700 (silk) by English School, (18th century); Leeds Museums and Art Galleries (Temple Newsam House)

William and Mary
LLM456782 William and Mary by English School, (19th century); Private Collection; (add.info.: William and Mary. Victorian scrap, probably produced by Raphael Tuck.); © Look and Learn

Panelling, with Grinling Gibbon Carvings. Mirror Frame, Walnut Table, William and Mary
LLM461224 Panelling, with Grinling Gibbon Carvings. Mirror Frame, Walnut Table, William and Mary. Walnut Chair, Charles Wesleys Walnut High-Case Clock by Foley

William and Mary miniature striking bracket clock, no. 226, c. 1690-95 (ebony & metal)
867525 William and Mary miniature striking bracket clock, no. 226, c.1690-95 (ebony & metal) by Tompion, Thomas (1639-1713); height: 24.2 cm; Private Collection; (add.info)

King William in State Robes, c. 1690 (oil on canvas)
5983964 King William in State Robes, c.1690 (oil on canvas) by Kneller, Godfrey (1646-1723) (after); Private Collection; (add.info.: Willem III (1650-1702) Prince of Orange

Detail of a William and Mary striking table clock with pull quarter repeat, no. 167, c
867496 Detail of a William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (gilt metal) (see also 867495-7) by Tompion

A William and Mary striking table clock with pull quarter repeat, no. 167, c
867495 A William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (ebony & gilt metal) (see also 867496-7) by Tompion

Coronation of King William III and Queen Mary in Westminster Abbey, 1689 (engraving)
3646858 Coronation of King William III and Queen Mary in Westminster Abbey, 1689 (engraving) by German School, (19th century); Private Collection; (add.info)

King William III (woodcut)
3630438 King William III (woodcut) by English School, (19th century); Private Collection; (add.info.: King William III. Illustration for HIstory of England by Dr Goldsmith et al (Js Pratt, 1843)

Tin-glazed earthenware plate, Lambeth, c. 1689 (ceramic)
BAL6634 Tin-glazed earthenware plate, Lambeth, c.1689 (ceramic) by English School, (17th century); Victoria & Albert Museum, London

Queen Mary II
LLM338099 Queen Mary II by English School, (20th century); Private Collection; (add.info.: Queen Mary II (1688-1694)); © Look and Learn

Traditional clothing in the reigns of James II - William and Mary 1685-1700, 1903, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan

Clothing during the Reigns of Charles II, James II, William and Mary 1682-1700, 1903, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan

Painted Hall, 2007. Creator: Ethel Davies
Candelabra on the dining table in the Painted Hall, an interior with elaborate ceiling and wall paintings done in the early 18th century by Sir James Thornhill

The Gallery of English Costume: Some of the Dresses Worn in William IIIs Time, c1934. Illustration of costume during the reign of William III (1689-1702)

A Woman of the Time of William and Mary, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of William and Mary, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

A Man of the Time of William and Mary, 1907. Artist: Dion Clayton Calthrop
A Man of the Time of William and Mary, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

William and Mary Armchair, 17th century, (1910). Classical William and Mary Antique Armchai with gold upholstery. Style of decorative arts named during the reign of William III

William and Mary Marquetry Cabinet, (c1690), 1925
William and Mary Marquetry Cabinet, c1690. A cabinet in the William and Mary style. A style of decorative arts so named because of the then reign (1689-1702) of William III and Mary II of England

Great Seal of William and Mary, 19th century
Great Seal of William and Mary, (19th century). Both sides of the seal of King William III (ruled 1689-1702) and his wife Queen Mary II

Great Seal of William and Mary, used to symbolise the Sovereigns approval of state documents. King William III of England 1650 - 1702. Prince of Orange, Stadtholder of main Dutch Republic provinces

A View of the Dockyard at Deptford taken from the opposite Side of the Thames, 1698
XJF444359 A View of the Dockyard at Deptford taken from the opposite Side of the Thames, 1698 (engraving) by English School

Signature of William III of England, from The National and Domestic History
XJF362950 Signature of William III of England, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916) published London

Queen Mary at Kensington Palace, engraved for Harrisons Edition of Rapin, published
XJF324331 Queen Mary at Kensington Palace, engraved for Harrisons Edition of Rapin, published 8th January 1785 (engraving) by Kneller

A View of His Majestys Dockyard at Woolwich taken from the opposite Side of the Thames
XJF3058234 A View of His Majestys Dockyard at Woolwich taken from the opposite Side of the Thames, 1698 (engraving) by English School

A View of the Navy Office in London (engraving)
XJF3058232 A View of the Navy Office in London (engraving) by English School, (17th century); Private Collection; (add.info.: Navy Office)

A View of His Majestys Dockyard at Portsmouth taken from opposite New Dock, 1698
XJF197484 A View of His Majestys Dockyard at Portsmouth taken from opposite New Dock, 1698 (engraving) by English School, (17th century); Private Collection; (add.info)

A View of His Majestys Dockyard at Sheerness, 1698 (engraving)
XJF197481 A View of His Majestys Dockyard at Sheerness, 1698 (engraving) by English School, (17th century); Private Collection; (add.info.: Situated at the mouth of the River Medway)

PROY2A-00179
William and Mary, " the Protestants Joy, " ruling England after the Glorious Revolution, 1688. Hand colored halftone reproduction of a 17th-century illustration

All Professionally Made to Order for Quick Shipping

"William and Mary: A Royal Legacy in Art and Design" Step into the world of William and Mary, a captivating era filled with regal elegance and artistic splendor. This period, marked by the reigns of King William III (also known as Dutch William) and Queen Mary II from 1689 to 1694, left an indelible mark on history. One remarkable artifact that exemplifies this time is the Dutch William and Mary Marquetry Cabinet-on-Stand. Crafted between 1690-1700, this exquisite piece showcases olivewood, ebony, and marquetry techniques that were highly prized during their rule. Portraits played a significant role in capturing the essence of these monarchs. The Portrait of Mary Stuart, Wife of Prince William III painted around 1683 depicts her grace and beauty through oil on canvas. Similarly, the Portrait of William III himself portrays his commanding presence as both King of England and Stadtholder. The Great Seal bearing their names serves as a symbol of authority during their joint reign. This intricately engraved seal represents their power over England at that time. Not only did art celebrate royalty but also notable figures like Sir William Robinson who served under them. His portrait immortalizes his contributions to society while showcasing the skillful use of oil on canvas. Intriguing objects such as keys from striking table clocks give us insight into daily life during this era. No. 167's key reveals intricate craftsmanship combined with functionality—a testament to the attention given to even mundane items. Furniture design flourished under their patronage too; one example being the Queen Anne stand crafted around 1710 using giltwood—an opulent addition to any interior space. Needlework was another popular form of expression during this period. A stunning linen & wool needlework picture dating back to c. 1690 captures both delicate details and vibrant colors—showcasing skilled hands at work.