Vastness Collection (page 7)

Balance rock and bonzai tree
Interesting slender rock and rigged juniper tree. It located in Jumbo Rocks campground in Joshua Tree National Park

Mountain Scene, 1923. Artist: John Sell Cotman
Mountain Scene, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

The North Side of the Harbour at Sebastopol, 22 June 1855. Artist: Jonathan Needham
The North Side of the Harbour at Sebastopol, 22 June 1855 ; showing three soldiers with firearms in a defensive position above the harbour

Putting barrage ballons into a hangar, 1943
Putting the balloons to bed in giant hangars is part of the intensive training undertaken by balloon operators. From Roof Over Britain. [His Majestys Stationery Office, London, 1943]

On the Road to Bethlehem, 1903. Artist: Mortimer L Menpes
On the Road to Bethlehem, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Jerusalem, 1903. Artist: Mortimer L Menpes
Jerusalem, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

On The Seine, 1903. Artist: Mortimer L Menpes
On The Seine, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

The Seine at Paris, 1903. Artist: Mortimer L Menpes
The Seine at Paris, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

From Archway at Simons House to Lazaruss house, Bethany, c1900. From Journey in All Lands - Palestine. [Realistic Travels, London, Cape Town, Bombay, Melbourne, Toronto, c1900]

Not a Boat Was To Be Seen, c1930. Artist: W Heath Robinson
Not a Boat Was To Be Seen, c1930. An illustration from The Wild Swans by Hans Christian Andersen. From Hans Andersens Fairy Tales by Hans Andersen

She Entered the Large, Cold, Empty Hall, c1930. Artist: W Heath Robinson
She Entered the Large, Cold, Empty Hall, c1930. An illustration from The Snow Queen by Hans Christian Andersen. From Hans Andersens Fairy Tales by Hans Andersen

Fowey Harbour from the Castle, c1930. From Six Latest Views of Fowey. [Harvey Barton, Aberdeen and Bristol, c1930]

The Seven Sisters, 1877, (1935). Artist: Henry George Hine
The Seven Sisters, 1877, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

A Chalk Pit on the Downs, near Eastbourne, 1871, (1935). Artist: Henry George Hine
A Chalk Pit on the Downs, near Eastbourne, 1871, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

On a Northumberland Road, 20th century, (1935). Artist: Robert J Hewitt
On a Northumberland Road, 20th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Stormy Day on a Surrey Common, 19th-20th century, (1935). Artist: John Jessop Hardwick
Stormy Day on a Surrey Common, 19th-20th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Mont Ferrier, 19th century, (1935). Artist: James Duffield Harding
Mont Ferrier, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

View of Aldenham Abbey: Hertfordshire, 18th-19th century, (1935). Artist: John Glover
View of Aldenham Abbey: Hertfordshire, 18th-19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C

Loch Awe, 1850, (1935). Artist: Anthony Vandyke Copley Fielding
Loch Awe, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

The Mill Stream, 19th century, (1935). Artist: Peter de Wint
The Mill Stream, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

St. Pauls Cathedral, 1891. Artist: William Luker
St. Pauls Cathedral, 1891. From London City: Its History - Streets - Traffic - Buildings - People by W. J. Loftie. [The Leadenhall Prefs, London, 1891]

The Aerial Ropeway Car descending from the Sugar Loaf Mountain, 1914. Botafogo Bay on the right, and the Atlantic on the left.. From The Beautiful Rio De Janeiro by Alured Gray Bell

The Needles Isle of Wight, c1900. Artist: Paulton & Son
The Needles, Isle of Wight, c1900. The Needles is a row of three distinctive stacks of chalk that rise about 30m out of the sea off the western extremity of the Isle of Wight, United Kingdom

Sychnant Pass, near Conway, c1900. Artist: I Slater
Sychnant Pass, near Conway, c1900. Sychnant Pass in Conwy County Borough, Wales, links Conwy to Penmaenmawr via Dwygyfylchi

Snowdon and Crib-Goch, c1900. Artist: I Slater
Snowdon and Crib-Goch, c1900. Crib Goch is described as a knife-edged arete in the Snowdonia National Park in Gwynedd, Wales. The name means red ridge in the Welsh language

Silver Sun, c1920 (1926). Artist: Reginald Guy Kortright
Silver Sun, c1920 (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
General View of Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

The Shadow of Adams Peak and Bible Rock. Taken from the Peak at Sunrise, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

View of Paddy Field from Kadugannawa Pass, c1890, (1910). Artist: Alfred William Amandus Plate
View of Paddy Field from Kadugannawa Pass, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett
Whitsunday Island, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett
Buenos Ayres, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Bird s-Eye View of Part of Tuscany, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View of Part of Tuscany, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

View of a Mountain Range, c1480 (1945). Artist: Leonardo da Vinci
View of a Mountain Range, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Pine-Apple Field - Habana, Campo De Pinas, c1910. [C. Jordi, Havana, Cuba, c1910]

A glimpse of the great artificial lake at Riberao das Lages, 1914. Built by the Rio de Janeiro Tramway, Light and Power Company. From The Beautiful Rio De Janeiro by Alured Gray Bell

A Desert Courier, c1880, (1904). Artist: Robert George Talbot Kelly
A Desert Courier, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Tel-El-Kebir, c1880, (1904). Artist: Robert George Talbot Kelly
Tel-El-Kebir, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Cronstadt, 1857. From The Illustrated History of the War Against Russia, by Edward H. Nolan. [Virtue & Co. London, 1857]

Morning on the Shuswap, c1918, (1919). Artist: Charles John Collings
Morning on the Shuswap, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

View of Wandsworth, Surrey, c1780, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]

In the Weald of Kent, c1861. Artist: Thomas Creswick
In the Weald of Kent, c1861. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

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"Embracing the Vastness: A Journey through Time and Space" Amitabha, the Buddha of the Western Pure Land (Sukhavati), ca. 1700. In this ancient depiction, Amitabha stands as a symbol of boundless enlightenment, inviting us to explore the vast realms beyond our comprehension. Ulverston Sands, 1835. Creator: David Cox the elder. As we gaze upon this serene landscape captured by David Cox, we are reminded of the immense expanse of nature's beauty that stretches far beyond what meets the eye. Dawn over Loch Tummel from Queens View, Perth and Kinross, Scotland. Witnessing dawn break over Loch Tummel fills our hearts with awe at the sheer vastness of nature's canvas painted across an endless horizon. Mount Brandon. Standing atop Mount Brandon allows us to marvel at its majestic presence while contemplating how small we are in comparison to such grandeur – a humbling experience amidst vast landscapes. A never-ending straight road on US Route 50. This seemingly infinite road reminds us that life is an ongoing journey filled with opportunities for exploration and growth – a testament to the vast possibilities that lie ahead. Crossing the Sands, Ulverston c1834. Artist: David Cox the elder. David Cox captures a moment where humans traverse expansive sands—a metaphorical representation of our constant quest to conquer boundaries within ourselves and embrace limitless potential. Benagil beach, Algarve, Portugal. The breathtaking Benagil beach invites us into its pristine shores—an invitation to immerse ourselves in its vastness and surrender to nature's embrace. White translucent salt crystals in Salar de Uyuni—the largest salt desert in South America—remind us that even barren lands can hold unimaginable beauty within their wide-reaching expanses.