Wenceslaus Collection

VIEW OF LONDON, 1647. Detail of Wenceslaus Hollars Long View of London, England from the Bankside, 1647, showing the Globe Theatre and the Bear Garden, the labels of which buildings are reversed

Illuminated Wenzelbibel manuscript
A page from the illuminated manuscript known as the Wenzelbibel (or Wenzelsbibel), named after King Wenzel (Wenceslaus) IV of Bohemia

Dutch Warships (Naves BellicaeHollandicae), 1647. Creator: Wenceslaus Hollar
Dutch Warships (Naves Bellicae Hollandicae), 1647

View of London, c1650, (19th century). Panoramic view of London from the South Bank showing the old St Pauls Cathedral before the Great Fire of London in 1666

Dance Macabre of skeletons and kings, cardinals, emperors
A parade of skeletons of Death accompany Emperors, Kings, Cardinals, Bishops and other Nobles in a Danse Macabre. Copied from an engraving by Hollar in The History of St

Monument of William Herbert, Earl of Pembroke, in old St Pauls Cathedral, City of London, 1656. Tomb of the Earl of Pembroke and his wife, Anne Parr

Head and shoulders of a Turk, with a moustache and a large turban, 1645

Skeleton of Death about to spear a Swiss soldier on a battlefield, as another skeletal drummer advances behind them. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by

The Rhine near Bonn, copy, 1625-77. Creator: Abraham Aubri
The Rhine near Bonn, copy, 1625-77

Coronation Procession of Charles II, 1662. Creator: Wenceslaus Hollar
Coronation Procession of Charles II, 1662

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Poland, Krakow. Wawel Cathedral - Lemaitre and Dumouza
Poland, Krakow. Wawel Cathedral. Polish national sanctuary. It has traditionally served as coronation site of the Polish monarchs. Engraving by Lemaitre and Dumouza

Thomas Hobbes of Malmesbury (engraving)
2913946 Thomas Hobbes of Malmesbury (engraving) by Jaspers, Jan Baptist (c.1620-91) (after); Private Collection; (add.info.: English philosopher)

Carolus IIII, illustration from Imperatorum romanorum omnium orientalium et
955738 Carolus IIII, illustration from Imperatorum romanorum omnium orientalium et occidentalium verissimae imagines ex antiquis numismatis, woodcut by Rudolph Wyssenbach, printed by Andreas Gesner

Wenceslaus Hollar (1607-1677), a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. Date: 1875

Savoy Prison, part of the ancient Palace of the Savoy, used as a military prison in the 18th century. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of

View of the Schonbrunn Palace, Vienna, 1822. The main summer residence of the Habsburg rulers. Vista dell Imp. Palazzo di Schoenbrun

Rites of Convocation of the Holy Roman Emperor. Charles IV recieving a messenger 1, an electoral mandate 2, the Elector of Brandenburg washing his hands in a silver bowl 3

Audiences with Holy Roman Emperor Charles IV, 1365
Audiences with Holy Roman Emperor Charles IV. In crown and ermine cape, he receives boxes of gold and silver 1, diplomas 2, coins from common informers or conspirators 3

Miniatures from the Golden Bull, 1365
King Wenceslaus of Bohemia riding with the Archbishop of Mainz, the Bishops of Bamberg and Wurtzburg and the Burgraves of Nuremberg 1; citizens of Frankfurt on horseback 2; the Archbishop of Mainz 3

First page of the famous Vienna Codex of the Golden Bull, 1365, an illuminated manuscript prepared for King Wenceslaus IV of Bohemia. Miniatura nel Codice Viennese

Standing figure and Golden Bull seals of HRE Charles IV
Standing figure and seals from the Golden Bull of King Wenceslaus IV of Bohemia, Charles Holy Roman Emperor, 1316-1378. Figura in piedi e Sigillo di Carlo IV

View of Cologne Cathedral, Germany
View of Cologne Cathedral, Gothic church in Cologne, Germany. Lato della chiesa Cattedrale di Colonia. Handcoloured copperplate engraving from Giulio Ferrarios Costumes Ancient

Holy Roman Emperor Wenceslaus IV of Bohemia, 1361-1419. King of Bohemia, German King, King of the Romans. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy

Holy Roman Emperor Charles IV, 1316-1378. Carolus IV Bohemus, King of Bohemia. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy, Francois Salma, Utrecht, 1697

Two Skeletons of Death lead an Old Woman to her fate as she prays on her rosary. One has a wreath on its skull and beats her, and the other plays a dulcimer

Skeleton of Death leading an Old Man to his grave
Skeleton of Death playing a psaltery as he leads an Old Man to his grave. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816

The Skeleton of Death and the Devil fight over a Gambler
The Skeleton of Death and the Devil fighting over a losing Gamester in a gambling house. Two other gamblers sit at a table with cards and coins

Two skeletons of Death interrupt a Waggoner on the road, killing his horse, smashing his waggon and opening his wine barrels

Skeleton of Death stealing gold from a Miser
Skeleton of Death stealing gold coins and treasure from a Miser in his vault with barred windows. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein

Two skeletons of Death interrupt an itinerant Hawker with his heavy load as he points to his destination. One skeleton plays on a trompette marine, or marine trumpet

Skeleton of Death pulling the hair of a Merchant as he counts his money and examines his goods on the dock. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans

Skeleton of Death adorning a Countess with a necklace of bones even as she is preoccupied with a new gown from her maid. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of

Skeleton of Death beating a drum for a newly married couple. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816

Skeleton of Death showing the hourglass to an Advocate, even as he is being paid off by a Judge in front of a wretched client

Skeleton of Death taunting a Physician to save a sick old man. A phial of urine in the the skeletons bony hand. Physician, heal thyself

Skeleton of Death holding a bone above a Preacher
Skeleton of Death holding a bone above the head of a Preacher as he preaches to his congregation in church. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans

Skeleton of Death extinguishing candles before a Canoness
Skeleton of Death extinguishing candles on an altar before a Canoness as she listens to a young troubadour playing a lute

Skeleton of Death catching the Friar Provisor
Skeleton of Death catching the cloak collar of the Friar Provisor as he enters a convent with money-box and wallet. The convent wall is crumbling and smoke billows from inside

Skeleton of Death dragging away an Abbess
Skeleton of Death in wreath dragging away an Abbess with veil, rosary and crozier from her convent as a distraught nun watches

Skeleton of Death dragging away an Abbot by his robes
Skeleton of Death with mitre and crozier pulling an Abbot by his robes. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816

Skeleton of Death killing a Count with his own escutcheon. On the ground is his helmet and a flail, symbol of his oppressed vassals

Skeleton of Death takes the arm of a Bishop with mitre and crozier, as distraught shepherds leave their sheep in the meadow

Skeleton of Death comes for the Elector as he exits his palace with his courtiers and ignores a widow and orphan. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by

Skeleton of Death grabbing the hat of a Cardinal as he receives a Papal bull from a messenger in a vineyard. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans

Skeleton of Death with the Queen
Skeleton of Death in hooded robe walks with the Queen in a parade with ladies in waiting in front of a grand palace. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by

Skeleton of Death with an Emperor on his throne
Skeleton of Death resting his arm on the Emperor on his throne as he sits in judgment on a case. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein

Death attending the Pope as he crowns an Emperor attended by cardinals and bishops. Another skeleton in cardinals robes at right

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"Wenceslaus: A Glimpse into 17th Century London and Beyond" Step back in time with Wenceslaus Hollar, a renowned artist whose works captured the essence of his era. One of his most famous pieces, the "Long View of London, England from the Bankside, " painted in 1647, offers a fascinating glimpse into the bustling cityscape. As you explore this detailed masterpiece, your eyes will be drawn to iconic landmarks such as the Globe Theatre and the Bear Garden – intriguingly labeled in reverse. But Wenceslaus's talent extended far beyond capturing cityscapes. In his illuminated manuscript known as the "Wenzelbibel, " he beautifully depicted scenes from Dance Macabre – an eerie yet captivating portrayal of skeletons mingling with kings, cardinals, and emperors. Venturing beyond London's borders, Hollar's artistic prowess also shines through in his depiction of Dutch warships sailing proudly on turbulent seas. These intricate drawings showcase not only his attention to detail but also provide insight into naval warfare during that period. In another work titled "View of London" from around 1650 (later reproduced in the 19th century), we witness how Hollar continued to capture different facets of this ever-evolving cityscape. The juxtaposition between old and new is evident as architectural changes become apparent over time. Hollar's talents were not limited to landscapes; he excelled at portraiture too. His skillful rendering brings forth a striking image of a Turk adorned with an impressive mustache and turban – an embodiment of cultural diversity prevalent during those times. Traveling further eastward to Krakow, Poland, we find ourselves immersed in Wawel Cathedral thanks to Hollar's artistry once again. Through delicate strokes on paper or canvas, he transports us to this magnificent place where history meets spirituality.