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Untrustworthy Collection

"Untrustworthy: A Glimpse into Deception and Betrayal" In the captivating artwork titled "A Consultation of Physicians, or The Company of Undertakers

Background imageUntrustworthy Collection: A Consultation of Physicians, or The Company of Undertakers

A Consultation of Physicians, or The Company of Undertakers
STC451216 A Consultation of Physicians, or The Company of Undertakers, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageUntrustworthy Collection: Un réconciliation, scène de haute comédie... 19th century. Creator: Honore Daumier

Un réconciliation, scène de haute comédie... 19th century. Creator: Honore Daumier
Un reconciliation, scene de haute comedie... 19th century. Je t'embrasse, mais je te garde rancune! Je te presse contre mon coeur, mais tu me le paieras!'

Background imageUntrustworthy Collection: I Mourn because the World is so Untrustworthy, 1594 (oil on panel)

I Mourn because the World is so Untrustworthy, 1594 (oil on panel)
471422 I Mourn because the World is so Untrustworthy, 1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageUntrustworthy Collection: A Glass of Wine with Caesar Borgia (colour litho)

A Glass of Wine with Caesar Borgia (colour litho)
5230158 A Glass of Wine with Caesar Borgia (colour litho) by Collier, John (1850-1934) (after); Private Collection; (add.info.: A Glass of Wine with Caesar Borgia)

Background imageUntrustworthy Collection: Parisian Types, no. 4: Old Scoundrel!, 1839 (litho)

Parisian Types, no. 4: Old Scoundrel!, 1839 (litho)
1067819 Parisian Types, no. 4: Old Scoundrel!, 1839 (litho) by Daumier, Honore (1808-79); 17.8x24.1 cm; Dallas Museum of Art, Texas, USA; (add.info.: (Types Parisiens, Pl 4: Vieux Scelerat!)

Background imageUntrustworthy Collection: Satire on Franco-German relations. Illustration for Le Rire (colour litho)

Satire on Franco-German relations. Illustration for Le Rire (colour litho)
2786386 Satire on Franco-German relations. Illustration for Le Rire (colour litho) by French School, (20th century); Private Collection; (add.info.: Satire on Franco-German relations)

Background imageUntrustworthy Collection: Rather the butter than the bread! (colour litho)

Rather the butter than the bread! (colour litho)
2818426 Rather the butter than the bread! (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Rather the butter than the bread)

Background imageUntrustworthy Collection: Before the election (colour litho)

Before the election (colour litho)
2818424 Before the election (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Before the election. A candidate for election ingratiating himself with the voters)

Background imageUntrustworthy Collection: Mr Doubleface, a man not to be trusted (engraving)

Mr Doubleface, a man not to be trusted (engraving)
5236600 Mr Doubleface, a man not to be trusted (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Doubleface, a man not to be trusted)

Background imageUntrustworthy Collection: Atheist

Atheist
LLM455780 Atheist by English School, (19th century); Private Collection; (add.info.: Atheist. Illustration from Pilgrims Progress and other works by John Bunyan (James Sangster, c 1860)

Background imageUntrustworthy Collection: Little Red Riding Hood (colour litho)

Little Red Riding Hood (colour litho)
2818959 Little Red Riding Hood (colour litho) by French School, (19th century); Private Collection; (add.info.: Little Red Riding Hood)

Background imageUntrustworthy Collection: After the election (colour litho)

After the election (colour litho)
2818425 After the election (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: After the election)

Background imageUntrustworthy Collection: I know a maiden fair to see, take care, 1868 (oil on paper laid down on canvas)

I know a maiden fair to see, take care, 1868 (oil on paper laid down on canvas)
488118 I know a maiden fair to see, take care, 1868 (oil on paper laid down on canvas) by Perugini, Charles Edward (1839-1918); 54.8x53.8 cm; Minneapolis Institute of Arts, MN

Background imageUntrustworthy Collection: Freemasons and politics (engraving)

Freemasons and politics (engraving)
3100784 Freemasons and politics (engraving) by French School, (19th century); Private Collection; (add.info.: Freemasons and politics)

Background imageUntrustworthy Collection: The Stage of a Mountebank Seller of Drugs (engraving)

The Stage of a Mountebank Seller of Drugs (engraving)
1094623 The Stage of a Mountebank Seller of Drugs (engraving) by French School, (19th century); Private Collection; (add.info.: The Stage of a Mountebank Seller of Drugs)

Background imageUntrustworthy Collection: Mr Doubleface, c. 1810

Mr Doubleface, c. 1810
Mr Doubleface, a man not to be trusted, c.1810 Date: C.1810

Background imageUntrustworthy Collection: A Consultation of Physicians, 1736 (engraving)

A Consultation of Physicians, 1736 (engraving)
XJF396074 A Consultation of Physicians, 1736 (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: the doctors hold canes which would have been filled with disinfectant; The)

Background imageUntrustworthy Collection: The Re-Electing of Reynard, or Fox the Pride of the Geese, 1783 (hand-coloured engraving)

The Re-Electing of Reynard, or Fox the Pride of the Geese, 1783 (hand-coloured engraving)
XCF306888 The Re-Electing of Reynard, or Fox the Pride of the Geese, 1783 (hand-coloured engraving) by English School, (18th century); Private Collection; (add.info)

Background imageUntrustworthy Collection: The Wolf in Sheeps Clothing, 1687 (etching)

The Wolf in Sheeps Clothing, 1687 (etching)
XJF618932 The Wolf in Sheeps Clothing, 1687 (etching) by Barlow, Francis (1626-1702); Private Collection; (add.info.: The wolf is hanged when it is discovered by the shepherds)


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"Untrustworthy: A Glimpse into Deception and Betrayal" In the captivating artwork titled "A Consultation of Physicians, or The Company of Undertakers, " we are reminded that even those who should be trusted with our well-being can sometimes have ulterior motives lurking beneath their façade. "I Mourn because the World is so Untrustworthy, 1594" depicts a somber scene where the artist expresses his despair over a world filled with deceit and unfaithfulness. It serves as a poignant reminder of the constant struggle to find trust in an untrustworthy world. "The Bad Shepherd (detail)" showcases how even those entrusted with guiding and protecting us can lead astray. This thought-provoking piece forces us to question whom we place our faith in and whether they truly deserve it. Through "The Massacre, " depicted in pen & ink on paper, we witness the horrifying consequences when trust is shattered. This chilling illustration reminds us that blind trust can often lead to devastating outcomes. Continuing this theme, "A Glass of Wine with Caesar Borgia" portrays a man known for his treachery enjoying a seemingly innocent moment. It warns against placing confidence in individuals who may use charm as a disguise for their true intentions. In "Parisian Types, no. 4: Old Scoundrel. , " an 1839 lithograph satirizes dishonest characters within society. It serves as both entertainment and cautionary tale about trusting appearances alone. With its colorful depiction of Franco-German relations, "Satire on Franco-German relations" highlights how political alliances can quickly shift from trustworthy to unreliable. It urges viewers to remain vigilant amidst changing circumstances. The phrase "Rather the butter than the bread. " immortalized in another color lithograph suggests prioritizing personal gain over loyalty or integrity—a stark reminder that self-interest often trumps trustworthiness.