Uccello Collection

The Battle of San Romano, c1438, (1909). Artist: Paolo Uccello
The Battle of San Romano, c1438, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Paolo Uccello. The Battle of San Romano. 1456
Paolo Uccello (1397-1475). The Battle of San Romano. Counterattack of Michelotto da Cotignola. 1456. Louvre Museum. Paris. France

The Battle of San Romano, 1432 (c1435-1440). Artist: Paolo Uccello
The Battle of San Romano, 1432 (c1435-1440). The Battle of San Romano was fought between the armies of Siena and Florence

UCCELLO, Paolo di Dono, also called Paolo (1393-1475). The Battle of San Romano in 1432. Detail. Central panel of

Portrait of a Young Man , c. 1440. Creator: Uccello, Paolo (1397-1475)
Portrait of a Young Man , c. 1440. Found in the Collection of the Musee des Beaux-arts, Chambery.

Virgin and Child, ca 1430. Creator: Uccello, Paolo (1397-1475)
Virgin and Child, ca 1430. Found in the Collection of the Royal Castle, Warsaw

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469)
The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The raid (bronze)
5894128 The raid (bronze) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Bardi St. Francis altarpiece and twenty stories of his life, details from above
6365933 Bardi St. Francis altarpiece and twenty stories of his life, details from above: the creation of the Nativity scene in Greccio St. Francis preaching to birds, St

Chariot race with charts pulled by birds (mosaic)
3961236 Chariot race with charts pulled by birds (mosaic) by Roman, (4th century AD); Villa Romana del Casale, Piazza Armerina, Sicily, Italy; (add.info.: Piazza Armerina, Roman Villa of Casale)

Bardi St. Francis altarpiece and twenty stories of his life, details from above: St
6365935 Bardi St. Francis altarpiece and twenty stories of his life, details from above: St. Francis preaching to birds, 1245-50 by Coppo di Marcovaldo (fl.1225/30-after 1274); Santa Croce, Florence

Apse: decoration frieze representing a palm tree and two birds (a magpie and a parrot)
6166471 Apse: decoration frieze representing a palm tree and two birds (a magpie and a parrot), byzantine school mosaic with a golden background (mosaic) by Byzantine

Guest Lodgings, the Room of the Putti, medallion with putti: "Two putti and a parrot", 1757 (fresco)
5962766 Guest Lodgings, the Room of the Putti, medallion with putti: "Two putti and a parrot", 1757 (fresco) by Tiepolo

Annunciation - The Annunciation, 1608-1614 - Painting by Domenikos Theotokopoulos Dit El
LRI4606829 Annunciation - The Annunciation, 1608-1614 - Painting by Domenikos Theotokopoulos Dit El Greco (1540-1614), Oil on canvas. Sun: 2, 91x2, 05. Madrid, Fundacion Banco Santander

Portrait of the Marquise de Llano, Isabel Parreno, in costume from the Mancha region for
LRI4608921 Portrait of the Marquise de Llano, Isabel Parreno, in costume from the Mancha region for a party at the court of Vienna. Painting by Anton Raphael Mengs (1728-1779). 1787 Madrid. St

Fibula with double bow and pin ending in duck protome, from Piscolo (Melfi), tomb 48
LRI741058 Fibula with double bow and pin ending in duck protome, from Piscolo (Melfi), tomb 48 by Greek School, (5th century BC); height: 3.2 cm; Museo Archeologico Nazionale Massimo Pallottino

Paolo Ucello, 1396-1479, La Bataille di San Egidio, National Gallery de Londres (engraving)
5199856 Paolo Ucello, 1396-1479, La Bataille di San Egidio, National Gallery de Londres (engraving) by Italian School, (19th century); Private Collection; (add.info.: Paolo Ucello, 1396-1479)

Paradiso, Canto 19 : The blessed souls form an eagle in the sky
GIA745613 Paradiso, Canto 19 : The blessed souls form an eagle in the sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Earthenware statuette of Aphrodite or Hera kneeling, nude female figure wrapped in a
LRI741094 Earthenware statuette of Aphrodite or Hera kneeling, nude female figure wrapped in a cloak holds a dove in her right hand, from Paestum, Heraion di Foce Sele by Greek School

The Allegory of Peace, or Diane de Poitiers holding a dove Portrait of the Duchess of
LRI4611402 The Allegory of Peace, or Diane de Poitiers holding a dove Portrait of the Duchess of Valentinois Diane de Poitiers (1499-1566), favorite of King Henry II of France

The Flood and Waters Subsiding, c. 1440. Creator: Uccello, Paolo (1397-1475)
The Flood and Waters Subsiding, c. 1440. Found in the Collection of Santa Maria Novella, Florence

Paolo Uccello, ca 1568
Paolo Uccello. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, ca 1568. Private Collection

The Battle of San Romano, c. 1440. Artist: Uccello, Paolo (1397-1475)
The Battle of San Romano, c. 1440. Found in the collection of the Galleria degli Uffizi, Florence

Niccolo Mauruzi da Tolentino at the Battle of San Romano, c. 1440. Artist: Uccello, Paolo (1397-1475)
Niccolo Mauruzi da Tolentino at the Battle of San Romano, c. 1440. Found in the collection of the National Gallery, London

A Young Lady of Fashion, 1462-1465. Artist: Uccello, Paolo (1397-1475)
A Young Lady of Fashion, 1462-1465. Found in the collection of the Isabella Stewart Gardner Museum, Boston

Capture of the Algerian corsair xebec L Uccello by the Genoese galleys Taggia and San Giorgio on August 11, 1788 near San Remo. Engraving. ITALY. LIGURIA. Genoa. Pegli. Navy Museum

UCCELLO: PROPHET. Head of a Prophet. Fresco, c1443, by Paolo Uccello

PAOLO UCCELLO (1397-1475). Florentine painter. Woodcut from the 1568 edition of Giorgio Vasaris Lives of the Painters, the first illustrated edition

GIOTTO (c1266-1337). Florentine painter, architect, and sculptor. Detail of a painting by Paolo Uccello

Paolo Uccello (1397 - 10 December 1475), born Paolo di Dono, Italian painter. Saint George and the Dragon (c. 1456)

1438-40 Niccolo Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano Paolo Uccello (1397 - 10 December 1475), Italian painter

pavone
peafowl

pinguini, patagonia argentina

The Battle of San Romano in 1432
Uccello, Paolo di Dono, also called Paolo (1393-1475). The Battle of San Romano in 1432. (The Counter Attack of Micheletto da Cotignola). Oil on wood, 180 x 316 cm. 1450-56. Date: 1432

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Uccello, a name that resonates with the vibrant artistry of Paolo Uccello. Born in 1393 and leaving an indelible mark until his passing in 1475, Uccello's artistic prowess knew no bounds. His masterpiece, "The Battle of San Romano, " painted in 1456, stands as a testament to his genius. "The Battle of San Romano" depicts the tumultuous clash between Florentine and Sienese forces during the Italian Renaissance. With meticulous attention to detail, Uccello captures the chaos and valor of war on canvas. The vibrancy of colors brings life to each stroke, immersing viewers into this historic event. In another rendition from c1438 (1909), Uccello revisits "The Battle of San Romano, " further showcasing his dedication to capturing its essence. This time around, he explores different perspectives and techniques while maintaining his signature style. Uccello's talent extends beyond battle scenes; he delves into religious themes as well. In the Bardi St. Francis altarpiece series dating back to 1245-50, we witness St. Francis preaching not only to birds but also fearlessly addressing Muslims before Sultan Al-Kamil—an act both daring and inspiring. Not limited by subject matter or medium, Uccello's creativity shines through various works such as "Chariot race with charts pulled by birds" mosaic—a spectacle where avian strength propels chariots forward—and even a bronze sculpture titled "The raid. " Beyond paintings and sculptures lies Uccello's ability to infuse life into frescoes like "Guest Lodgings. " Here we find medallions adorned with putti—cherubic figures—accompanied by a parrot amidst their playful antics. Even Byzantine influences seeped into Uccello's repertoire; an apse decoration frieze showcases a palm tree alongside a magpie and parrot, all set against a golden background.