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Using Voice Collection (page 2)

"Using Voice: A Journey through Art and Expression" Step into the world of art, where voices are not only heard but also seen

Background imageUsing Voice Collection: Le Quai aux Fleurs and Hotel, (gouache on paper)

Le Quai aux Fleurs and Hotel, (gouache on paper)
987337 Le Quai aux Fleurs and Hotel, (gouache on paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 31x34 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph)

Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph)
986066 Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info.: Arfak Astrapia (Astrapia Nigra)

Background imageUsing Voice Collection: The Duchess, c. 1865 (pen and brown ink)

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

Background imageUsing Voice Collection: Christ among the Doctors (oil on panel)

Christ among the Doctors (oil on panel)
990084 Christ among the Doctors (oil on panel) by Wtewael, Joachim (c.1566-1638) & Wtewael, Peter (1596-1660); 35.5x49.3 cm; Private Collection; (add.info.: Christ among the Doctors)

Background imageUsing Voice Collection: Preparations for the Wedding, (oil on canvas)

Preparations for the Wedding, (oil on canvas)
989966 Preparations for the Wedding, (oil on canvas) by Mantegazza, Giacomo (1853-1920); 51.5x83 cm; Private Collection; (add.info.: Preparations for the Wedding. Giacomo Mantegazza (1853-1920)

Background imageUsing Voice Collection: News from Afar (oil on canvas)

News from Afar (oil on canvas)
989965 News from Afar (oil on canvas) by Pennacchini, Domenico (1860-1917); 40.5x78 cm; Private Collection; (add.info.: News from Afar. Domenico Pennacchini (1860-1917). Oil on canvas

Background imageUsing Voice Collection: Salome, (oil on canvas)

Salome, (oil on canvas)
989911 Salome, (oil on canvas) by Rochegrosse, Georges Marie (1859-1938); 64.5x53 cm; Private Collection; (add.info.: Salome. Georges Antoine Rochegrosse (1859-1938). Oil on canvas

Background imageUsing Voice Collection: Teatime Tales, (oil on canvas)

Teatime Tales, (oil on canvas)
989854 Teatime Tales, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 99x75.9 cm; Private Collection; (add.info.: Teatime Tales. Joseph Frederic Charles Soulacroix (1825-1879)

Background imageUsing Voice Collection: In the Princes Chamber, 1872 (oil on panel)

In the Princes Chamber, 1872 (oil on panel)
989804 In the Princes Chamber, 1872 (oil on panel) by Escosura, Ignacio Leon y (1834-1901); 49.5x61 cm; Private Collection; (add.info.: In the Princes Chamber. Ignacio de Leon y Escosura (1834-1901)

Background imageUsing Voice Collection: Three Figures in an Interior (oil on canvas)

Three Figures in an Interior (oil on canvas)
989708 Three Figures in an Interior (oil on canvas) by Hirt, Heinrich (fl.1872-83); 71x82.5 cm; Private Collection; (add.info.: Three Figures in an Interior. Heinrich Hirt (active 1872-1883)

Background imageUsing Voice Collection: Mr. Hobbs, said Cedric, an Earl is sitting on this box now

Mr. Hobbs, said Cedric, an Earl is sitting on this box now
985724 Mr. Hobbs, said Cedric, an Earl is sitting on this box now!, illustration for Little Lord Fauntleroy by Frances Hodgson Burnett, 1886 (black, grey, tan and white washes) by Birch

Background imageUsing Voice Collection: The Gilchrist Family at Breakfast, 1916 (oil on board)

The Gilchrist Family at Breakfast, 1916 (oil on board)
984899 The Gilchrist Family at Breakfast, 1916 (oil on board) by Gilchrist, William Wallace (1879-1926); 47x62.3 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageUsing Voice Collection: The Letter or The Fainting, (oil on canvas)

The Letter or The Fainting, (oil on canvas)
990382 The Letter or The Fainting, (oil on canvas) by Boilly, Louis Leopold (1761-1845); 45.5x38 cm; Private Collection; (add.info.: The Letter or The Fainting; La Lettre or L Evanoussement)

Background imageUsing Voice Collection: A Cottage at Haslemere (watercolour with scratching out)

A Cottage at Haslemere (watercolour with scratching out)
1766722 A Cottage at Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x38 cm; Private Collection; (add.info.: A Cottage at Haslemere. Helen Allingham (1848-1926)

Background imageUsing Voice Collection: A Kentish Cottage (watercolour with scratching out)

A Kentish Cottage (watercolour with scratching out)
1766713 A Kentish Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: A Kentish Cottage. Helen Allingham (1848-1926)

Background imageUsing Voice Collection: Lunch at the Inn, 1886 (oil on canvas)

Lunch at the Inn, 1886 (oil on canvas)
1766675 Lunch at the Inn, 1886 (oil on canvas) by Crabeels, Florent Nicolas (1835-1896); Private Collection; (add.info.: Lunch at the Inn. Florent Nicolas Crabeels (1829-1896). Oil on canvas

Background imageUsing Voice Collection: Study of a Cat Sitting on a Chair; Etude d un Chat, Assis sur une Chaise

Study of a Cat Sitting on a Chair; Etude d un Chat, Assis sur une Chaise
1766617 Study of a Cat Sitting on a Chair; Etude d un Chat, Assis sur une Chaise (oil on canvas) by Valadon, Marie Clementine (Suzanne) (1865-1938); Private Collection; (add.info)

Background imageUsing Voice Collection: Three Nude Women (Red and Orange), 1912 (oil on canvas)

Three Nude Women (Red and Orange), 1912 (oil on canvas)
1765180 Three Nude Women (Red and Orange), 1912 (oil on canvas) by Macke, August (1887-1914); 129.5x91.4 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: Cocatoo, 1779 (hand-coloured engraving)

Cocatoo, 1779 (hand-coloured engraving)
986359 Cocatoo, 1779 (hand-coloured engraving) by Hayes, William (fl.1770-95); Private Collection; (add.info.: Cocatoo. William Hayes (fl.1773-1799). Hand-coloured engraving. Engraved in 1799

Background imageUsing Voice Collection: Illustrated frontispiece from the childrens book, The Butterfly

Illustrated frontispiece from the childrens book, The Butterfly
986342 Illustrated frontispiece from the childrens book, The Butterflys Ball and the Grasshoppers Feast by William Roscoe (1753-1831), 1807 (hand-coloured engraving) by Mulready

Background imageUsing Voice Collection: Saints Peter and Paul, c. 1400 (large historiated initial on antiphonal vellum)

Saints Peter and Paul, c. 1400 (large historiated initial on antiphonal vellum)
985843 Saints Peter and Paul, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434) (follower of); 21x19 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: On Leave, (watercolour and pencil on board)

On Leave, (watercolour and pencil on board)
985341 On Leave, (watercolour and pencil on board) by Demuth, Charles (1883-1935); 27x19 cm; Private Collection; (add.info.: On Leave. Charles Demuth (1883-1935). Watercolour and pencil on board

Background imageUsing Voice Collection: On the Waterfront, (oil on canvas)

On the Waterfront, (oil on canvas)
985262 On the Waterfront, (oil on canvas) by Spencer, Robert C. (1879-1931); 76.2x92 cm; Private Collection; (add.info.: On the Waterfront. Robert C. Spencer (1879-1931). Oil on canvas

Background imageUsing Voice Collection: Friends, (oil on canvas)

Friends, (oil on canvas)
984925 Friends, (oil on canvas) by Jones, Francis Coates (1857-1932); 91.5x76.5 cm; Private Collection; (add.info.: Friends. Francis Coates Jones (1857-1932). Oil on canvas

Background imageUsing Voice Collection: Sketch for The Outcast, 1851 (oil on canvas)

Sketch for The Outcast, 1851 (oil on canvas)
1199489 Sketch for The Outcast, 1851 (oil on canvas) by Redgrave, Richard (1804-88); 25.4x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageUsing Voice Collection: Poster for the silent film Oliver Twist by the Hungarian film production company Corvin

Poster for the silent film Oliver Twist by the Hungarian film production company Corvin, 1919 (poster)
1198216 Poster for the silent film Oliver Twist by the Hungarian film production company Corvin, 1919 (poster) by Bednar, Janos (1886-1932); 127x94 cm; Private Collection; (add.info.: Bednar)

Background imageUsing Voice Collection: Three Caucasian Men in Conversation, (pencil and charcoal on paper)

Three Caucasian Men in Conversation, (pencil and charcoal on paper)
1195723 Three Caucasian Men in Conversation, (pencil and charcoal on paper) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Background imageUsing Voice Collection: Two Bashkirs on Horseback; or Two Cossacks on Horseback, 1820 (lithograph)

Two Bashkirs on Horseback; or Two Cossacks on Horseback, 1820 (lithograph)
1195721 Two Bashkirs on Horseback; or Two Cossacks on Horseback, 1820 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Background imageUsing Voice Collection: Cafe in Dieppe, c. 1884-5 (oil on panel)

Cafe in Dieppe, c. 1884-5 (oil on panel)
1197386 Cafe in Dieppe, c. 1884-5 (oil on panel) by Sickert, Walter Richard (1860-1942); 23.5x14.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageUsing Voice Collection: Illustration to the Bhagvata Purana depicting Balarama taking Akrura by the hand with his

Illustration to the Bhagvata Purana depicting Balarama taking Akrura by the hand with his
1196866 Illustration to the Bhagvata Purana depicting Balarama taking Akrura by the hand with his younger brother Krishna, c.1700 () by Indian School

Background imageUsing Voice Collection: Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c

Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c
1196778 Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c.1590-1600 (gouache on paper) by Persian School

Background imageUsing Voice Collection: Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)

Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)
1196761 Sufis Visiting their Pir, c.1650 (w/c & gilt on paper) by Indian School, (17th century); 19x13.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageUsing Voice Collection: A Break from the Harvest, (oil on canvas)

A Break from the Harvest, (oil on canvas)
989453 A Break from the Harvest, (oil on canvas) by Dupre, Julien (1851-1910); 54.6x66 cm; Private Collection; (add.info.: A Break from the Harvest. Julien Dupre (1851-1910). Oil on canvas

Background imageUsing Voice Collection: Discovering the Telescope, 1855 (oil on canvas)

Discovering the Telescope, 1855 (oil on canvas)
989417 Discovering the Telescope, 1855 (oil on canvas) by Ender, Edouard (1822-63); 132.7x154 cm; Private Collection; (add.info.: Discovering the Telescope. Eduard Ender (1822-1883). Oil on canvas

Background imageUsing Voice Collection: Aphrodite and Eros (oil on canvas)

Aphrodite and Eros (oil on canvas)
989360 Aphrodite and Eros (oil on canvas) by Danger, Henri-Camille (1857-1937); 200 cm; Private Collection; (add.info.: Aphrodite and Eros. Henri-Camille Danger (1857-1937). Oil on canvas

Background imageUsing Voice Collection: My Fair Lady, 1914 (oil on canvas)

My Fair Lady, 1914 (oil on canvas)
989315 My Fair Lady, 1914 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 170.8x110.8 cm; Private Collection; (add.info.: My Fair Lady. Edmund Blair Leighton (1852-1922). Oil on canvas

Background imageUsing Voice Collection: The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)

Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)
1769786 Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas) by Winterhalter, Hermann (1808-91); 102.2x81.3 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: Scene of Figures (watercolour over pencil on paper)

Scene of Figures (watercolour over pencil on paper)
1769148 Scene of Figures (watercolour over pencil on paper) by Pascin, Jules (1885-1930); 19.7x28.9 cm; Private Collection; (add.info.: Scene of Figures. Jules Pascin (1885-1930)

Background imageUsing Voice Collection: Gossip, c. 1885 (oil on canvas)

Gossip, c. 1885 (oil on canvas)
1199557 Gossip, c. 1885 (oil on canvas) by Waterhouse, John William (1849-1917); 72.1x92.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageUsing Voice Collection: Dancers; Danseuses, c. 1896 (pastel on paper)

Dancers; Danseuses, c. 1896 (pastel on paper)
1767864 Dancers; Danseuses, c.1896 (pastel on paper) by Degas, Edgar (1834-1917); 51.1x40 cm; Private Collection; (add.info.: Dancers; Danseuses. Edgar Degas (1834-1917). Pastel on paper

Background imageUsing Voice Collection: Two Women in a Landscape (oil on canvas)

Two Women in a Landscape (oil on canvas)
1767700 Two Women in a Landscape (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 82x65.4 cm; Private Collection; (add.info.: Two Women in a Landscape. Daniel Ridgway Knight (1839-1924)

Background imageUsing Voice Collection: A New Sign for the Old Inn, 1870 (oil on canvas)

A New Sign for the Old Inn, 1870 (oil on canvas)
1767432 A New Sign for the Old Inn, 1870 (oil on canvas) by Bacon, Henry (1839-1912); 90.2x116.8 cm; Private Collection; (add.info.: A New Sign for the Old Inn. Henry Bacon (1839-1912)

Background imageUsing Voice Collection: Beach Scene, (oil on panel)

Beach Scene, (oil on panel)
1767326 Beach Scene, (oil on panel) by Potthast, Edward Henry (1857-1927); 31.8x40.6 cm; Private Collection; (add.info.: Beach Scene. Edward Henry Potthast (1857-1927). Oil on panel

Background imageUsing Voice Collection: In Monceau Park, 1878 (oil on canvas)

In Monceau Park, 1878 (oil on canvas)
1196577 In Monceau Park, 1878 (oil on canvas) by Monet, Claude (1840-1926); 65.3x54.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageUsing Voice Collection: Khujista Talking to the Parrot, c. 1580 (gouache with gold paint on paper)

Khujista Talking to the Parrot, c. 1580 (gouache with gold paint on paper)
1196913 Khujista Talking to the Parrot, c. 1580 (gouache with gold paint on paper) by Mughal School, (16th century); 8.6x8.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageUsing Voice Collection: Mulatto Women on the Banks of the River Roseau, Dominica, (oil on canvas)

Mulatto Women on the Banks of the River Roseau, Dominica, (oil on canvas)
990893 Mulatto Women on the Banks of the River Roseau, Dominica, (oil on canvas) by Brunias, Agostino (1728-96); 40.7x85.1 cm; Private Collection; (add.info)

Background imageUsing Voice Collection: Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas)

Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas)
990345 Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas) by Loo, Carle van (1705-65); 129x98.5 cm; Private Collection; (add.info.: Venus Requesting Vulcan to make Arms for Aeneas)



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"Using Voice: A Journey through Art and Expression" Step into the world of art, where voices are not only heard but also seen. From "The Fortune Teller, 1899" to "Riders on Horseback, " each painting tells a unique story through the power of voice. In "The Fortune Teller, 1899 (oil on canvas), " we witness a mystical encounter as the fortune teller uses her voice to reveal secrets hidden in the cards. Her words transcend time and space, captivating our imagination. Traveling back in time to c. 1800, we meet Ghaus al-Azam, Abdul Qadir Ghilani of Baghdad. His teachings echo through generations as his wise words continue to guide souls towards enlightenment. In "Give ear unto my Song, " an enchanting melody fills the air as a musician's voice resonates with passion and emotion. Through music, he communicates what words alone cannot express. Stepping into Cafe Parisien (Bal Tabarin), we find ourselves surrounded by lively conversations and laughter that fill every corner of the room. Here, voices intertwine like melodies in perfect harmony. "The Tea Party, 1916 (oil on canvas)" captures a moment when friends gather around a table for tea and conversation. Their voices create an atmosphere of warmth and camaraderie that transcends cultural boundaries. In "Casual Meeting, 1928 (oil on canvas), " two individuals engage in deep dialogue under dimmed streetlights. Their exchange reflects how even chance encounters can lead to profound connections forged through shared experiences and open hearts. "House Recommendations to the Slave Queen, 1932 (oil on board)" portrays a powerful scene where advocates use their voices to fight against injustice and advocate for freedom—a reminder that collective action can bring about meaningful change. "The Good News (oil on canvas)" depicts jubilation as people come together to celebrate joyous tidings—voices raised in unison, spreading happiness and hope.