White Silk Collection

Portrait of a Lady (oil on canvas)
CH437740 Portrait of a Lady (oil on canvas) by English School; 198.1x137.2 cm; Private Collection; (add.info.: traditionally identified as Queen Elizabeth I)

The Ladies Page, Dress (litho)
1605718 The Ladies Page, Dress (litho) by English School, (19th century); Private Collection; (add.info.: The Ladies Page, Dress. Illustration for The Illustrated London News, 22 August 1896)

Silk
Pauline Pentony MA ARPS DPAGB

Overcoat for the Royal Ceremonial Costume, late 18th-early 19th century. Creator: Unknown
Overcoat for the Royal Ceremonial Costume, late 18th-early 19th century

Back Apron for the Royal Ceremonial Robe, late 1800s-early 1900s. Creator: Unknown
Back Apron for the Royal Ceremonial Robe, late 1800s-early 1900s

Costume Design Second Ballet Girl 1901 Watercolors
Artokoloro

Costume Design Seventh Ballet Girl Short White
Artokoloro

Marriage Ceremony Edo period 1615-1868 1768
Artokoloro

Portrait of Marie-Julie Clary (1777-1845) Queen of Naples with her daughter Zenaide Bonaparte
XIR167319 Portrait of Marie-Julie Clary (1777-1845) Queen of Naples with her daughter Zenaide Bonaparte (1801-54) 1807 (oil on canvas) by Lefevre

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White silk, a timeless and elegant fabric, has graced the pages of art and history. From the refined folds of Portrait of a Lady's oil on canvas dress, to the intricate lithographs of The Ladies Page, white silk's allure transcends time. Its silken sheen adorned the overcoat for the Royal Ceremonial Costume in the late 18th-early 19th century, while the back apron for the Royal Ceremonial Robe in the late 19th-early 20th century bore its simple yet sophisticated beauty. White silk's allure extended to the ballet world, with designs for Second and Seventh Ballet Girls in 1901. Artokoloro and Marriage Ceremony Edo period illustrations further showcase its versatility. Marie-Julie Clary, Queen of Naples, donned white silk in her portrait with her daughter Zenaide Bonaparte, a testament to its enduring grace and sophistication.