Weakness Collection

Running injuries, conceptual artwork

Alcoholism: mottos of the week (chromolitho)
5996072 Alcoholism: mottos of the week (chromolitho) by English School, (20th century); Private Collection; (add.info.: Alcoholism: mottos of the week)

Returning from Brookss, 1784 (colour etching)
XCF290978 Returning from Brooks s, 1784 (colour etching) by Gillray, James (1757-1815); Private Collection; (add.info.: the Prince of Wales)

An elderly man discovering a sick mother and her daughter hiding
5307949 An elderly man discovering a sick mother and her daughter hiding.; (add.info.: Engraving an elderly man discovering a sick mother and her daughter hiding in his cellar. Dated 19th century)

Cartoon depicting a man, suffering with food poisoning, asking the pharmacist for a cure, 19th century
5309344 Cartoon depicting a man, suffering with food poisoning, asking the pharmacist for a cure, 19th century; (add.info.: Cartoon depicting a man, suffering with food poisoning)

Delilah cutting Samson's hair, 1834
3478951 Delilah cutting Samson's hair, 1834; (add.info.: Delilah cutting Samson's hair. Illustration by William Marshall Craig (ca l765-ca l834)

The International Exhibition: "The Wounded Achilles", a plaster statue, by Carl Cauer, 1862. The action of Achilles endeavouring to extract the arrow from his heel

Spanish Advertisement El Vigorizador Electrico
Spanish advertisement for El Vigorizador Electrico, or The Electric Invigorator, of Doctor Maclaughlin, guaranteed to cure all nervous problems, weakness, headaches, memory loss, insomnia etc

The Philistines took him, and put out his eyes, mid 19th century. Creator: WH Egleton
The Philistines took him, and put out his eyes, mid 19th century. Biblical scene, from Judges 16: 21: But the Philistines took him, and put out his eyes, and brought him down to Gaza

Jesus On The Cross With Two Others

The Victor (w/c & lead white heightening on paper)
5913364 The Victor (w/c & lead white heightening on paper) by Shields, Frederic James (1833-1911); 164.2x87.7 cm; Manchester Art Gallery

Sisterly Help (pencil on paper)
5913363 Sisterly Help (pencil on paper) by Shields, Frederic James (1833-1911); Manchester Art Gallery, UK; (add.info.: sketch of a young girl holding a lamb in her arms)

Mugged (colour litho)
3641742 Mugged (colour litho) by English School, (20th century); Private Collection; (add.info.: Mugged. Postcard, early 20th century.); © Look and Learn

Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w / c)
XYC285570 Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

La Fontaines Fables - The Lion Grown Old
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Lion Grown Old

Jesus falling with the Cross
Vintage engraving from the 1870 of a scene from the New Testament by Gustave Dore showing Jesus Christ falling with the Cross

Spirits of the Envious
" Spirits of the Envious, A scene from Dantes Purgatorio. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

God saves Jerusalem from the plague
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] God prevents further deaths in

A Farm House Holiday (colour litho)
1045090 A Farm House Holiday (colour litho) by English School, (19th century); Private Collection; (add.info.: A Farm House Holiday)

The wolf and the lamb (chromolitho)
961377 The wolf and the lamb (chromolitho) by French School, (19th century); Private Collection; (add.info.: The wolf and the lamb. 19th century illustration by unknown artist.); © Look and Learn

Self-Portrait with Dr. Arrieta, 1820 (oil on canvas)
487990 Self-Portrait with Dr. Arrieta, 1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 114.6x76.5 cm; Minneapolis Institute of Arts, MN

Acrasia, c. 1888 (oil and gold paint on canvas)
PNH366435 Acrasia, c.1888 (oil and gold paint on canvas) by Strudwick, John Melhuish (1849-1937); 70.5x56.5 cm; Private Collection; (add.info.: Acrasia)

Sketches in Burmah, Maymyo, the Hill-Station of Mandalay (engraving)
1595863 Sketches in Burmah, Maymyo, the Hill-Station of Mandalay (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Burmah, Maymyo)

On Albions Angels... plate 17 from America: A Prophecy
XYC285562 On Albions Angels... plate 17 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake

Samson and Delilah (oil on canvas)
REV346182 Samson and Delilah (oil on canvas) by Pina, Jose Salome (1830-1909); Museo Nacional de Arte, Mexico City, Mexico; (add.info)

Samson and Delilah (pen & ink on paper)
AGN284349 Samson and Delilah (pen & ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Private Collection; Photo eAgnew s, London; Italian, out of copyright

The Wounded Achilles, 1825 (marble)
5920597 The Wounded Achilles, 1825 (marble) by Albacini, Filippo (1777-1858); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian

Delilah, illustration from Women of the Bible
IL281094 Delilah, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright

With an effort he looked at them as they passed, illustration from
STC306484 With an effort he looked at them as they passed, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print) by Crane

Weary, 1863 (drypoint & carbon ink on paper)
FIT277181 Weary, 1863 (drypoint & carbon ink on paper) by Whistler, James Abbott McNeill (1834-1903); 19.7x13.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; American

Russian Soldier Has His Wounds Attended to by Japenese Military Personnel
1275181 Russian Soldier Has His Wounds Attended to by Japenese Military Personnel, published 1905 (colour woodcut) by Kobayashi Kiyochika (1847-1915)

Courage, Anxiety and Despair: Watching the Battle (oil on canvas)
623131 Courage, Anxiety and Despair: Watching the Battle (oil on canvas) by Sant, James (1820-1916); 121.9x152.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Danton, no weakness! (engraving)
3634844 Danton, no weakness! (engraving) by English School, (19th century); Private Collection; (add.info.: Danton, no weakness! Illustration for Chatterbox, 1888)

In the flames stood... plate 16 from America: A Prophecy
XYC285563 In the flames stood... plate 16 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

Samson and Delilah, c. 1621 (oil on canvas)
499718 Samson and Delilah, c.1621 (oil on canvas) by Honthorst, Gerrit van (1590-1656); 158.4x122.5 (framed) 139.7x177.8 (unframed) cm; Cleveland Museum of Art, OH

Renewal of the Triple Alliance (colour litho)
2818757 Renewal of the Triple Alliance (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Renewal of the Triple Alliance. Cauterising a wooden leg)

The Wounded Achilles, 1825 (marble)
5920587 The Wounded Achilles, 1825 (marble) by Albacini, Filippo (1777-1858); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian

Achilles wounded by Paris, c. 1650 (oil on canvas)
3930854 Achilles wounded by Paris, c.1650 (oil on canvas) by Flemalle, Bertholet (1614-75); 98x70 cm; National Museum, Stockholm

The Lion and the Mouse (oil on canvas)
3115272 The Lion and the Mouse (oil on canvas) by Vos, Paul de (1590-1678) (studio of); 160x228.5 cm; Culzean Castle, Maybole

The Birth and Infancy of Achilles (oil on canvas)
CH463072 The Birth and Infancy of Achilles (oil on canvas) by Testa, Pietro (Il Lucchesino) (1611-50); 99.1x136.5 cm; Private Collection; (add.info)

A chevalier of the Legion of Honour: a wounded French captain
STC312555 A chevalier of the Legion of Honour: a wounded French captain, about to undergo a perilous operation, decorated by his General in a field-hospital

Frontispiece from America: A Prophecy, 1793 (relief etching printed in brown
XYC285553 Frontispiece from America: A Prophecy, 1793 (relief etching printed in brown with pen & ink and w/c) by Blake, William (1757-1827); 23.5x16.8 cm; Yale Center for British Art

So cried he... plate 14 from America: A Prophecy
XYC285549 So cried he... plate 14 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake, William (1757-1827); 36.8x26.7 cm; Yale Center for British Art

Robbing the Wounded! or, Spains Weakness is Americas Opportunity (colour litho)
3648283 Robbing the Wounded! or, Spains Weakness is Americas Opportunity (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: Robbing the Wounded)

The Wounded Achilles, 1825 (marble)
5324910 The Wounded Achilles, 1825 (marble) by Albacini, Filippo (1777-1858); 114x194x80 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Francis II of France informing deputies of parliament that he has chosen his uncles, the Duke of Guise and Charles
969169 Francis II of France informing deputies of parliament that he has chosen his uncles, the Duke of Guise and Charles, Cardinal of Lorraine, to govern for him, 1559 (engraving) by French School

Weary, 1863 (drypoint on paper)
FSG324665 Weary, 1863 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 19.5x13.2 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Joanna Hiffernan)

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"Exploring the Fragility Within: A Journey Through Weakness" In a world where strength is celebrated, we often overlook the power that lies within our weaknesses. From running injuries to conceptual artwork, weakness takes on various forms and holds profound lessons for us all. Running injuries remind us of our physical limitations and teach us humility. They force us to slow down, listen to our bodies, and find alternative paths towards progress. Just like a conceptual artwork challenges conventional norms, weakness invites us to question societal expectations and redefine success on our own terms. Alcoholism: mottos of the week depicted in chromolitho prints reveal the dark side of vulnerability. It reminds us that even in moments of weakness, there is hope for redemption and recovery. Similarly, "Returning from Brookss" captured in a color etching showcases how one can rise above their weaknesses with determination and resilience. "The Victor, " portrayed through watercolor and lead white heightening on paper, symbolizes triumph over personal battles. It illustrates that weakness does not define an individual but rather serves as a catalyst for growth. "Sisterly Help, " depicted in pencil on paper, exemplifies the strength found in unity during times of vulnerability. It emphasizes the importance of support systems when facing life's challenges head-on. "The Philistines took him. . " painted by WH Egleton portrays Samson's loss of physical strength but highlights his unwavering spirit despite adversity. This biblical reference reminds us that even when weakened physically or emotionally, inner strength can prevail. The image of Jesus On The Cross With Two Others represents ultimate sacrifice amidst human frailty—a reminder that even divinity experienced moments of profound vulnerability. An information leaflet advertising Dr Williams' pink pills for pale people brings attention to society's obsession with quick fixes for perceived weaknesses—highlighting the need for self-acceptance instead. "Mugged, " presented as a color lithograph print captures an unfortunate encounter, showcasing vulnerability in the face of adversity.