Tribal Markings Collection

Portrait, c. 1910 (silver gelatin print)
MGS272352 Portrait, c.1910 (silver gelatin print) by Goldie, Charles Frederick (1870-1947); 16x10.4 cm; Private Collection; © Michael Graham-Stewart

Portrait, Tauranga, c. 1930 (silver gelatin print)
MGS272390 Portrait, Tauranga, c.1930 (silver gelatin print) by Garlick, Una (1883-1951); 10.2x7.4 cm; Private Collection; (add.info.: photographer was Eunice Harriett Garlick)

Maori Character Study, c. 1927 (silver gelatin print)
MGS272389 Maori Character Study, c.1927 (silver gelatin print) by Garlick, Una (1883-1951); 10x7.3 cm; Private Collection; (add.info.: photographer was Eunice Harriett Garlick)

Tobadzischini, a Navajo Indian, 1904 (b / w photo)
XJF105320 Tobadzischini, a Navajo Indian, 1904 (b/w photo) by Curtis, Edward Sheriff (1868-1952); Private Collection

Portraits, c. 1880 (albumen print)
MGS272380 Portraits, c.1880 (albumen print) by Foy Brothers Studio, (fl.1872-1902); 9x5.6 cm; Private Collection; eMichael Graham-Stewart; New Zealander, out of copyright

Portrait, c. 1875 (albumen print)
MGS272332 Portrait, c.1875 (albumen print) by Pulman, Elizabeth (1836-1900); 14.5x10 cm; Private Collection; (add.info.: HiraKa Tuina; ); eMichael Graham-Stewart; English, out of copyright

Pictish woman, from Admiranda Narratio... engraved by Theodore de Bry (1528-98
XIR182524 Pictish woman, from Admiranda Narratio... engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving) by White, John (fl.1570-93) (after); Service Historique de la Marine, Vincennes

Jack-in-the-box, c. 1870-1900 (mixed media)
NYH185456 Jack-in-the-box, c.1870-1900 (mixed media) by American School, (19th century); Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright

Portrait, c. 1860 (albumen print)
MGS272616 Portrait, c.1860 (albumen print) by Crombie, John (1827-78) (attr. to); 14x11.4 cm; Private Collection; eMichael Graham-Stewart; Scottish, out of copyright

Susan and Ngapuia, c. 1900 (albumen print)
MGS272343 Susan and Ngapuia, c.1900 (albumen print) by Martin, Josiah (1843-1916); 20.4x15.3 cm; Private Collection; (add.info.: Guide Susan)

Natives of the St. Lawrence Islands, Alaska, from Voyage Pittoresque Autour du
TRV168863 Natives of the St. Lawrence Islands, Alaska, from Voyage Pittoresque Autour du Monde, published 1822 (colour litho) by Choris

Tapuae, c. 1900 (w / c on paper)
MGS171753 Tapuae, c.1900 (w/c on paper) by Ryan, Thomas (1864-1927); 28x22 cm; Private Collection; eMichael Graham-Stewart; New Zealander, out of copyright

Portrait of A-Mis-Quam, a winnebago brave (coloured engraving)
XJL181931 Portrait of A-Mis-Quam, a winnebago brave (coloured engraving) by American School; Free Library of Philadelphia; (add.info.: from Green Bay area of Wisconsin; ); American, out of copyright

The White Cloud, Head Chief of the Iowas, 1844-45 (oil on canvas)
XOS741896 The White Cloud, Head Chief of the Iowas, 1844-45 (oil on canvas) by Catlin, George (1796-1872); 71 x 58 cm; National Gallery of Art, Washington DC, USA; (add.info.: White Cloud)

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"Tribal Markings: A Glimpse into Ancient Cultures and Timeless Traditions" Step back in time and explore the captivating world of tribal markings, as depicted through a diverse collection of historical portraits. From the Pictish man engraved by Theodore de Bry to the mesmerizing Maori Character Study, these vivid images offer a window into the rich tapestry of human history. Intricately etched on their bodies, these tribal markings tell stories of identity, heritage, and belonging. The Pictish woman from Admiranda Narratio. . Exquisitely showcases the intricate patterns that adorned her skin, reflecting a culture steeped in mystery and symbolism. Traveling across continents, we encounter Tobadzischini - a Navajo Indian whose black-and-white photograph captures his stoic presence amidst an ever-changing world. His facial tattoos speak volumes about his tribe's traditions and spiritual beliefs. The silver gelatin prints transport us to Tauranga in 1930 where we meet individuals who proudly wear their cultural marks with grace. Their eyes reflect resilience and pride as they carry forward ancient customs passed down through generations. As we delve deeper into this visual journey, albumen prints from different eras introduce us to faces both familiar and unknown. These hauntingly beautiful portraits evoke emotions ranging from curiosity to admiration for those who bear these timeless symbols on their bodies. Amongst them is Susan alongside Ngapuia - two figures frozen in time by an albumen print from 1900. Their intertwined hands suggest unity within diversity; their marked skin speaks volumes about shared experiences within their community. Venturing further north brings us face-to-face with Natives of St. Lawrence Islands in Alaska captured during Voyage Pittoresque Autour du expedition. Their striking features are enhanced by unique tribal markings that set them apart while simultaneously connecting them to centuries-old traditions. Finally, our journey concludes with a whimsical touch.