Trompe L Oeil Collection (page 9)

A Confederate Note, 1886-87 (oil on canvas)
712171 A Confederate Note, 1886-87 (oil on canvas) by Haberle, John (1856-1933); 37x51 cm; Private Collection; American, out of copyright

Aurora, ceiling painting possibly from the Library, c. 1845-47
PWI83631 Aurora, ceiling painting possibly from the Library, c.1845-47 by Delacroix, Ferdinand Victor Eugene (1798-1863); Palais du Luxembourg, Paris, France; ePeter Willi; French, out of copyright

View of the Antechamber with allegorical depictions of Industry and
PWI82847 View of the Antechamber with allegorical depictions of Industry and Justice with personifications of seas and rivers below, c.1833-44 (mural) by Delacroix

Sala dei Cavalli, detail showing a portrait of Dario
BEN78491 Sala dei Cavalli, detail showing a portrait of Dario, a horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te

Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts
BEN78486 Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 (fresco) (detail of 78482) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children
BEN78459 Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) by Mantegna

The Camera degli Sposi or Camera Picta with scenes from the court of Mantua
BEN78449 The Camera degli Sposi or Camera Picta with scenes from the court of Mantua, showing the Marchese Ludovico Gonzaga III and his wife Barbara of Brandenburg, their children

The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L
AII80431 The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) an open cupboard of books and (R)

Violin and bow hanging on a door (oil on canvas laid on wood panel)
CTS336429 Violin and bow hanging on a door (oil on canvas laid on wood panel) by Vaardt, Jan van der (1647-1721); 96.8x77.8 cm; eThe Devonshire Collections

Warden Thomas Cranley (brass)
NCO412323 Warden Thomas Cranley (brass) by English School, (14th century); Courtesy of the Warden and Scholars of New College

Portrait of the 5th Duke of Rutland, Ceiling of the Elizabeth Saloon (fresco)
465904 Portrait of the 5th Duke of Rutland, Ceiling of the Elizabeth Saloon (fresco) by Wyatt, Matthew Cotes (1777-1862); Belvoir Castle, Leicestershire, UK; (add.info.: John Henry Manners)

Carved trompe l oeil chair (wood)
469717 Carved trompe l oeil chair (wood) by Shutov, V. P. (19th century) (after); Private Collection; Photo eChristies Images; Russian, out of copyright

Perspective View of the Carousel Room, constructed for the occasion of the marriage of
STC101859 Perspective View of the Carousel Room, constructed for the occasion of the marriage of Monseigneur Le Dauphin (detail of 174858), engraved by Oubrier (colour engraving) by French School

Landscape with Cupid, from the Foresteria (Guesthouse) 1757 (fresco)
FTB96466 Landscape with Cupid, from the Foresteria (Guesthouse) 1757 (fresco) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); Villa Valmarana ai Nani, Vicenza, Italy; Italian

The Liberal Arts Triumphing over Ignorance (fresco) (see also 95840)
FTB95840 The Liberal Arts Triumphing over Ignorance (fresco) (see also 95840) by Diziani, Gasparo (1689-1767); Ca Rezzonico, Museo del Settecento, Venice, Italy; Italian, out of copyright

Advert for Red Cloud Tobacco, 1867 (colour litho)
PNP245653 Advert for Red Cloud Tobacco, 1867 (colour litho) by American School, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Triumph in the Name of Jesus (oil on canvas) (b / w photo)
ALI224430 Triumph in the Name of Jesus (oil on canvas) (b/w photo) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Galleria Spada, Rome, Lazio

Preparing for a Festa, 1851 (w / c on paper)
AMO101420 Preparing for a Festa, 1851 (w/c on paper) by Leighton, Frederic (1830-96); 89x62 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Troy Triptych, 1872-1898 (oil on canvas)
BIR100722 Troy Triptych, 1872-1898 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 273x294.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

The Great Staircase at Kensington Palace From Pynes Royal Residences
STC152583 The Great Staircase at Kensington Palace From Pynes Royal Residences, engraved by Richard Reeve (b.1780) published in 1819 (engraving) by Wild

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c
ALI161928 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) (b/w photo) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

View of the frescoes in the Sala dei Gigli, c. 1470 (photo) (post restoration)
BEN177354 View of the frescoes in the Sala dei Gigli, c.1470 (photo) (post restoration) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Palazzo Vecchio (Palazzo della Signoria) Florence

The Bergl Apartments: trompe l oeil decoration painted by Johann Bergl
XAM68949 The Bergl Apartments: trompe l oeil decoration painted by Johann Bergl, 18th century (see also 68950) (photo) by Bergl, Johann Wenzel (1718-89); Schloss Schonbrunn, Vienna

David and Bathsheba
FTB60805 David and Bathsheba by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Vierge du rosaire (Virgin of rosary) Representation en mise en abyme d un triptyque
5974599 Vierge du rosaire (Virgin of rosary) Representation en mise en abyme d un triptyque, 19eme siecle by Barabino, Nicol (1832-91); Galleria d Arte Moderna, Musei Nervi, Genoa

Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco)
5052172 Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Santa Caterina, Genoa

"Insectes"(Insects) Peinture de Jan Van Kessel l
FIA5400903 " Insectes" (Insects) Peinture de Jan Van Kessel l ancien (1626-1679) Oil on wood Dim 13x16, 5 cm Fondation Custodia by Kessel, Jan van, the Elder (1626-79); Fondation Custodia

Sanchos cowardice at the hunt, 1772 (silk and wool)
1766129 Sanchos cowardice at the hunt, 1772 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 368x406 cm; J

An Allegory of Dawn, 1736-37 (oil on canvas)
3980223 An Allegory of Dawn, 1736-37 (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 82x70 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Needlework framed trompe l oeil (textile)
3960464 Needlework framed trompe l oeil (textile) by English School, (18th century); Private Collection; English, out of copyright

Tabletop (scagliola)
3823023 Tabletop (scagliola) by Paulini, Pietro Antonio (18th century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info)

Vanite et trompe l oeil - Painting by Jean Francois De Le Motte (17th century
JLJ4592897 Vanite et trompe l oeil - Painting by Jean Francois De Le Motte (17th century) - Strasbourg, Musee Des Beaux Arts by Le Motte, Jean-Francois de (17th century); Musee des Beaux-Arts

Portrait of a woman in the entrance of a door, detail. 1st century (fresco)
LRI4590698 Portrait of a woman in the entrance of a door, detail. 1st century (fresco) by Roman, (1st century AD); Area archeologica di Pompei, Naples, Campania

Autumn. (oil on canvas, 16th century)
LRI4601188 Autumn. (oil on canvas, 16th century) by Arcimboldo, Giuseppe (1527-93); Louvre, Paris, France; (add.info.: Allegory of the Four Seasons)

Sketch Design for the Ceiling of the Queens State Bedchamber at Hampton Court Palace
1065258 Sketch Design for the Ceiling of the Queens State Bedchamber at Hampton Court Palace, 1715 (oil on canvas) by Thornhill

The ceiling of the Constantine Room: the Fall of the idols
991693 The ceiling of the Constantine Room: the Fall of the idols and the triumph of Christianity, 1582 (fresco) by Laureti, Tommaso (c.1530-1602); Italian, out of copyright

Amschel Rothschild (colour litho)
XEE1125710 Amschel Rothschild (colour litho) by French School, (18th century); Private Collection; (add.info.: Mayer Amschel Rothschild (23 February 1744 - 19 September 1812)

Portrait of a Woman, c. 14775-80 (oil on oak) Netherlandish or
3746351 Portrait of a Woman, c.14775-80 (oil on oak) Netherlandish or French Date: ca. 1475-80 Culture: Franco-Flemish Medium: Portrait of a Woman

A Bachelors Drawer, 1890-94 (oil on canvas)
3746330 A Bachelors Drawer, 1890-94 (oil on canvas) by Haberle, John (1856-1933); 50.8x91.4 cm; Metropolitan Museum of Art, New York

Ordinary Objects in the Artists Creative Mind, 1887 (oil on canvas)
3081858 Ordinary Objects in the Artists Creative Mind, 1887 (oil on canvas) by Peto, John Frederick (1854-1907); 143x84 cm; Shelburne Museum, Vermont

The Triumph of Divine Love, c. 1625-26 (oil on panel)
936983 The Triumph of Divine Love, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 15.9x16.2 cm; Fitzwilliam Museum, University of Cambridge

The Triumph of the Eucharist over Philosophy and Science, c. 1625-26 (oil on panel)
937117 The Triumph of the Eucharist over Philosophy and Science, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.5x21.9 cm; Fitzwilliam Museum, University of Cambridge

The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S
936981 The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S. Eucharistiam Triumphans, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x24.4 cm; Fitzwilliam Museum

Triumph in the Name of Jesus (fresco)
991628 Triumph in the Name of Jesus (fresco) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Gesu, Rome, Italy; Italian, out of copyright

St. Gregory, c. 1450-52 (fresco)
3703890 St. Gregory, c.1450-52 (fresco) by Pizzolo, Niccolo (c.1420-53); (add.info.: formerly in the Ovetari Chapel of the Church of the Eremitani, Padua)

Jacob and Joseph, Sistine Chapel (fresco)
828662 Jacob and Joseph, Sistine Chapel (fresco) by Buonarroti, Michelangelo (1475-1564); eGiuliano Valsecchi; Italian, out of copyright

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"Trompe l'oeil: An Artistic Illusion" Step into the world of trompe l'oeil, where art seamlessly blends with reality. From ancient frescoes to modern masterpieces, this captivating technique has been enchanting viewers for centuries. Transport yourself back in time to the Villa of Livia, where a trompe l'oeil garden mural from 40-20 BC adorns the walls. Marvel at its intricate details and lifelike depiction of nature, blurring the line between painting and reality. Fast forward to 1913 and discover "The Winter Egg, " a dazzling creation crafted from quartz, platinum, orthoclase, and diamonds. This exquisite piece showcases how trompe l'oeil can transcend traditional mediums and transform them into something truly extraordinary. In "Quince, Cabbage, Melon, and Cucumber, " an oil on canvas masterpiece from c. 1602 by an unknown artist captures our attention with its deceptive realism. The fruits and vegetables appear so tangible that one might be tempted to reach out and touch them. Moving through history's tapestry of artistry is Oliver Cromwell's portrait from c. 1653. With meticulous brushstrokes capturing every wrinkle on his face, this oil on canvas work exemplifies how trompe l'oeil can breathe life into portraiture. Venturing beyond paintings lies architectural marvels like Kings Weston House in Bristol or Radnor House in Middlesex. These black-and-white photographs transport us into grand spaces adorned with baroque ceilings or painted urns nestled within niches – all meticulously designed to deceive our senses. "The Young Mechanic" by Nathaniel Jocelyn takes us back to 1848 when trompe l'oeil was used as a storytelling device. Through skillful rendering techniques, we witness a young boy engrossed in his mechanical pursuits – an illusion so convincing it almost feels like we are witnessing the scene firsthand.