Westernart Collection (page 4)

Violin "Le Messie"(Messiah), 1716 (wood)
1217507 Violin " Le Messie" (Messiah), 1716 (wood) by Stradivari, Antonio (1644-1737); 59.3x21.3x3.2 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Fine grain in centre)

Design for a foliage background (unfinished) (graphite with brown washes)
1217503 Design for a foliage background (unfinished) (graphite with brown washes) by Morris, William (1834-96); 62.4x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Decorative Still-Life Composition with Birds and Two Bats (oil on copper)
1217495 Decorative Still-Life Composition with Birds and Two Bats (oil on copper) by Kessel, Jan van, the Elder (1626-79); 14x20 cm; Ashmolean Museum, University of Oxford

Decorative Still-Life Composition with a Basket of Fruit (oil on copper)
1217493 Decorative Still-Life Composition with a Basket of Fruit (oil on copper) by Kessel, Jan van, the Elder (1626-79); 14x20 cm; Ashmolean Museum, University of Oxford

M. Bison, 1852 (oil on canvas)
1217474 M. Bison, 1852 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 32x25 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The Mystic Marriage of St Catherine, 1618 - 1619 (pen and brown ink with brown wash over
1217471 The Mystic Marriage of St Catherine, 1618 - 1619 (pen and brown ink with brown wash over indications in black chalk on white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666)

Study for a Recumbent Figure of the Infant Christ (brush drawing on paper)
1217470 Study for a Recumbent Figure of the Infant Christ (brush drawing on paper) by Bellini, Giovanni (c.1431-1516) (attr.to); 20.6x28.5 cm; Ashmolean Museum, University of Oxford

Guitar, 1641 (natural pine, tortoise shell, mother-of-pearl, ivory)
1217466 Guitar, 1641 (natural pine, tortoise shell, mother-of-pearl, ivory) by Voboam, Rene (1606-71); 94x25 cm; Ashmolean Museum, University of Oxford

Guitar, 1688 (Pine, maple)
1217464 Guitar, 1688 (Pine, maple) by Stradivari, Antonio (1644-1737); 100x22 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Antonio Stradivari length: 100 cm width: 22 cm Pine)

Antonia, 1877 (Silverpoint and bodycolour on grey prepared ground)
1217459 Antonia, 1877 (Silverpoint and bodycolour on grey prepared ground) by Burne-Jones, Edward Coley (1833-98); 32x15.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Album of forty-eight drawings (WA1939. 9. 1 - 48)
1217457 Album of forty-eight drawings (WA1939.9.1 - 48) by Burne-Jones, Edward Coley (1833-98); 20.1x13.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Venice: The south-west Angle of the Doges Palace (Pen
1217452 Venice: The south-west Angle of the Doges Palace (Pen and brown ink over faint outlines in black chalk) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 22.5x17.6 cm; Ashmolean Museum

Beach Scene (oil on board)
1217447 Beach Scene (oil on board) by Churchyard, Thomas (1798-1865); 14.1x22 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Pass of Llanberis, c. 1853 (watercolour on paper)
1217445 Pass of Llanberis, c.1853 (watercolour on paper) by Hunt, Alfred William (1830-96); 26.1x38.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Near Brandsby, Yorkshire, 1865 (watercolour on paper)
1217444 Near Brandsby, Yorkshire, 1865 (watercolour on paper) by Cotman, John Sell (1782-1842); 33x22.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Balzac, Head before the Last Study (bronze)
1217443 Balzac, Head before the Last Study (bronze) by Rodin, Auguste (1840-1917); 17.95x18.5x17 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The Sculpture Gallery in the Examination Schools, Oxford
1217440 The Sculpture Gallery in the Examination Schools, Oxford, 1813 (Pen and brown ink and watercolours over indications in graphite) by Westall

Three Women seated on Chairs on a Beach (graphite on white paper)
1217437 Three Women seated on Chairs on a Beach (graphite on white paper) by Boudin, Eugene Louis (1824-98); 10.7x14.9 cm; Ashmolean Museum, University of Oxford

The Nativity (pen and brown ink with brown wash on off-white paper)
1217436 The Nativity (pen and brown ink with brown wash on off-white paper) by Cambiaso, Luca (1527-85); 34x23.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

El Hon, Egypt, 1884 (watercolour and pen and ink with bodycolour)
1217433 El Hon, Egypt, 1884 (watercolour and pen and ink with bodycolour) by Lear, Edward (1812-88); 9.4x18.2 cm; Ashmolean Museum, University of Oxford

Portrait of a young Girl (oil on canvas)
1217432 Portrait of a young Girl (oil on canvas) by Millais, John Everett (1829-96) (attr.to); 36x31 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Summer Sunset (oil on paper)
1217430 Summer Sunset (oil on paper) by Constable, John (1776-1837) (attr. to); 10x17.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A Canal in Bruges at Dusk, c. 1898 (oil on canvas)
1217425 A Canal in Bruges at Dusk, c. 1898 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 49x65 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

The Ancient Charnel House, Holy Trinity Church, Stratford-upon-Avon
1217403 The Ancient Charnel House, Holy Trinity Church, Stratford-upon-Avon (watercolour over indications in graphite, touched with the reed pen) by Girtin

West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)
1217402 West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite) by Girtin, Thomas (1775-1802); 38.2x28.8 cm; Ashmolean Museum, University of Oxford

View of Nantlle, Caernarvonshire, 1855 (oil on canvas)
1217397 View of Nantlle, Caernarvonshire, 1855 (oil on canvas) by Hunt, Alfred William (1830-96); 26x36 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Elias Ashmole, c. 1681 - 1682 (oil on canvas)
1217378 Elias Ashmole, c. 1681 - 1682 (oil on canvas) by Riley, John (1646-91); 124x101 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

William Lilly, 1646 (oil on canvas)
1217373 William Lilly, 1646 (oil on canvas) by British School, (17th century); 74x61 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Richard Napier, c. 1630 (oil on canvas)
1217372 Richard Napier, c.1630 (oil on canvas) by British School, (17th century); 76x64 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Hester Tradescant and her Stepchildren, John and Frances, c. 1644 (oil on canvas)
1217370 Hester Tradescant and her Stepchildren, John and Frances, c. 1644 (oil on canvas) by British School, (17th century); 109x117 cm; Ashmolean Museum, University of Oxford

Memento mori ring, 17th century (Gold)
1217366 Memento mori ring, 17th century (Gold) by Italian School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Italian diameter: internal 1.59 cm thickness: 0.25 cm weight)

Painting on a wall, detail of Ennui, c. 1913 (oil on canvas) (see 138791)
617723 Painting on a wall, detail of Ennui, c.1913 (oil on canvas) (see 138791) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Venice: The Accademia, 1840 (w / c with pen & ink on paper)
700707 Venice: The Accademia, 1840 (w/c with pen & ink on paper) by Turner, Joseph Mallord William (1775-1851); Ashmolean Museum, University of Oxford

View of a military fortress (w / c over pencil on paper)
1065135 View of a military fortress (w/c over pencil on paper) by Pissarro, Camille (1830-1903); 36.2x54.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The White Cloud, c. 1833-34 (oil on canvas)
1199785 The White Cloud, c.1833-34 (oil on canvas) by Palmer, Samuel (1805-81); 22.3x27.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Decoration of a Casket, c. 1535 (pen & ink on paper)
930360 Decoration of a Casket, c.1535 (pen & ink on paper) by Bandinelli, Baccio (1488-1560); Ashmolean Museum, University of Oxford

The Death of General Wolfe, 1763 (oil on canvas)
909362 The Death of General Wolfe, 1763 (oil on canvas) by Penny, Edward (1714-91); 102x127 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: James Wolfe (1727-1759)

The Ponte de Rialto (pen & brown ink on paper)
492438 The Ponte de Rialto (pen & brown ink on paper) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 14x20.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Study of a seated female figure, sewing (pen & ink over pencil on paper)
493513 Study of a seated female figure, sewing (pen & ink over pencil on paper) by Pissarro, Camille (1830-1903); 10.7x12 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

View of Farm Buildings across a Field, 1871 (graphite with black chalk
AMO405100 View of Farm Buildings across a Field, 1871 (graphite with black chalk, pen & ink and crayon on paper) by Millet, Jean-Francois (1814-75); 17.8x22.5 cm; Ashmolean Museum

The Repulse of Attila (brown wash heightened with gouache on paper)
622885 The Repulse of Attila (brown wash heightened with gouache on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 38.8x58 cm; Ashmolean Museum, University of Oxford

The Annunciation (tempera & gilding on panel)
AMO443653 The Annunciation (tempera & gilding on panel) by Uccello, Paolo (1397-1475); 65x48 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Sir Lancelot prevented, by his sin, from entering the Chapel of the Holy Grail
AMO412386 Sir Lancelot prevented, by his sin, from entering the Chapel of the Holy Grail (w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); Ashmolean Museum, University of Oxford

Portrait of Sir William Murray, 1st Earl of Mansfield (enamel on copper)
1217365 Portrait of Sir William Murray, 1st Earl of Mansfield (enamel on copper) by Birch, William Russell (1755-1834); Ashmolean Museum, University of Oxford

Pieta (tempera on panel)
1217363 PietA (tempera on panel) by Marmion, Simon (c.1425-89) (follower of); 30x22 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Simon Marmion, follower of Lieven van Laetham)

Mrs Thomas Combe (1806-1893) (red and black chalk)
1217361 Mrs Thomas Combe (1806-1893) (red and black chalk) by Hunt, William Holman (1827-1910); 59.1x47.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome)
1217348 Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome) by Florentine School (15th Century); Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous, Italian)

All Professionally Made to Order for Quick Shipping

"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.