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Travelogue Collection

"Journey through Time: Exploring the Enigmatic Travelogue" Embark on a captivating voyage as we delve into the world of travelogues

Background imageTravelogue Collection: First Page of The Armenian Letters, 1928. Artist: Leonardo da Vinci

First Page of The Armenian Letters, 1928. Artist: Leonardo da Vinci
First Page of The Armenian Letters, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageTravelogue Collection: Poetic Bliss

Poetic Bliss
Jassi Oberai

Background imageTravelogue Collection: Silk Route

Silk Route
Jassi Oberai

Background imageTravelogue Collection: Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki

Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki
Illustration for Yorick's Sentimental Voyage, 1783. Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim

Background imageTravelogue Collection: Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki

Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki
Illustration for Yorick's Sentimental Voyage, 1783. Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim

Background imageTravelogue Collection: Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki

Illustration for Yorick's Sentimental Voyage, 1783. Creator: Daniel Nikolaus Chodowiecki
Illustration for Yorick's Sentimental Voyage, 1783. Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim

Background imageTravelogue Collection: Sadhu

Sadhu
Jassi Oberai

Background imageTravelogue Collection: Witch Finger

Witch Finger
Jassi Oberai

Background imageTravelogue Collection: House on Fire

House on Fire
Jassi Oberai

Background imageTravelogue Collection: The Solitary Prisoner. Illustration by Harry Furniss for the Charles Dickens travelogue American

The Solitary Prisoner. Illustration by Harry Furniss for the Charles Dickens travelogue American Notes for General
1000796 The Solitary Prisoner. Illustration by Harry Furniss for the Charles Dickens travelogue American Notes for General Circulation, from The Testimonial Edition, published 1910

Background imageTravelogue Collection: An Editor, c. 1920s (pen & ink with w / c on paper)

An Editor, c. 1920s (pen & ink with w / c on paper)
FLP465420 An Editor, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Accordian Patient, c. 1920s (pen & ink with w / c on paper)

The Accordian Patient, c. 1920s (pen & ink with w / c on paper)
FLP465419 The Accordian Patient, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: A Presidential, c. 1920s (pen & ink with w / c on paper)

A Presidential, c. 1920s (pen & ink with w / c on paper)
FLP465417 A Presidential, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Grim Old Shaker, c. 1920s (pen & ink with w / c on paper)

The Grim Old Shaker, c. 1920s (pen & ink with w / c on paper)
FLP465414 The Grim Old Shaker, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Brown Forester, c. 1920s (pen & ink with w / c on paper)

The Brown Forester, c. 1920s (pen & ink with w / c on paper)
FLP465407 The Brown Forester, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: Dr Crocus, c. 1920s (pen & ink with w / c on paper)

Dr Crocus, c. 1920s (pen & ink with w / c on paper)
FLP465406 Dr Crocus, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Lazy Gentleman, c. 1920s (pen & ink with w / c on paper)

The Lazy Gentleman, c. 1920s (pen & ink with w / c on paper)
FLP465404 The Lazy Gentleman, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: Darn my Mother!, c. 1920s (pen & ink with w / c on paper)

Darn my Mother!, c. 1920s (pen & ink with w / c on paper)
FLP465415 Darn my Mother!, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Kentucky Giant, c. 1920s (pen & ink with w / c on paper)

The Kentucky Giant, c. 1920s (pen & ink with w / c on paper)
FLP465412 The Kentucky Giant, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Antediluvian, c. 1920s (pen & ink with w / c on paper)

The Antediluvian, c. 1920s (pen & ink with w / c on paper)
FLP465411 The Antediluvian, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: Pilahlynn, c. 1920s (pen & ink with w / c on paper)

Pilahlynn, c. 1920s (pen & ink with w / c on paper)
FLP465413 Pilahlynn, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Landlady of Almack s, c. 1920s (pen & ink with w / c on paper)

The Landlady of Almack s, c. 1920s (pen & ink with w / c on paper)
FLP465408 The Landlady of Almack s, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: Something Alive in Russett Case, c. 1920s (pen & ink with w / c on paper)

Something Alive in Russett Case, c. 1920s (pen & ink with w / c on paper)
FLP465402 Something Alive in Russett Case, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: A Labourer in Holiday Clothes, c. 1920s (pen & ink with w / c on paper)

A Labourer in Holiday Clothes, c. 1920s (pen & ink with w / c on paper)
FLP465400 A Labourer in Holiday Clothes, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: A Presidential Visitor, c. 1920s (pen & ink with w / c on paper)

A Presidential Visitor, c. 1920s (pen & ink with w / c on paper)
FLP465418 A Presidential Visitor, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Hostess of the Mansion, c. 1920s (pen & ink with w / c on paper)

The Hostess of the Mansion, c. 1920s (pen & ink with w / c on paper)
FLP465405 The Hostess of the Mansion, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Upper Domestic, c. 1920s (pen & ink with w / c on paper)

The Upper Domestic, c. 1920s (pen & ink with w / c on paper)
FLP465423 The Upper Domestic, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Boy, c. 1920s (pen & ink with w / c on paper)

The Boy, c. 1920s (pen & ink with w / c on paper)
FLP465422 The Boy, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Note of Interrogation, c. 1920s (pen & ink with w / c on paper)

The Note of Interrogation, c. 1920s (pen & ink with w / c on paper)
FLP465421 The Note of Interrogation, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Lale Lady & Baby, c. 1920s (pen & ink with w / c on paper)

The Lale Lady & Baby, c. 1920s (pen & ink with w / c on paper)
FLP465409 The Lale Lady & Baby, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Mild Young Quaker, c. 1920s (pen & ink with w / c on paper)

The Mild Young Quaker, c. 1920s (pen & ink with w / c on paper)
FLP465403 The Mild Young Quaker, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: The Traveller, c. 1920s (pen & ink with w / c on paper)

The Traveller, c. 1920s (pen & ink with w / c on paper)
FLP465401 The Traveller, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageTravelogue Collection: Zebra Mountains

Zebra Mountains
Jassi Oberai

Background imageTravelogue Collection: Pathway to Heaven

Pathway to Heaven
Jassi Oberai

Background imageTravelogue Collection: Camel March

Camel March
Jassi Oberai

Background imageTravelogue Collection: Light Walkers

Light Walkers
Jassi Oberai

Background imageTravelogue Collection: Twins

Twins
Jassi Oberai

Background imageTravelogue Collection: Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second), Ju

Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second), June 10, 1786

Background imageTravelogue Collection: Marco Polo Lands at Ormuz, (c1300 ), 1912

Marco Polo Lands at Ormuz, (c1300 ), 1912
Marco Polo Lands at Ormuz, c1300. After a work from the Book of the Marvels of the World (Livre des merveilles du monde) being a 13th-century travelogue written down by Rustichello da Pisa

Background imageTravelogue Collection: The Solitary Prisoner. Illustration By Harry Furniss For The Charles Dickens Travelogue American

The Solitary Prisoner. Illustration By Harry Furniss For The Charles Dickens Travelogue American Notes For General Circulation, From The Testimonial Edition, Published 1910

Background imageTravelogue Collection: Fish smoking in Kamchatka, 18th century

Fish smoking in Kamchatka, 18th century artwork. Women are cleaning and preparing the fish (lower right), while the men are tending to the fire


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"Journey through Time: Exploring the Enigmatic Travelogue" Embark on a captivating voyage as we delve into the world of travelogues, where art and storytelling intertwine. The first page of "The Armenian Letters" by Leonardo da Vinci sets the stage for our adventure, with its intricate illustrations transporting us to distant lands. As we continue our expedition, we encounter a Sadhu, an ascetic wanderer immersed in spiritual contemplation. His presence reminds us that travelogues not only capture physical landscapes but also explore the depths of human existence. Our path takes an unexpected turn when we stumble upon a peculiar artifact known as the Witch Finger. Its mysterious origins leave us pondering ancient legends and forgotten tales from far-off realms. Amidst this journey, we come across a House on Fire—a vivid depiction that ignites our imagination and invites us to reflect on the transformative power of travel experiences. Turning another page reveals "The Solitary Prisoner, " an illustration by Harry Furniss inspired by Charles Dickens' travelogue "American Notes for General Circulation. " It serves as a reminder that these narratives often shed light on social issues and provide glimpses into diverse cultures. Intriguingly, Egerton MS 1635 presents us with a glimpse into history—an intricately sketched vitella marina—reminding us that even centuries ago, people sought to document their travels through artistic means. We then meet various characters brought to life through pen and ink drawings. An Editor captures our attention with his quill poised over parchment—a testament to how words shape our understanding of foreign lands. The Accordian Patient evokes curiosity about medical practices encountered during explorations while A Presidential hints at encounters with influential figures along one's journey. Delving deeper into these sketches unveils The Grim Old Shaker—a figure shrouded in mystery whose story begs to be unraveled—and The Negro Driver who embodies resilience amidst adversity.