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Venetian School Collection (#10)

The Venetian School: A Glimpse into Renaissance Splendor Step into the enchanting world of the Venetian School

Background imageVenetian School Collection: Portrait of Count Antonio Porcia, 1535-40 (oil on canvas)

Portrait of Count Antonio Porcia, 1535-40 (oil on canvas)
BEN85559 Portrait of Count Antonio Porcia, 1535-40 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Pinacoteca di Brera, Milan, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageVenetian School Collection: Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)

Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)
ALI281522 Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); San Domenico, Ancona, Italy; Alinari

Background imageVenetian School Collection: The Baptism of Christ, c. 1512 (oil on canvas)

The Baptism of Christ, c. 1512 (oil on canvas)
ALI326550 The Baptism of Christ, c.1512 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 115x89 cm; Pinacoteca Capitolina, Palazzo Conservatori, Rome

Background imageVenetian School Collection: Venice: The Rialto (oil on wood)

Venice: The Rialto (oil on wood)
3472223 Venice: The Rialto (oil on wood) by Guardi, Francesco (1712-93) (circle of); 18.1x32.1 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Venice: The Dogana and Santa Maria della Salute (oil on wood)

Venice: The Dogana and Santa Maria della Salute (oil on wood)
3472222 Venice: The Dogana and Santa Maria della Salute (oil on wood) by Guardi, Francesco (1712-93) (circle of); 18.1x32.1 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Piazza San Marco, c. 1730 (oil on canvas)

Piazza San Marco, c. 1730 (oil on canvas)
3492922 Piazza San Marco, c.1730 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 68.6x112.4 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Il concerto (o Concerto interrotto), 1512 (olio su tela)

Il concerto (o Concerto interrotto), 1512 (olio su tela)
5974607 Il concerto (o Concerto interrotto), 1512 (olio su tela) by Titian (Tiziano Vecellio) (c.1488-1576); 122x108 cm; Palazzo Pitti, Florence, Italy; Luisa Ricciarini; Italian, out of copyright

Background imageVenetian School Collection: Salome with the Head

Salome with the Head
3892970 Salome with the Head by Titian (Tiziano Vecellio) (c.1488-1576); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Salome with the Head of John the Baptist c.1515); Photo © Derek Bayes

Background imageVenetian School Collection: Flaying of Marsyas

Flaying of Marsyas
3892963 Flaying of Marsyas by Titian (Tiziano Vecellio) (c.1488-1576); Photo © Derek Bayes. All rights reserved 2022

Background imageVenetian School Collection: Fantastic Landscape, c. 1765 (oil on canvas)

Fantastic Landscape, c. 1765 (oil on canvas)
3618024 Fantastic Landscape, c.1765 (oil on canvas) by Guardi, Francesco (1712-93); 155.6 x 189.2 cm; Metropolitan Museum of Art, New York

Background imageVenetian School Collection: Fantastic Landscape, c. 1765 (oil on canvas)

Fantastic Landscape, c. 1765 (oil on canvas)
3618023 Fantastic Landscape, c.1765 (oil on canvas) by Guardi, Francesco (1712-93); 155.6 x 189.2 cm; Metropolitan Museum of Art, New York

Background imageVenetian School Collection: The Ridotto Pubblico at Palazzo Dandolo, c. 1765-68 (oil on canvas)

The Ridotto Pubblico at Palazzo Dandolo, c. 1765-68 (oil on canvas)
3614063 The Ridotto Pubblico at Palazzo Dandolo, c.1765-68 (oil on canvas) by Guardi, Francesco (1712-93); 34x50.8 cm; Metropolitan Museum of Art, New York

Background imageVenetian School Collection: Piazza San Marco, 1760 (oil on canvas)

Piazza San Marco, 1760 (oil on canvas)
3472219 Piazza San Marco, 1760 (oil on canvas) by Guardi, Francesco (1712-93); 68.9x85.7 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Venice: Santa Maria della Salute, c. 1740 (oil on canvas)

Venice: Santa Maria della Salute, c. 1740 (oil on canvas)
3492921 Venice: Santa Maria della Salute, c.1740 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47.6x79.4 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Landscape with Classical Ruins and Figures, c. 1725-30 (oil on canvas)

Landscape with Classical Ruins and Figures, c. 1725-30 (oil on canvas)
3545789 Landscape with Classical Ruins and Figures, c.1725-30 (oil on canvas) by Ricci, Marco (1676-1730) & Sebastiano (1659-1734); 123.2x161.3 cm; J

Background imageVenetian School Collection: Adoration of the shepherds

Adoration of the shepherds
3567395 Adoration of the shepherds by Titian (Tiziano Vecellio) (c.1488-1576); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Tiziano Vecellio (ca)

Background imageVenetian School Collection: Imaginary View of a Venetian Square or Campo, c. 1780

Imaginary View of a Venetian Square or Campo, c. 1780
3472221 Imaginary View of a Venetian Square or Campo, c.1780 by Guardi, Francesco (1712-93); 31.4x27 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Venice from the Bacino di San Marco, c. 1765 (oil on canvas)

Venice from the Bacino di San Marco, c. 1765 (oil on canvas)
3472217 Venice from the Bacino di San Marco, c.1765 (oil on canvas) by Guardi, Francesco (1712-93); 121.9x152.4 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageVenetian School Collection: Piazza San Marco in Venice (oil on canvas)

Piazza San Marco in Venice (oil on canvas)
3588400 Piazza San Marco in Venice (oil on canvas) by Guardi, Francesco (1712-93); 50x85 cm; National Museum, Stockholm, Sweden; (add.info)



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The Venetian School: A Glimpse into Renaissance Splendor Step into the enchanting world of the Venetian School, where artistry and beauty intertwine to create masterpieces that have captivated audiences for centuries. From the sensual allure of Titian's "Venus of Urbino" to the ethereal grace of Tiepolo's "The Immaculate Conception of the Virgin, " this artistic movement showcases a diverse range of talents and subjects. One cannot help but be mesmerized by Veronese's "Leda and the Swan, " a painting that exudes sensuality and intrigue. Paolo Veronese, with his impeccable attention to detail, transports us to a mythical realm where gods and mortals collide in an intoxicating dance. Living in a villa becomes an idyllic dream as we explore these artworks. The opulent lifestyle depicted within their walls is brought to life through vibrant colors, lavish interiors, and sumptuous landscapes, and is no wonder that Venice became synonymous with luxury during this period. Sultan Suleiman I the Magnificent gazes at us from Titian's brushstrokes, showcasing not only his mastery but also highlighting Venice's influence on global affairs during its golden age. This encounter between East and West serves as a testament to Venice's cosmopolitan nature. Religious devotion takes center stage in Lorenzo Lotto's "Altar of St. Lucia. " Through intricate details and emotive expressions, Lotto captures Saint Lucia before her judge, evoking both awe and reverence within our hearts. Anonymous artists leave their mark with enigmatic works such as "Woman with Unicorn. " Though shrouded in mystery, this painting invites us to contemplate its symbolism while marveling at its delicate execution. Titian returns once more with "The Tribute Money, " depicting Christ surrounded by disciples amidst breathtaking landscapes. His ability to capture light creates an almost divine atmosphere that elevates these scenes to a realm beyond reality.