Fraud Blocker Skip to main content

War Bonnet Collection

"War Bonnet: A Symbol of Native American Heritage and Valor" The war bonnet, a majestic headdress adorned with feathers

Background imageWar Bonnet Collection: Crow chief

Crow chief
Crow Indian chief in a traditional war bonnet and clothing, circa 1900. Digitally colored halftone of a photograph

Background imageWar Bonnet Collection: WASHAKIE (c1804-1900). Shoshone Native American chief. Photographed c1885

WASHAKIE (c1804-1900). Shoshone Native American chief. Photographed c1885

Background imageWar Bonnet Collection: BODMER: MANDAN CHIEF. Mah-to-toh-pa, or Four Bears. Watercolor, 1832-34, by Karl Bodmer

BODMER: MANDAN CHIEF. Mah-to-toh-pa, or Four Bears. Watercolor, 1832-34, by Karl Bodmer

Background imageWar Bonnet Collection: Princess White Deer, or Princess Deer Foot, portrait photograph, 1919 Oct. 14

Princess White Deer, or Princess Deer Foot, portrait photograph, 1919 Oct. 14. Creator: Arnold Genthe
Princess White Deer, or Princess Deer Foot, portrait photograph, 1919 Oct. 14. Esther Louise Georgette Deer, Native American woman of the Mohawk tribe who performed under the name Princess White Deer

Background imageWar Bonnet Collection: Lazy Boy, Indian Chief, 1914. Creator: Harris & Ewing. Lazy Boy, Indian Chief, 1914

Lazy Boy, Indian Chief, 1914. Creator: Harris & Ewing. Lazy Boy, Indian Chief, 1914. Creator: Harris & Ewing
Lazy Boy, Indian Chief, 1914. Native American man

Background imageWar Bonnet Collection: Victory, 1908. Creator: Edward Sheriff Curtis

Victory, 1908. Creator: Edward Sheriff Curtis
Victory, 1908. Photograph shows several Crow Indians, including Plenty Coups, Wet, Bull Don't Fall Down, and Spotted Jack Rabbit wearing traditional clothing

Background imageWar Bonnet Collection: Joseph-Nez Percé, c1903. Creator: Edward Sheriff Curtis

Joseph-Nez Percé, c1903. Creator: Edward Sheriff Curtis
Joseph-Nez Perce, c1903. Photograph shows Chief Joseph, half-length portrait, facing front, wearing war bonnet and several necklaces

Background imageWar Bonnet Collection: Iron Breast-Piegan, c1900. Creator: Edward Sheriff Curtis

Iron Breast-Piegan, c1900. Creator: Edward Sheriff Curtis
Iron Breast-Piegan, c1900. Iron Breast, full-length portrait of a Piegan man, standing, wearing war bonnet, holding tomahawk and animal pelt draped over his arm

Background imageWar Bonnet Collection: Piegan war-bonnet and coup-stick, c1910. Creator: Edward Sheriff Curtis

Piegan war-bonnet and coup-stick, c1910. Creator: Edward Sheriff Curtis
Piegan war-bonnet and coup-stick, c1910. Piegan man, half-length portrait, dressed in war bonnet and holding a feathered coup-stick, facing front

Background imageWar Bonnet Collection: Sioux chiefs, c1905. Creator: Edward Sheriff Curtis

Sioux chiefs, c1905. Creator: Edward Sheriff Curtis
Sioux chiefs, c1905. Photograph shows three Native Americans on horseback

Background imageWar Bonnet Collection: High Hawk, 1907. Creator: Edward Sheriff Curtis

High Hawk, 1907. Creator: Edward Sheriff Curtis
High Hawk, 1907. Photograph shows full-length portrait of High Hawk, facing front, standing, wearing war bonnet, ceremonial dress, medallion, and holding a coup stick

Background imageWar Bonnet Collection: Bullchief at the ford, c1905. Creator: Edward Sheriff Curtis

Bullchief at the ford, c1905. Creator: Edward Sheriff Curtis
Bullchief at the ford, c1905. Bullchief, wearing war bonnet, crossing shallow rapids on horseback

Background imageWar Bonnet Collection: Raven Blanket-Nez Percé, c1910. Creator: Edward Sheriff Curtis

Raven Blanket-Nez Percé, c1910. Creator: Edward Sheriff Curtis
Raven Blanket-Nez Perce, c1910. Raven Blanket, half-length portrait, facing right, wearing several necklaces and warbonnet with ermine streamers

Background imageWar Bonnet Collection: On the war path-Atsina, c1908. Creator: Edward Sheriff Curtis

On the war path-Atsina, c1908. Creator: Edward Sheriff Curtis
On the war path-Atsina, c1908. Small band of Atsina men on horseback, some carrying staffs with feathers, one wearing a war bonnet

Background imageWar Bonnet Collection: High Hawk, c1907. Creator: Edward Sheriff Curtis

High Hawk, c1907. Creator: Edward Sheriff Curtis
High Hawk, c1907. High Hawk, standing, facing left, in ceremonial dress, war bonnet and holding a coup stick

Background imageWar Bonnet Collection: Pretty Paint by Edward S. Curtis, 1904 (sepia print)

Pretty Paint by Edward S. Curtis, 1904 (sepia print)
2630173 Pretty Paint by Edward S. Curtis, 1904 (sepia print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Pretty Paint by Edward S)

Background imageWar Bonnet Collection: Sioux and Arrapahoe Indian Delegations, between 1865 and 1880. Creator: Unknown

Sioux and Arrapahoe Indian Delegations, between 1865 and 1880. Creator: Unknown
Sioux and Arrapahoe Indian Delegations, between 1865 and 1880. L to R, seated: Red Cloud, Big Road, Yellow Bear, Young Man Afraid of his Horses, Iron Crow

Background imageWar Bonnet Collection: Group of Sioux Indians 'Spotted Tail'(photo c. 1875). Creator: Unknown

Group of Sioux Indians "Spotted Tail"(photo c. 1875). Creator: Unknown
Group of Sioux Indians " Spotted Tail" (photo c. 1875). Standing: Joe Merrivale; Young Spotted Tail; Antoine Janis; Seated

Background imageWar Bonnet Collection: Indians group, between 1865 and 1880. Creator: Unknown

Indians group, between 1865 and 1880. Creator: Unknown
Indians group, between 1865 and 1880

Background imageWar Bonnet Collection: Chief Blue Horse, Sioux, 1899 (oil on canvas)

Chief Blue Horse, Sioux, 1899 (oil on canvas)
NBY332223 Chief Blue Horse, Sioux, 1899 (oil on canvas) by Burbank, Elbridge Ayer (1858-1949); 33x23 cm; Newberry Library, Chicago, Illinois

Background imageWar Bonnet Collection: A Sioux Indian Chief (colour litho)

A Sioux Indian Chief (colour litho)
981827 A Sioux Indian Chief (colour litho) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: A Sioux Indian Chief.); Look and Learn / Elgar Collection

Background imageWar Bonnet Collection: Attack on a train by Native Americans in Arizona (colour litho)

Attack on a train by Native Americans in Arizona (colour litho)
2779170 Attack on a train by Native Americans in Arizona (colour litho) by French School, (20th century); Private Collection; (add.info.: Attack on a train by Native Americans in Arizona)

Background imageWar Bonnet Collection: The Ghost Dance, uprising of the Lakota Sioux, 1890-1891 (coloured engraving)

The Ghost Dance, uprising of the Lakota Sioux, 1890-1891 (coloured engraving)
5998785 The Ghost Dance, uprising of the Lakota Sioux, 1890-1891 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The Ghost Dance, uprising of the Lakota Sioux)

Background imageWar Bonnet Collection: Sioux Indian warriors (chromolitho)

Sioux Indian warriors (chromolitho)
2782514 Sioux Indian warriors (chromolitho) by European School, (19th century); Private Collection; (add.info.: Sioux Indian warriors. Liebig card, published in late 19th or early 20th century)

Background imageWar Bonnet Collection: Indian braves (chromolitho)

Indian braves (chromolitho)
2782698 Indian braves (chromolitho) by European School, (19th century); Private Collection; (add.info.: Indian braves. Liebig card, published in late 19th or early 20th century)

Background imageWar Bonnet Collection: On the War Path, pub. 1871 (colour litho)

On the War Path, pub. 1871 (colour litho)
2630669 On the War Path, pub. 1871 (colour litho) by Stanley, John Mix (1814-72); Private Collection; The Stapleton Collection; American, out of copyright

Background imageWar Bonnet Collection: Letter I (chromolitho)

Letter I (chromolitho)
3626570 Letter I (chromolitho) by Zweigle, Walter (1859-1904); Private Collection; (add.info.: Letter I. Illustration from Welt-ABC (Gustav Weise, Stuttgart, c1894).); © Look and Learn

Background imageWar Bonnet Collection: Meeting of Apaches revolting in Arizona (colour litho)

Meeting of Apaches revolting in Arizona (colour litho)
3620882 Meeting of Apaches revolting in Arizona (colour litho) by Carrey, (fl.1900) (after); Private Collection; (add.info.: Meeting of Apaches revolting in Arizona)

Background imageWar Bonnet Collection: Indian utensils and arms, engraved by Du Casse, published in 1841 (aquatint)

Indian utensils and arms, engraved by Du Casse, published in 1841 (aquatint)
NBY332266 Indian utensils and arms, engraved by Du Casse, published in 1841 (aquatint) by Bodmer, Karl (1809-93) (after); 44x60 cm; Newberry Library, Chicago, Illinois

Background imageWar Bonnet Collection: Revolt by the Apaches in Arizona (colour litho)

Revolt by the Apaches in Arizona (colour litho)
2779314 Revolt by the Apaches in Arizona (colour litho) by French School, (20th century); Private Collection; (add.info.: Revolt by the Apaches in Arizona)

Background imageWar Bonnet Collection: North American Indians (chromolitho)

North American Indians (chromolitho)
2782575 North American Indians (chromolitho) by European School, (19th century); Private Collection; (add.info.: North American Indians. Liebig card, published in late 19th or early 20th century)

Background imageWar Bonnet Collection: Native Americans Watching a Locomotive Traverse the American West, 1926 (b / w engraving)

Native Americans Watching a Locomotive Traverse the American West, 1926 (b / w engraving)
3036346 Native Americans Watching a Locomotive Traverse the American West, 1926 (b/w engraving) by American School, (20th century); (add.info)

Background imageWar Bonnet Collection: Scene from Last of the Mohicans, by James Fenimore Cooper (chromolitho)

Scene from Last of the Mohicans, by James Fenimore Cooper (chromolitho)
1093675 Scene from Last of the Mohicans, by James Fenimore Cooper (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Last of the Mohicans)

Background imageWar Bonnet Collection: The Apache chief Geronimo on the warpath in 1885 (b / w photo)

The Apache chief Geronimo on the warpath in 1885 (b / w photo)
6032911 The Apache chief Geronimo on the warpath in 1885 (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info)

Background imageWar Bonnet Collection: Black and White Mood in the Forest

Black and White Mood in the Forest
BagasPhotowork

Background imageWar Bonnet Collection: Mexica Warrior - Morning Hunt

Mexica Warrior - Morning Hunt
Ali Khataw

Background imageWar Bonnet Collection: General J. E. Smith and Indians, 1870s. Creator: Mathew Brady

General J. E. Smith and Indians, 1870s. Creator: Mathew Brady
General J. E. Smith and Indians, 1870s

Background imageWar Bonnet Collection: Maffet Ledger: Two Mounted Indians, ca. 1874-81. Creator: Unknown

Maffet Ledger: Two Mounted Indians, ca. 1874-81. Creator: Unknown
Maffet Ledger: Two Mounted Indians, ca. 1874-81

Background imageWar Bonnet Collection: Maffet Ledger: Indian chief and soldier, ca. 1874-81. Creator: Unknown

Maffet Ledger: Indian chief and soldier, ca. 1874-81. Creator: Unknown
Maffet Ledger: Indian chief and soldier, ca. 1874-81

Background imageWar Bonnet Collection: Maffet Ledger: Three indians following a chief, ca. 1874-81. Creator: Unknown

Maffet Ledger: Three indians following a chief, ca. 1874-81. Creator: Unknown
Maffet Ledger: Three indians following a chief, ca. 1874-81

Background imageWar Bonnet Collection: A Sioux chief in his warpaint, 1912. Artist: Robert Wilson Shufeldt

A Sioux chief in his warpaint, 1912. Artist: Robert Wilson Shufeldt
A Sioux chief in his warpaint, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageWar Bonnet Collection: North American Indian, 1912. Artist: Elliott & Fry

North American Indian, 1912. Artist: Elliott & Fry
North American Indian, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageWar Bonnet Collection: A Native American chief and squaws, 1912

A Native American chief and squaws, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageWar Bonnet Collection: A Sahaptin chief, 1912. Artist: Robert Wilson Shufeldt

A Sahaptin chief, 1912. Artist: Robert Wilson Shufeldt
A Sahaptin chief, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageWar Bonnet Collection: Indian types of North America, 1909

Indian types of North America, 1909. From Harmsworth History of the World, Volume 8, by Arthur Mee, J.A. Hammerton, & A.D. Innes, M.A. [Carmelite House, London, 1909]

Background imageWar Bonnet Collection: Kinnewankan, chief of the Sioux, 1922

Kinnewankan, chief of the Sioux, 1922. Illustration from Peoples of All Nations, Their Life Today and the Story of Their Past, volume II, British Empire to Dahomey, edited by J A Hammerton

Background imageWar Bonnet Collection: Portrait of an American Indian, 20th century

Portrait of an American Indian, 20th century

Background imageWar Bonnet Collection: Aborigines of North America, 1873. Artist: JJ Crew

Aborigines of North America, 1873. Artist: JJ Crew
Aborigines of North America, 1873. From Left to right: Iriouois (Iroquois), Assiniboine, Crow, Pawnee woman, Assiniboine in gala dress, Dakotah (Lakota) or Sioux warrior



All Professionally Made to Order for Quick Shipping

"War Bonnet: A Symbol of Native American Heritage and Valor" The war bonnet, a majestic headdress adorned with feathers, holds deep cultural significance among various Native American tribes. It represents the bravery, leadership, and spiritual connection to nature that were integral to their way of life. One notable figure who wore the war bonnet was Washakie, a revered Crow chief known for his wisdom and diplomacy. Captured in a photograph from 1885, his regal presence is enhanced by the intricate details of his headdress. Karl Bodmer's watercolor painting from 1832-34 showcases Mah-to-toh-pa, also known as Four Bears – a Mandan chief donning an impressive war bonnet. The vibrant colors and meticulous brushstrokes bring forth the power and authority embodied by this esteemed leader. Edward S. Curtis' sepia print captures Pretty Paint in 1904 wearing an exquisite war bonnet. This image serves as a testament to Curtis' dedication in preserving Native American culture through photography. Photographs from unknown creators depict Sioux chiefs such as Spotted Tail and Blue Horse proudly displaying their war bonnets during important gatherings or ceremonies between 1865 and 1899. These images offer glimpses into the rich heritage of these indigenous communities. Not all depictions are celebratory; some highlight conflicts faced by Native Americans during colonization. A color lithograph portrays an attack on a train by Native Americans in Arizona – showcasing resistance against encroachment on their lands. Another colored engraving depicts "The Ghost Dance, " which symbolized hope amidst despair during the Lakota Sioux uprising of 1890-1891. The participants wear their war bonnets while engaging in this spiritual movement aimed at restoring harmony between humans and nature. Lastly, chromolithographs portray Sioux Indian warriors clad in traditional attire with striking war bonnets – evoking both fearlessness on the battlefield and reverence for their cultural heritage.