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Virginal Collection

"Captivating the Essence of Virginal Beauty: A Journey through Art and Music" Step into the enchanting world of virginals, where innocence meets elegance

Background imageVirginal Collection: Edwardian Blushing Bride

Edwardian Blushing Bride
A nervous looking Edwardian bride complete with veil and bouquet stands upon a Turkish carpet in order to be photographed, her long train draped over her arm

Background imageVirginal Collection: The music lesson, 1826. Creator: Rieder, Wilhelm August (1796-1880)

The music lesson, 1826. Creator: Rieder, Wilhelm August (1796-1880)
The music lesson, 1826. Private Collection

Background imageVirginal Collection: Woman Playing the Virginal, c.1637. Creator: Jan Miense Molenaer

Woman Playing the Virginal, c.1637. Creator: Jan Miense Molenaer
Woman Playing the Virginal, c.1637

Background imageVirginal Collection: Young woman at her first communion with an attendant, c1900. Creator: Elizabeth B. Brownell

Young woman at her first communion with an attendant, c1900. Creator: Elizabeth B. Brownell
Young woman at her first communion with an attendant, c1900

Background imageVirginal Collection: Virginal Woman, 1662. Creator: Gabriel Metsu

Virginal Woman, 1662. Creator: Gabriel Metsu
Virginal Woman, 1662

Background imageVirginal Collection: Ms 782 ff. 107v-108 Come away, come away Hecate

Ms 782 ff. 107v-108 Come away, come away Hecate
2613457 Ms 782 ff.107v-108 Come away, come away Hecate, musical score for Macbeth (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageVirginal Collection: Portrait of a singer at the harpsichord. Creator: Weikert, Georg (1743 / 45-1799)

Portrait of a singer at the harpsichord. Creator: Weikert, Georg (1743 / 45-1799)
Portrait of a singer at the harpsichord. Private Collection

Background imageVirginal Collection: Virginal, or Dietrich's Erste Ausfahrt (Fragment)

Virginal, or Dietrich's Erste Ausfahrt (Fragment)
Fragment of a bifolium from the Virginal or Dietrich's Erste Ausfahrt (Dietrich's First Departure), parchment. An epic poem from the Dietrich cycle

Background imageVirginal Collection: A Musical Party (oil on canvas)

A Musical Party (oil on canvas)
3087328 A Musical Party (oil on canvas) by La Tarte, Paul (d.1636); 116 x 98.8 cm; National Museum, Stockholm, Sweden

Background imageVirginal Collection: Sacred Love, 1888 (oil on canvas)

Sacred Love, 1888 (oil on canvas)
1267884 Sacred Love, 1888 (oil on canvas) by Sartorio, Giulio Aristide (1860-1932); 69.9x35.3 cm; Private Collection; (add.info.: Amor Sacro); Photo eChristies Images; Italian, out of copyright

Background imageVirginal Collection: A seated Lady seen from Behind before a Virginal, (oil on panel)

A seated Lady seen from Behind before a Virginal, (oil on panel)
990427 A seated Lady seen from Behind before a Virginal, (oil on panel) by Codde, Pieter (1599-1678); 40.3x31.7 cm; Private Collection; (add.info.: A seated Lady seen from Behind before a Virginal)

Background imageVirginal Collection: Reclining girl (b / w photo)

Reclining girl (b / w photo)
3643105 Reclining girl (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Reclining girl. Postcard, early 20th century.); © Look and Learn

Background imageVirginal Collection: Maidenhood (chromolitho)

Maidenhood (chromolitho)
3621208 Maidenhood (chromolitho) by Brundage, Frances (1854-1937); Private Collection; (add.info.: Maidenhood. Illustration for Guardian Angels edited by Edric Vredenburg (Raphael Tuck)

Background imageVirginal Collection: Historical Musical Instruments at the Inventions Exhibition (engraving)

Historical Musical Instruments at the Inventions Exhibition (engraving)
1041089 Historical Musical Instruments at the Inventions Exhibition (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageVirginal Collection: I pray that God may bless this Christmas day our friends and kindred all (colour litho)

I pray that God may bless this Christmas day our friends and kindred all (colour litho)
668576 I pray that God may bless this Christmas day our friends and kindred all (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageVirginal Collection: Page 418 Jog on, jog on, the footpath way, musical score for

Page 418 Jog on, jog on, the footpath way, musical score for
2613455 Page 418 Jog on, jog on, the footpath way, musical score for The Winters Tale (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageVirginal Collection: Tulip Festival, c. 1920 (w / c on paper)

Tulip Festival, c. 1920 (w / c on paper)
3247615 Tulip Festival, c.1920 (w/c on paper) by Bulleid, George Lawrence (1858-1933); Private Collection; English, out of copyright

Background imageVirginal Collection: Queen Elizabeths virginal (engraving)

Queen Elizabeths virginal (engraving)
3655138 Queen Elizabeths virginal (engraving) by English School, (19th century); Private Collection; (add.info.: Queen Elizabeths virginal)

Background imageVirginal Collection: The Bride (chromolitho)

The Bride (chromolitho)
3621207 The Bride (chromolitho) by Brundage, Frances (1854-1937); Private Collection; (add.info.: The Bride. Illustration for Guardian Angels edited by Edric Vredenburg (Raphael Tuck)

Background imageVirginal Collection: Head study for The Nun, c. 1870 (w / c & gouache on paper)

Head study for The Nun, c. 1870 (w / c & gouache on paper)
PNH351017 Head study for The Nun, c. 1870 (w/c & gouache on paper) by Claxton, Adelaide (1835-c.1905); 34.2x28.6 cm; National Gallery of Canada, Ottawa, Ontario

Background imageVirginal Collection: A Musical Company (oil on panel)

A Musical Company (oil on panel)
LST204487 A Musical Company (oil on panel) by Dijk, Philip van (1683-1753); 50.9x35.6 cm; Private Collection; (add.info.: music = symbol of love; dog with collar reading Diana ;)

Background imageVirginal Collection: Pages 416-417 Jog on, jog on, the footpath way

Pages 416-417 Jog on, jog on, the footpath way
2613456 Pages 416-417 Jog on, jog on, the footpath way, musical score for The Winters Tale (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageVirginal Collection: Plate 209. Stooping and Lifting A Hand-Kerchief, 1885 (collotype on paper)

Plate 209. Stooping and Lifting A Hand-Kerchief, 1885 (collotype on paper)
3950466 Plate 209. Stooping and Lifting A Hand-Kerchief, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x34.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageVirginal Collection: Portrait of Princess Maria Ivanovna Kotschubei, 1842 (oil on canvas)

Portrait of Princess Maria Ivanovna Kotschubei, 1842 (oil on canvas)
3617690 Portrait of Princess Maria Ivanovna Kotschubei, 1842 (oil on canvas) by Robertson, Christina (1796-1854); 67x53.5 cm; Tretyakov Gallery, Moscow, Russia; (add.info.: Princess Maria Ivanovna)

Background imageVirginal Collection: Die Quelle (the Spring), 1895 (oil on canvas)

Die Quelle (the Spring), 1895 (oil on canvas)
3588476 Die Quelle (the Spring), 1895 (oil on canvas) by Thoma, Hans (1839-1924); 113x87.6 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: painting in original painted frame); German

Background imageVirginal Collection: Virginal (Early Form of Planoforte) (engraving)

Virginal (Early Form of Planoforte) (engraving)
665366 Virginal (Early Form of Planoforte) (engraving) by English School, (19th century); Private Collection; (add.info.: Virginal (Early Form of Planoforte)

Background imageVirginal Collection: Vestale Massima (marble)

Vestale Massima (marble)
703289 Vestale Massima (marble) by Roman, (2nd century AD); Terme Museum, Rome, Italy; (add.info.: From the house of the Vestal Virgins in the Roman Forum.); out of copyright

Background imageVirginal Collection: Woman playing the virginal, 1630-40 (oil on panel)

Woman playing the virginal, 1630-40 (oil on panel)
5916325 Woman playing the virginal, 1630-40 (oil on panel) by Molenaer, Jan Miense (1610-68); 38.5x29.5 cm; Rijksmuseum, Amsterdam

Background imageVirginal Collection: Plate 208. Dropping a Fan and Stooping to Lift It, 1885 (collotype on paper)

Plate 208. Dropping a Fan and Stooping to Lift It, 1885 (collotype on paper)
3950465 Plate 208. Dropping a Fan and Stooping to Lift It, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.3x42.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageVirginal Collection: Pierre de Moucheron, his Wife Isabeau de Gerbierand their eighteen Children

Pierre de Moucheron, his Wife Isabeau de Gerbierand their eighteen Children
3709954 Pierre de Moucheron, his Wife Isabeau de Gerbierand their eighteen Children, 1563 (oil on panel) by Flemish School, (16th century); 108x246 cm; Rijksmuseum, Amsterdam

Background imageVirginal Collection: Edwardian Blushing Bride

Edwardian Blushing Bride
A nervous looking Edwardian bride complete with veil and bouquet stands upon a Turkish carpet in order to be photographed, her long train draped over her arm. Date: circa 1905

Background imageVirginal Collection: Golden Hours, ca 1864

Golden Hours, ca 1864. Private Collection

Background imageVirginal Collection: A Lady Standing at the Virginals, c1670-1672, (c1950). Creator: Jan Vermeer

A Lady Standing at the Virginals, c1670-1672, (c1950). Creator: Jan Vermeer
A Lady Standing at the Virginals, c1670-1672, (c1950). A Young Woman standing at a Virginal, painting in the National Gallery, London

Background imageVirginal Collection: Playing the Virginal in Olden Times, c1934

Playing the Virginal in Olden Times, c1934. Illustration showing a woman playing the virginal, also known as the clavicymbal. The accompanying text describes the mechanism

Background imageVirginal Collection: Archduchess Maria Josepha of Austria (1751-1767), at a Harpsichord, 1762

Archduchess Maria Josepha of Austria (1751-1767), at a Harpsichord, 1762. Found in the collection of Musee d art et d histoire, Genf

Background imageVirginal Collection: A Musical Party

A Musical Party. Found in the Collection of Nationalmuseum Stockholm

Background imageVirginal Collection: Concert. Artist: Falcone, Aniello (1600 / 7-1665)

Concert. Artist: Falcone, Aniello (1600 / 7-1665)
Concert. Found in the collection of Museo del Prado, Madrid

Background imageVirginal Collection: Overdoor, 1825-1826. Artist: Anonymous

Overdoor, 1825-1826. Artist: Anonymous
Overdoor, 1825-1826. Found in the collection of the Cooper-Hewitt National Design Museum

Background imageVirginal Collection: Interior with a Woman Playing a Virginal, 1667

Interior with a Woman Playing a Virginal, 1667. Found in the collection of Montreal Museum of Fine Arts

Background imageVirginal Collection: A Young Woman Standing at a Virginal, about 1670-1672. Artist: Jan Vermeer

A Young Woman Standing at a Virginal, about 1670-1672. Artist: Jan Vermeer
A Young Woman Standing at a Virginal, c1670. Original work found in The National Gallery Collection. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938.]

Background imageVirginal Collection: Jean-Marc Nattier and his family. Artist: Nattier, Jean-Marc (1685-1766)

Jean-Marc Nattier and his family. Artist: Nattier, Jean-Marc (1685-1766)
Jean-Marc Nattier and his family. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageVirginal Collection: A Lady at the Virginal with a Gentleman (The Music Lesson), ca 1662

A Lady at the Virginal with a Gentleman (The Music Lesson), ca 1662. Artist: Vermeer, Jan (Johannes) (1632-1675)
A Lady at the Virginal with a Gentleman (The Music Lesson), ca 1662. Found in the collection of the Royal Collection, London

Background imageVirginal Collection: A Young Woman seated at a Virginal, c. 1670. Artist: Vermeer, Jan (Johannes) (1632-1675)

A Young Woman seated at a Virginal, c. 1670. Artist: Vermeer, Jan (Johannes) (1632-1675)
A Young Woman seated at a Virginal, c. 1670. Found in the collection of the National Gallery, London

Background imageVirginal Collection: A Young Woman playing a Harpsichord, c. 1660. Artist: Steen, Jan Havicksz (1626-1679)

A Young Woman playing a Harpsichord, c. 1660. Artist: Steen, Jan Havicksz (1626-1679)
A Young Woman playing a Harpsichord, c. 1660. Found in the collection of the National Gallery, London



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"Captivating the Essence of Virginal Beauty: A Journey through Art and Music" Step into the enchanting world of virginals, where innocence meets elegance. The Edwardian Blushing Bride radiates purity as she embarks on a new chapter in her life. Just like Dietrich's Erste Ausfahrt (Fragment), this instrument holds fragments of history, whispering tales from centuries past. Immerse yourself in the melodic notes produced by the Double keyboard spinnet or virginal by Hans, an exquisite creation that transcends time. As you explore Ms 782 ff. 107v-108 Come away, come away Hecate, feel the mystical allure of music intertwining with art. Georg Weikert's Portrait of a singer at the harpsichord captures a moment frozen in time, showcasing both talent and grace. Meanwhile, Stephen's transverse spinet with six legs stands as a testament to craftsmanship and innovation. The Vierkante Clavisingel virginal or harpsichord exudes charm with its unique design while A Musical Party painting invites you to join a joyous celebration filled with harmonious melodies. In Sacred Love, 1888, brushstrokes blend seamlessly with musical notes on canvas—a masterpiece that evokes deep emotions within our souls. And when we gaze upon A seated Lady seen from Behind before a Virginal painting on panel, we catch glimpses of intimacy and introspection. Even black-and-white photography can capture the essence of virginality; Reclining girl mesmerizes us with her serene beauty. Maidenhood chromolitho transports us back to an era where innocence was celebrated and cherished. Virginals embody more than just instruments; they are gateways to ethereal realms where artistry flourishes alongside purity. Let these captivating hints guide you through an exploration of timeless beauty found within each stroke and note.