Uriel Collection

Miltons Paradise Lost - Gustave Dore - Uriel Returned
Vintage engraving by Gustave Dore, from Miltons Paradise Lost. So promised he; and Uriel to his charge, Returned Book IV, line 589, 590

The Virgin of the Rocks, 1601-1700. Creator: Leonardo da Vinci
The Virgin of the Rocks, 1601-1700

Magical pendant, 3rd - 4th century AD (gold & heliotrope)
3036872 Magical pendant, 3rd - 4th century AD (gold & heliotrope) by Roman; length: 4.1 cm; Private Collection; (add.info.: The outer edge of the plain bezel with a fringe of granulation)

Archangel St Uriel detail, c. 1890 (stained glass)
3475689 Archangel St Uriel detail, c.1890 (stained glass) by Selwyn Image (1849-1930); Church of St Mary, Mortehoe, UK; eAlastair Carew-Cox; English, out of copyright

The Archangels, 1890 (stained glass)
3475528 The Archangels, 1890 (stained glass) by Almquist, Carl (1849-1924); Church of All Saints, Pocklington, Yorkshire, UK; (add.info.: Shrigley & Hunt); eAlastair Carew-Cox; out of copyright

Archangel Uriel, 1862 (stained glass)
3474730 Archangel Uriel, 1862 (stained glass) by Brown, Ford Madox (1821-93); St. Michael and All Angels, Brighton, Sussex, UK; (add.info.: Morris, Marshall)

Uriel and Satan (engraving)
1095590 Uriel and Satan (engraving) by Haydon, Benjamin Robert (1786-1846) (after); Private Collection; (add.info.: Uriel and Satan)

Magical pendant, 3rd - 4th century AD (gold & heliotrope)
3036873 Magical pendant, 3rd - 4th century AD (gold & heliotrope) by Roman; length: 4.1 cm; Private Collection; (add.info.: The outer edge of the plain bezel with a fringe of granulation)

The Virgin of the Rocks, 1491-1519. Artist: Leonardo da Vinci
The Virgin of the Rocks, 1491-1519. The Virgin with the Infant Saint John the Baptist adoring the Infant Christ accompanied by the archangel Uriel). From the collection of the National Gallery, London

Madonna of the Rocks, 1482-1486. Artist: Leonardo da Vinci
Madonna of the Rocks, 1482-1486. The meeting of the baby Jesus and John the Baptist during the Flight into Egypt. From the collection of the Louvre, Paris, France

Source Size = 2856 x 3540
Uriel and Satan, Painted by Haydon, from the Exhibition of the Royal Academy

Seven Archangels, Hieronymus Wierix, 1563 - before 1619

Library of Congress Mural - Emersons Uriel
Washington DC, USA - Mural - Poetry Series by Henry Oliver Walker (1843-1929). Found in the Library of Congress, Thomas Jefferson Building. Emersons Uriel

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"Uriel: The Divine Archangel of Light and Wisdom" In the depths of artistic masterpieces and ancient relics, lies the enigmatic figure known as Uriel. From Milton's Paradise Lost to Gustave Dore's intricate illustrations, this celestial being has captured the imagination of many throughout history. One such artifact that unveils Uriel's mystique is a magical pendant dating back to the 3rd - 4th century AD. Crafted with gold and heliotrope, it exudes an aura of power and enchantment. This precious relic serves as a tangible connection to the archangel's divine presence. The stained glass windows depicting Archangel St Uriel from c. 1890 transport us into a world where light intertwines with spirituality. With meticulous details, these artworks showcase Uriel in all his glory, radiating wisdom and guidance upon those who seek it. Amongst other stained glass creations like "The Archangels" from 1890 or "Archangel Uriel" from 1862, we witness how artists have immortalized this celestial entity through their skillful craftsmanship. Each stroke captures his ethereal essence while conveying his importance within religious narratives. Not limited to visual arts alone, even literature pays homage to Uriel's significance. In John Milton's epic poem Paradise Lost, Gustave Dore brings forth vivid imagery in his illustration titled "Uriel Returned. " Here we see the archangel descending from heaven with grace and authority, ready to fulfill his divine duties. As if emerging from centuries past, another magical pendant emerges—a testament to timelessness—crafted once again with gold and heliotrope during the 3rd - 4th century AD. It whispers tales of forgotten civilizations that revered this celestial being for protection and enlightenment. Even Leonardo da Vinci himself was captivated by Uriel's allure when he depicted him in works such as "The Virgin of the Rocks" and "Madonna of the Rocks.