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Tripod Collection (page 6)

"Capturing the Unseen: A Tripod's Journey through Time and Space" In the bustling streets of London, a Metropolitan Police air raid siren blares

Background imageTripod Collection: Design for a camera advertisement (gouache on paper)

Design for a camera advertisement (gouache on paper)
425810 Design for a camera advertisement (gouache on paper) by Gash, Walter Bonner (1869-1928); 61x48 cm; Private Collection; eLiss Fine Art; English, out of copyright

Background imageTripod Collection: Monkey effigy vessel, 1-300 (ceramic)

Monkey effigy vessel, 1-300 (ceramic)
DBP424178 Monkey effigy vessel, 1-300 (ceramic) by Guanacaste-Nicoya Culture; height: 20 cm; Private Collection; Photo eDirk Bakker; out of copyright

Background imageTripod Collection: Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain

Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain
1190776 Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain) (see also 1190774-5) by Chinese School (14th century); diam: 16.3 cm; Private Collection; (add.info)

Background imageTripod Collection: Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche

Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche
BEN78434 Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua

Background imageTripod Collection: Compound Monocular Microscope, made by Edmund Culpeper (1660-1738) English, c. 1730

Compound Monocular Microscope, made by Edmund Culpeper (1660-1738) English, c. 1730
MFR135770 Compound Monocular Microscope, made by Edmund Culpeper (1660-1738) English, c.1730 by Culpeper, Edmund (1660-1738); Private Collection; (add.info)

Background imageTripod Collection: Taking the Family Portrait (oil on canvas)

Taking the Family Portrait (oil on canvas)
827056 Taking the Family Portrait (oil on canvas) by Perrony, Bertrand (fl.1880) (after); 33x45.8 cm; Private Collection; (add.info.: Taking the Family Portrait. Bertrand-Perrony, A. (d.1903)

Background imageTripod Collection: Three-legged stool, c. 1903 (cherrywood)

Three-legged stool, c. 1903 (cherrywood)
873085 Three-legged stool, c.1903 (cherrywood) by Loos, Adolf (1870-1933); height: 19.4 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageTripod Collection: A Victorian greeting card of a cat setting up an antique camera tripod, c

A Victorian greeting card of a cat setting up an antique camera tripod, c
3603543 A Victorian greeting card of a cat setting up an antique camera tripod, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English

Background imageTripod Collection: The tripod of Apollo (engraving)

The tripod of Apollo (engraving)
3635318 The tripod of Apollo (engraving) by English School, (20th century); Private Collection; (add.info.: The tripod of Apollo)

Background imageTripod Collection: cartoon of Nadar and his hot balloon, c. 1863 (coloured litho)

cartoon of Nadar and his hot balloon, c. 1863 (coloured litho)
2962406 cartoon of Nadar and his hot balloon, c.1863 (coloured litho) by Humbert, Albert (1835-1886); Private Collection; (add.info.: Gaspard-Felix Tournachon, known as Nadar (1820-23)

Background imageTripod Collection: Three-legged pot (earthenware)

Three-legged pot (earthenware)
LIT389510 Three-legged pot (earthenware) by Prehistoric; Bangkok National Museum, Bangkok, Thailand; Photo eLuca Tettoni; out of copyright

Background imageTripod Collection: Squash vessel (earthenware)

Squash vessel (earthenware)
DBP422942 Squash vessel (earthenware) by Colima Culture; Private Collection; Photo eDirk Bakker; out of copyright

Background imageTripod Collection: Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century

Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century
476612 Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century (silvered & gilt bronze, ivory and wood) (see also 476613) by Giroux

Background imageTripod Collection: George III tripod stand with temple, c. 1762 (mahogany, mica & shellwork)

George III tripod stand with temple, c. 1762 (mahogany, mica & shellwork)
475967 George III tripod stand with temple, c.1762 (mahogany, mica & shellwork) by Ince, William (d.1804) and Mayhew, John (1736-1811) (attr)

Background imageTripod Collection: Funerary vessel with Teotihuacan influence, from Peten, Guatemala, Central America

Funerary vessel with Teotihuacan influence, from Peten, Guatemala, Central America
JPC252800 Funerary vessel with Teotihuacan influence, from Peten, Guatemala, Central America, Early Classic Period (c.300-600 AD) (ceramic) by Mayan; Museo Nacional de Arqueologia y Etnologia

Background imageTripod Collection: Herbert Ponting (1870-1935) with a cinematographic camera on the Terra Nova

Herbert Ponting (1870-1935) with a cinematographic camera on the Terra Nova
STC258392 Herbert Ponting (1870-1935) with a cinematographic camera on the Terra Nova expedition (1910-13) to the South Pole lead by Captain Scott, 1910-12 (b/w photo) by English Photographer

Background imageTripod Collection: Commander Evans observing an occulation of Jupiter, from Scott

Commander Evans observing an occulation of Jupiter, from Scott
STC255091 Commander Evans observing an occulation of Jupiter, from Scotts Last Expedition (b/w photo) by Ponting, Herbert (1870-1935); Private Collection; (add.info)

Background imageTripod Collection: Two Mitres, Tripod Series IV, 1968-69 (chrome steel)

Two Mitres, Tripod Series IV, 1968-69 (chrome steel)
700240 Two Mitres, Tripod Series IV, 1968-69 (chrome steel) by Pye, William (1855-1934); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageTripod Collection: The Coronation of the Empress of the Nairs, 1819 (coloured engraving)

The Coronation of the Empress of the Nairs, 1819 (coloured engraving)
LMG162288 The Coronation of the Empress of the Nairs, 1819 (coloured engraving) by Cruikshank, George (1792-1878); Leeds Museums and Art Galleries (Temple Newsam House)

Background imageTripod Collection: A Mayan lidded and carved tripod vessel, c. 250-450

A Mayan lidded and carved tripod vessel, c. 250-450
1767158 A Mayan lidded and carved tripod vessel, c.250-450 by Mayan; 24.8 high cm; Private Collection; (add.info.: A Mayan lidded and carved tripod vessel. Early classic, ca. A.D. 250-450)

Background imageTripod Collection: Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain

Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain
1190774 Jun number nine tripod Narcissus bowl, Yuan / Ming Dynasty (porcelain) (see also 1190775-6) by Chinese School (14th century); diam: 16.3 cm; Private Collection; (add.info)

Background imageTripod Collection: The tricks of cinematography (colour litho)

The tricks of cinematography (colour litho)
3097596 The tricks of cinematography (colour litho) by French School, (20th century); Private Collection; (add.info.: The tricks of cinematography)

Background imageTripod Collection: Promising outlook, lion observes photographer (chromolitho)

Promising outlook, lion observes photographer (chromolitho)
668319 Promising outlook, lion observes photographer (chromolitho) by Griset, Ernest Henry (1844-1907); Private Collection; (add.info.: Promising outlook, lion observes photographer)

Background imageTripod Collection: Richard J. Gatling, shown with the Bulldog Model of 1893 (b / w photo)

Richard J. Gatling, shown with the Bulldog Model of 1893 (b / w photo)
PNP386822 Richard J. Gatling, shown with the Bulldog Model of 1893 (b/w photo) by American Photographer, (19th century); Private Collection; (add.info)

Background imageTripod Collection: Comparison of the Colt Automatic Gun and the Maxim Automatic Gun (engraving) (b&w photo)

Comparison of the Colt Automatic Gun and the Maxim Automatic Gun (engraving) (b&w photo)
XJF115602 Comparison of the Colt Automatic Gun and the Maxim Automatic Gun (engraving) (b&w photo) by English School, (19th century); Private Collection; English, out of copyright

Background imageTripod Collection: A black cook at a Union Army camp during the American Civil War (1861-65) (b / w photo)

A black cook at a Union Army camp during the American Civil War (1861-65) (b / w photo)
PNP251840 A black cook at a Union Army camp during the American Civil War (1861-65) (b/w photo) by American Photographer, (19th century); Private Collection; Peter Newark Military Pictures; American

Background imageTripod Collection: The Old Draw Well near Golspie, 19th century (w / c)

The Old Draw Well near Golspie, 19th century (w / c)
6200280 The Old Draw Well near Golspie, 19th century (w/c) by Wintour, John Crawford (1825-82); 23.2x32.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English, out of copyright

Background imageTripod Collection: See the Guinness animals at Edinburgh Zoo, c. 1938 (lithograph in colours)

See the Guinness animals at Edinburgh Zoo, c. 1938 (lithograph in colours)
1194960 See the Guinness animals at Edinburgh Zoo, c.1938 (lithograph in colours) by English School, (20th century); 76x51 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTripod Collection: A Mayan polychrome tripod plate depicting the head of a dignitary in profile, c. 550-950

A Mayan polychrome tripod plate depicting the head of a dignitary in profile, c. 550-950
1767161 A Mayan polychrome tripod plate depicting the head of a dignitary in profile, c. 550-950 by Mayan; 35.6 dia cm; Private Collection; (add.info)

Background imageTripod Collection: Bacchanalian, reclined on a couch, with his thyrsus, a tripod and candelabrum by his side

Bacchanalian, reclined on a couch, with his thyrsus, a tripod and candelabrum by his side (engraving)
5200779 Bacchanalian, reclined on a couch, with his thyrsus, a tripod and candelabrum by his side (engraving) by English School, (19th century); Private Collection; (add.info.: Bacchanalian)

Background imageTripod Collection: Tripod stool, c. 1905 (ash)

Tripod stool, c. 1905 (ash)
873086 Tripod stool, c.1905 (ash) by Loos, Adolf (1870-1933); height: 45 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageTripod Collection: Pair of Theban stools, from the Villa Duschnitz, Vienna

Pair of Theban stools, from the Villa Duschnitz, Vienna
873084 Pair of Theban stools, from the Villa Duschnitz, Vienna, 1915 (stained beechwood) by Loos, Adolf (1870-1933); height: 39.5 cm; Private Collection; Photo eChristies Images; Austrian

Background imageTripod Collection: Cylindrical tripod vessel with two goggled figures, c. A. D

Cylindrical tripod vessel with two goggled figures, c. A. D
1072359 Cylindrical tripod vessel with two goggled figures, c.A.D. 400A-650 (ceramic, stucco, and paint) by Mesoamerican; 10.1x12x12 cm; Dallas Museum of Art, Texas

Background imageTripod Collection: Chasing The Dragon

Chasing The Dragon
Philip Eaglesfield

Background imageTripod Collection: Snow chasing

Snow chasing
Shenshen Dou

Background imageTripod Collection: Fight for a tripod

Fight for a tripod
Christian Roustan (Kikroune)

Background imageTripod Collection: THE PHOTOGRAPHER

THE PHOTOGRAPHER
Dr. Nicholas Roemmelt

Background imageTripod Collection: Crazy painter

Crazy painter
Magdalena Russocka

Background imageTripod Collection: Water Music (Η Μουσική των Υδάτων)

Water Music (Η Μουσική των Υδάτων)
Maria Kaimaki

Background imageTripod Collection: Daily Mirror photographer George Greenwell seen here with his Hasselblad 500 camera

Daily Mirror photographer George Greenwell seen here with his Hasselblad 500 camera and very long tele-photo on assignment in Woodmancote, Sussex. 14th October 1956

Background imageTripod Collection: The Boswell family (left to right Jean Boht, Peter Howitt, Victor McGuire

The Boswell family (left to right Jean Boht, Peter Howitt, Victor McGuire, Jonathon Morris and Gilly Coman) seen here in the dock at St Georges Hall during the filming for the next series of Bread

Background imageTripod Collection: Daily Mirror Photographer Charles Ley seen here with a telephoto lens attached to his

Daily Mirror Photographer Charles Ley seen here with a telephoto lens attached to his camera 15th January 1962

Background imageTripod Collection: Daily Mirror Photographer Charles Ley seen here with a telephoto lens attached to his

Daily Mirror Photographer Charles Ley seen here with a telephoto lens attached to his camera 15th January 1962

Background imageTripod Collection: Autumn Vintage Festival, 1877. Creator: Sir Lawrence Alma-Tadema

Autumn Vintage Festival, 1877. Creator: Sir Lawrence Alma-Tadema
Autumn Vintage Festival, 1877

Background imageTripod Collection: Man on top of rocks photographing Cadini di Misurina at sunrise, Dolomites

Man on top of rocks photographing Cadini di Misurina at sunrise, Dolomites, Belluno province, Veneto, Italy, Europe

Background imageTripod Collection: River Vispa (Visp, Viege) - Matter Valley near Zermatt

River Vispa (Visp, Viege) - Matter Valley near Zermatt, Valais Canton - Switzerland. Note the photographer is setting up his camera to take the perfect photo of Mont Cervin circa 1910s

Background imageTripod Collection: Surveyor, ca. 1854. Creator: Unknown

Surveyor, ca. 1854. Creator: Unknown
Surveyor, ca. 1854

Background imageTripod Collection: Photographer taking pictures of frozen Lej da Staz at dawn lying on the snow, Engadine

Photographer taking pictures of frozen Lej da Staz at dawn lying on the snow, Engadine, canton of Graubunden, Switzerland, Europe



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"Capturing the Unseen: A Tripod's Journey through Time and Space" In the bustling streets of London, a Metropolitan Police air raid siren blares, signaling an era of uncertainty. Meanwhile, in a dimly lit seance room at the National Laboratory of Psychical Research, a tripod stands silently witness to attempts to communicate with the other side. Venturing out to Woking, Surrey, England, we find ourselves face-to-face with a magnificent War of the Worlds sculpture. This towering creation reminds us of H. G. Wells' vivid imagination and its impact on popular culture. On the tranquil waters off Porthgwarra in Cornwall lies Bill Harvey's fishing boat Alpha from 1903 - a testament to man's enduring connection with nature and his quest for sustenance. But our journey takes an intriguing turn as we stumble upon Harry Price's ghost hunting kit. With this collection of tools designed to explore supernatural phenomena, one can only wonder what mysteries it has unraveled throughout history. A leap forward brings us to Great Western Beach in Newquay on that fateful day - June 24th, 1910. The sun shines brightly as beachgoers enjoy their leisurely pursuits while unknowingly becoming subjects captured by cameras mounted on tripods; frozen moments preserved forever. Flipping through Popular Science Magazine covers reveals how tripods have been instrumental in documenting scientific breakthroughs and technological advancements over time - from forecasting weather patterns to unraveling secrets hidden within our vast universe. G. H. Wilkins returns triumphant from his expedition aboard The Quest alongside Sir Ernest Shackleton – an epic tale etched into history thanks to photographs taken using sturdy tripods that stood firm amidst treacherous conditions. Traveling further back in time now finds us standing beside Alexander the Great on the eve of Gaugamela – his trusted tripod-mounted camera ready to capture pivotal moments that would shape empires and legacies.