Victims Collection (page 5)

The Plague of Tournai in 1095, 1883 (oil on canvas)
XIR65815 The Plague of Tournai in 1095, 1883 (oil on canvas) by Gallait, Louis (1810-87); Musee des Beaux-Arts, Tournai, Belgium

Barricade in the Rue de la Mortellerie, June 1848 (Memory of Civil War) 1849 (oil on canvas)
XIR157789 Barricade in the Rue de la Mortellerie, June 1848 (Memory of Civil War) 1849 (oil on canvas) by Meissonier, Jean-Louis Ernest (1815-91); 29x22 cm; Louvre, Paris, France

The Graphic, Front Cover Saturday January 11. 1890, 1890. Creator: Charles Edwin Fripp
The Graphic, Front Cover Saturday January 11. 1890, 1890

The story of Perseus (colour litho)
STC312591 The story of Perseus (colour litho) by Michael, Arthur C. (d.1945) (after); Private Collection; The Stapleton Collection

The Kappa and his Victim, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho)
STC323903 The Kappa and his Victim, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

Chanakkale (Chanak, formerly Dardanellia ) on the Turkish Dardanelles coast (Gallipoli Peninsula) - building the New Anzac Cemetery Date: circa 1920s

Plague episode (pen & Indian ink wash on paper)
XIR414621 Plague episode (pen & Indian ink wash on paper) by David, Jacques Louis (1748-1825); 13.5x19.6 cm; Louvre (Cabinet de dessins), Paris

The night attack Place des Barricades - illustration from Depuis l exil, 19th Century (b / w engraving)
909664 The night attack Place des Barricades - illustration from Depuis l exil, 19th Century (b/w engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info)

Marius and Cosette, 19th Century (b / w engraving)
909623 Marius and Cosette, 19th Century (b/w engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: Published in Cent dessins)

Montmartre Cemetery - illustration from Napoleon le Petit, 19th Century (b / w engraving)
909653 Montmartre Cemetery - illustration from Napoleon le Petit, 19th Century (b/w engraving) by Rochegrosse, Georges Marie (1859-1938); Private Collection; (add.info)

Call for the Last Victims of the Terror
3778930 Call for the Last Victims of the Terror - by Muller, Charles Louis Lucien (1815-92) (after); (add.info.: Call for the Last Victims of the Terror - after a painting by Charles Louis Lucien)

Huns charging at the Battle of Chalons, 451 (engraving)
3647145 Huns charging at the Battle of Chalons, 451 (engraving) by Neuville, Alphonse Marie de (1835-85) (after); Private Collection; (add.info.: Huns charging at the Battle of Chalons, 451)

The two little castaways (coloured engraving)
5998948 The two little castaways (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The two little castaways)

In the Land of Blood and Gold (b / w photo)
1051717 In the Land of Blood and Gold (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: In the Land of Blood and Gold)

A Suburban Butterfly Hunt (chromolitho)
1055784 A Suburban Butterfly Hunt (chromolitho) by French School, (19th century); Private Collection; (add.info.: A Suburban Butterfly Hunt)

Victims of Agrarian Outrages (engraving)
1055759 Victims of Agrarian Outrages (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: Victims of Agrarian Outrages)

Victims of the Mem-hoo-who, Dahomey (engraving)
1620840 Victims of the Mem-hoo-who, Dahomey (engraving) by Regamey, Felix (1844-1907) (after); Private Collection; (add.info.: Victims of the Mem-hoo-who, Dahomey)

Memorial at Cawnpore to the Victims of the Indian Mutiny, 1857 (engraving)
671161 Memorial at Cawnpore to the Victims of the Indian Mutiny, 1857 (engraving) by English School, (19th century); Private Collection; (add.info)

Shipwreck of Prince William, illustration from Cassell
STC385229 Shipwreck of Prince William, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

Sacrificing human victims to Baal (engraving)
669502 Sacrificing human victims to Baal (engraving) by English School, (19th century); Private Collection; (add.info.: Sacrificing human victims to Baal)

The Edinburgh theatre destroyed by fire causing several victims, including an actor while... (colour litho)
2815441 The Edinburgh theatre destroyed by fire causing several victims, including an actor while... (colour litho) by Beltrame

The dramas of the sea, shipwreck, with five victims, of the fishing boat I remember at the port of Pesaro (colour litho)
2815217 The dramas of the sea, shipwreck, with five victims, of the fishing boat I remember at the port of Pesaro (colour litho) by Beltrame

Monument at Futtehgurh, India, over the Grave of Victims of the Sepoy Mutiny (engraving)
2772151 Monument at Futtehgurh, India, over the Grave of Victims of the Sepoy Mutiny (engraving) by English School, (19th century); Private Collection; (add.info.: Monument at Futtehgurh, India)

The Tribute to the Victims of the Sea, On the Day of the Dead (colour litho)
2798602 The Tribute to the Victims of the Sea, On the Day of the Dead (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Tribute To The Victims Of The Sea)

Les Lepreux De L Ile De La Reunion (engraving)
2783128 Les Lepreux De L Ile De La Reunion (engraving) by French School, (19th century); Private Collection; (add.info.: Les Lepreux De L Ile De La Reunion)

The night patrol of the London streets, 1853
The night patrol of the London streets. The figure of Death on horseback rides out of an overcrowded cemetery full of cholera victims

Visit to South Africa by Joseph Chamberlain (colour litho)
2795687 Visit to South Africa by Joseph Chamberlain (colour litho) by French School, (20th century); Private Collection; (add.info.: Visit to South Africa by Joseph Chamberlain)

The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching)
2490443 The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching) by Cruikshank, Isaac (1756-1811); Private Collection; (add.info)

Monument Church Company fire, Santiago de Chile
Vintage 19th century photograph: monument to the victims of the the Church of the Company fire, Santiago de Chile. The Church of the Company Fire (8 December 1863)

WW1 poster, Le Secours de Guerre (relief agency for war victims), showing a gendarme, soldiers and civilians near the Ancien Seminaire St Sulpice, the premises of the agency in Paris. Date: 1916

Trop tard. Illustration for Le Pele-Mele, 1905 (colour litho)
3101394 Trop tard. Illustration for Le Pele-Mele, 1905 (colour litho) by French School, (20th century); Private Collection; (add.info.: Trop tard)

The Fire at a Charity Bazaar in Paris (litho)
1597459 The Fire at a Charity Bazaar in Paris (litho) by Amato, G.S. (fl.1897-1914) (after); Private Collection; (add.info.: The Fire at a Charity Bazaar in Paris)

The Fire at a Charity Bazaar in Paris, Portraits of Some of the Victims (b / w photo)
1597449 The Fire at a Charity Bazaar in Paris, Portraits of Some of the Victims (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

The Five Houses
These -Five Houses - were built in, what was then, the rural Tuttle Fields (now Tothill Fields) as pest-houses for victims of the plague of 1665. Date: 1875

The Plague in Florence in 1630 (oil on canvas)
BAT264450 The Plague in Florence in 1630 (oil on canvas) by Bianco, Baccio del (1604-56) (attr. to); Arciconfraternita della Misericordia, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

The aftermath of the Civil War: Nowhere to bury the dead (sepia photo)
STC331297 The aftermath of the Civil War: Nowhere to bury the dead (sepia photo) by Russian Photographer, (20th century); Private Collection; The Stapleton Collection; Russian, out of copyright

Attack on the Tuileries, Paris, 10th August 1792 (gouache on canvas)
CHT307808 Attack on the Tuileries, Paris, 10th August 1792 (gouache on canvas) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

The Daemon of evil, with his fierce ravening, greedily grasped them
STC323650 The Daemon of evil, with his fierce ravening, greedily grasped them, from Hero Myths and Legends of the British Race by M.I

Florence Nightingale (1820-1910) in the Military Hospital at Scutari during the Crimean
NAM254183 Florence Nightingale (1820-1910) in the Military Hospital at Scutari during the Crimean War, 1856 (colour litho) by Benwell, Joseph-Austin (fl.1865-86); National Army Museum

MS Vol. 137 f. 136v The Procession of Pope Gregory I (c
SJS109699 MS Vol. 137 f.136v The Procession of Pope Gregory I (c.540-604) through Rome in 590, from the litanies of a Book of Hours, French, early 16th century (vellum) by French School

The Hospital, plate 15 from The Miseries and Misfortunes of War
XIR172408 The Hospital, plate 15 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo) by Callot

Monument in Greenwood Cemetery to the Victims of the Brooklyn Theater Fire (b / w photo)
5215072 Monument in Greenwood Cemetery to the Victims of the Brooklyn Theater Fire (b/w photo) by American Photographer, (19th century); Private Collection; (add.info)

Civilian War Victims Memorial, Doornenburg, Holland
This village remained in German hands until April 1945 when it was liberated on Easter Sunday. In October 1944 following Operation Market Garden, Doornenburg was repeatedly bombed by the Allies

The Princes in the Tower - Prince Edward (King Edward V) and his younger brother, Prince Richard, Duke of York, who disappeared from the Tower of London during the reign of their uncle

Ulysses Blinding Polyphemus the Cyclops, frieze representing scenes from the Quests of Ulysses (fresco) (b / w photo)
ALI117688 Ulysses Blinding Polyphemus the Cyclops, frieze representing scenes from the Quests of Ulysses (fresco) (b/w photo) by Tibaldi, Pellegrino (1527-96); Palazzo dell Universita, Bologna

Operation Mallard Memorials, St Aubin d Auquenay
In the centre of this rather untidy collection of memorials in the centre of the village is one to 1st Special Service Brigade and flanking it are plaques to the Civilian Victims

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"Unveiling the Stories of Resilient Souls: A Tribute to Victims" In a world adorned with protective dress, the victims silently bear their burdens. Like the four daughters of Tsar Nicolas II, they embody strength amidst adversity. But who said victims cannot breakdance through life's challenges? Just like a Swedish werewolf prowling in the night, they defy expectations and rise above their circumstances. Stained glass windows depict haunting scenes of sacrifice and loss from the First World War in Semur-en-Auxois. These customs remind us that they can not mere statistics; they are humans whose lives were forever altered by conflict. Fridtjof Nansen, an intrepid Norwegian explorer and scientist, sought to alleviate suffering among victims stranded in icy landscapes. His selflessness serves as a beacon of hope for those trapped in seemingly impossible situations. Yet there exists darkness too - Charles E Gordon Frazer's depiction of a cannibal feast reminds us that some perpetrators revel in inflicting pain upon innocent souls. In contrast, Saint Thecla is seen praying fervently for plague-stricken victims, showcasing humanity's capacity for compassion even during times of despair. Mikhail Nikolayevich Tukhachevsky stands tall as a symbol against injustice - his tragic fate at the hands of oppression echoes countless others who have suffered under tyrannical regimes throughout history. Nature itself can be merciless; just ask Jamaica after enduring a devastating earthquake that shattered lives and homes alike, and is here where we witness communities rallying together to rebuild what was lost while honoring those who perished. The Titanic memorial service at St. Paul's Cathedral encapsulates collective grief on an unimaginable scale - reminding us how fragile our existence truly is and urging us to cherish every moment with loved ones before it slips away like water through our fingers. Let these glimpses into various narratives serve as reminders that behind each victim lies an untold story waiting to be heard.