Wilhelm Greve Collection

The Cherry Blossoms of Mikawa, 19th century, (1886). Artist: Wilhelm Greve
The Cherry Blossoms of Mikawa, 19th century, (1886). Shijo School. From a painting on silk by Ota Kinkin, Shijo School. Found in the collection of the British Museum

Japanese Beauties, 1776, (1886). Artist: Wilhelm Greve
Japanese Beauties, 1776, (1886). Facsimile of a chromoxylograph after Katsukawa Shunsho, engraved in the Seiro Bijin Awase kagami (1776)

Jigoku Reigan, 19th century, (1886). Artist: Wilhelm Greve
Jigoku Reigan, 19th century, (1886). From a painting on silk by Haruki Nammei. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886

Portrait of Vimalakirti, 15th century, (1886). Artist: Wilhelm Greve
Portrait of Vimalakirti, 15th century, (1886). Sesshiu School. From a painting on silk attributed to Shiugrtsu. Vimalakirti is believed to have been the first enlightened lay Buddhist

Falcon, c1790, (1886). Artist: Wilhelm Greve
Falcon, c1790, (1886). Tosa School. From a painting on silk by Itaya Keishu, at the age of 61. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle

Shoki and the Demons, c1880, (1886). Artist: Wilhelm Greve
Shoki and the Demons, c1880, (1886). Shijo School. From a print on silk by Shibata Zeshin. Found in the collection of the British Museum

Cranes, c1840 (1886). Artist: Wilhelm Greve
Cranes, c1840 (1886). Shijo School. From a painting on silk by Mori Ippo. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886

A Spring Morning on the River Yodo, c1870 (1886). Artist: Wilhelm Greve
A Spring Morning on the River Yodo, c1870 (1886). Ganku School. From a painting on silk by Shiwogawa Bunrin. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston

Japanese Beauties, 1776 (1886). Artist: Wilhelm Greve
Japanese Beauties, 1776 (1886). Facsimile of a chromoxylograph after Katsukawa Shunsho, engraved in the Seiro Bijin Awase kagami (1776)

Shoki and the Demons, c1880 (1886). Artist: Wilhelm Greve
Shoki and the Demons, c1880 (1886). Shijo School. From a print on silk by Shibata Zeshin. Found in the collection of the British Museum

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Wilhelm Greve, a talented artist of the 19th century, left an indelible mark on the art world with his exquisite works. From delicate cherry blossoms to majestic cranes, his paintings captured the essence of nature's beauty. In "The Cherry Blossoms of Mikawa, " Greve transports us to a serene landscape where delicate pink petals dance in the wind. The vibrant colors and meticulous details evoke a sense of tranquility that is truly captivating. "A Spring Morning on the River Yodo" takes us on a journey along the peaceful riverbanks. Greve masterfully portrays the play of light and shadow as sunlight filters through lush foliage, creating a breathtaking scene that feels alive with energy. Greve's fascination with Japanese culture is evident in his series "Japanese Beauties. " With each stroke, he brings these elegant women to life, showcasing their grace and allure. His attention to detail captures every intricate kimono pattern and subtle expression, making them come alive on canvas. In "Shoki and the Demons, " Greve delves into mythology, depicting an epic battle between good and evil. The dynamic composition and bold brushstrokes convey both strength and vulnerability as Shoki confronts menacing demons with unwavering determination. Among his diverse subjects are also portraits like "Portrait of Vimalakirti. " Here we see Greve's skill in capturing not only physical likeness but also inner depth. Through careful rendering of facial features and expressive eyes, he reveals Vimalakirti's wisdom and spiritual presence. "Cranes" showcases Greve's ability to capture movement effortlessly. These graceful birds take flight against an ethereal backdrop, their wings outstretched in perfect harmony with nature's rhythm. With each artwork bearing Wilhelm Greve’s signature style – rich colors, meticulous details – it becomes clear why he remains celebrated even today for his contributions to art history.