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Tondos Collection

"Discover the Magnificence of Tondos: A Journey through Art, Theology, and Poetry" Immerse yourself in the captivating world of tondos

Background imageTondos Collection: Scenes of Witchcraft: Night, c.1645-49 (oil on canvas)

Scenes of Witchcraft: Night, c.1645-49 (oil on canvas)
XOS5879304 Scenes of Witchcraft: Night, c.1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH, USA; (add.info.: Painting by Salvator Rosa In the pitch black of night)

Background imageTondos Collection: Rest on the Flight into Egypt, 1624 (oil on canvas)

Rest on the Flight into Egypt, 1624 (oil on canvas)
XOS5877571 Rest on the Flight into Egypt, 1624 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 95.9x96.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Guercino)

Background imageTondos Collection: The Wife of Domenico da Gambassi, 1525-28 (oil on panel)

The Wife of Domenico da Gambassi, 1525-28 (oil on panel)
5860687 The Wife of Domenico da Gambassi, 1525-28 (oil on panel) by Sarto, Andrea del (1486-1530); 22.5x15.9 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Andrea del Sarto)

Background imageTondos Collection: Virgin and Child with the Young Saint John the Baptist, c.1490 (tempera and oil on wood)

Virgin and Child with the Young Saint John the Baptist, c.1490 (tempera and oil on wood)
XOS5878208 Virgin and Child with the Young Saint John the Baptist, c.1490 (tempera and oil on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Background imageTondos Collection: Travelers by a Lake, 1625 (oil on wood)

Travelers by a Lake, 1625 (oil on wood)
XOS5879912 Travelers by a Lake, 1625 (oil on wood) by Velde, Esaias I van de (1587-1630); 33.5x33.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Esaias van de Velde)

Background imageTondos Collection: Scenes of Witchcraft: Day, c. 1645-49 (oil on canvas)

Scenes of Witchcraft: Day, c. 1645-49 (oil on canvas)
XOS5879300 Scenes of Witchcraft: Day, c. 1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH

Background imageTondos Collection: Scenes of Witchcraft: Evening, c. 1645-49 (oil on canvas)

Scenes of Witchcraft: Evening, c. 1645-49 (oil on canvas)
XOS5879301 Scenes of Witchcraft: Evening, c. 1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH, USA; (add.info.: Painting by Salvator Rosa At dusk)

Background imageTondos Collection: Scenes of Witchcraft, c.1645-49 (oil on canvas)

Scenes of Witchcraft, c.1645-49 (oil on canvas)
XOS5879298 Scenes of Witchcraft, c.1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH, USA; (add.info.: Painting by Salvator Rosa)

Background imageTondos Collection: Domenico da Gambassi, 1525-28 (oil on panel)

Domenico da Gambassi, 1525-28 (oil on panel)
5860680 Domenico da Gambassi, 1525-28 (oil on panel) by Sarto, Andrea del (1486-1530); The Art Institute of Chicago, IL, USA; (add.info.: By Andrea del Sarto)

Background imageTondos Collection: Portrait of Sir Thomas More, 1600s (oil on wood in a gilt wood frame)

Portrait of Sir Thomas More, 1600s (oil on wood in a gilt wood frame)
XOS5874368 Portrait of Sir Thomas More, 1600s (oil on wood in a gilt wood frame) by Holbein the Younger, Hans (1497/8-1543) (follower of); 8.6x8.6 cm; Cleveland Museum of Art, OH

Background imageTondos Collection: Portrait of Simon George of Cornwall, c.1535-40 (mixed media on oak wood)

Portrait of Simon George of Cornwall, c.1535-40 (mixed media on oak wood)
8833154 Portrait of Simon George of Cornwall, c.1535-40 (mixed media on oak wood) by Holbein the Elder, Hans (1460/5-1524); diam: 31 cm; Stadel Museum, Frankfurt am Main

Background imageTondos Collection: Portrait of Napoleon I, 1815 (oil on canvas)

Portrait of Napoleon I, 1815 (oil on canvas)
FIA5378353 Portrait of Napoleon I, 1815 (oil on canvas) by Vernet, Horace (1789-1863); 72x59 cm; National Gallery, London, UK; (add.info.: By Horace Vernet); Photo © Fine Art Images

Background imageTondos Collection: Portrait of Charles II of Spain, 17th century (painting)

Portrait of Charles II of Spain, 17th century (painting)
3330142 Portrait of Charles II of Spain, 17th century (painting) by Coello, Claudio (1642-93); (add.info.: Portrait of Charles II of Spain (1661-1700)

Background imageTondos Collection: Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868143 Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageTondos Collection: Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868144 Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageTondos Collection: Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868142 Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageTondos Collection: Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco

Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco
868150 Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageTondos Collection: Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco

Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco
868151 Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageTondos Collection: Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco

Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco
868153 Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageTondos Collection: Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco

Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco
868152 Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageTondos Collection: Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums
868141 Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageTondos Collection: Who Knows why Geese Walk Barefoot?, c. 1594 (oil on panel)

Who Knows why Geese Walk Barefoot?, c. 1594 (oil on panel)
471425 Who Knows why Geese Walk Barefoot?, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageTondos Collection: If the Blind Lead the Blind, Both shall Fall into the Ditch, c. 1594 (oil on panel)

If the Blind Lead the Blind, Both shall Fall into the Ditch, c. 1594 (oil on panel)
471421 If the Blind Lead the Blind, Both shall Fall into the Ditch, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 19x19 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageTondos Collection: Sodom and Gomorrah on Fire (oil on panel)

Sodom and Gomorrah on Fire (oil on panel)
471542 Sodom and Gomorrah on Fire (oil on panel) by Patenier or Patinir, Joachim (1487-1524); 33.5x37.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageTondos Collection: A Flemish Proverb, c. 1594 (oil on panel)

A Flemish Proverb, c. 1594 (oil on panel)
471424 A Flemish Proverb, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageTondos Collection: It is too Late to Fill in the Well After the Calf has Drowned, c. 1594 (oil on panel)

It is too Late to Fill in the Well After the Calf has Drowned, c. 1594 (oil on panel)
471423 It is too Late to Fill in the Well After the Calf has Drowned, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageTondos Collection: I Mourn because the World is so Untrustworthy, 1594 (oil on panel)

I Mourn because the World is so Untrustworthy, 1594 (oil on panel)
471422 I Mourn because the World is so Untrustworthy, 1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageTondos Collection: Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper)

Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper)
1631767 Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Background imageTondos Collection: Coronation of the Virgin with Saints and Angels, 1441-47 (tempera on panel)

Coronation of the Virgin with Saints and Angels, 1441-47 (tempera on panel)
884986 Coronation of the Virgin with Saints and Angels, 1441-47 (tempera on panel) by Lippi, Fra Filippo (c.1406-69); 220x287 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageTondos Collection: Giotto as a Shepherd Boy, 1849 (pencil & wash on paper)

Giotto as a Shepherd Boy, 1849 (pencil & wash on paper)
1631766 Giotto as a Shepherd Boy, 1849 (pencil & wash on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Background imageTondos Collection: Study for A Boy Saving a Baby from the Clutches of an Eagle, c

Study for A Boy Saving a Baby from the Clutches of an Eagle, c
1631768 Study for A Boy Saving a Baby from the Clutches of an Eagle, c.1850 (pencil & w/c on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London


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"Discover the Magnificence of Tondos: A Journey through Art, Theology, and Poetry" Immerse yourself in the captivating world of tondos, circular artworks that have stood the test of time. One such masterpiece is the "Portrait of Charles II of Spain, " a 17th-century painting that captures the essence of royalty with its intricate details and regal aura. Step into the Vatican museums in Rome, Italy, where you can witness breathtaking frescoes adorning the ceilings of Raphael's rooms. In "Theology, " painted by Raphael himself in 1508, celestial figures come to life as they grace this heavenly scene with their divine presence. Continuing our exploration within these hallowed halls, we encounter another remarkable work by Pietro Vannucci. His fresco titled "Christ as sol iustitiae" depicts Christ radiating light and justice from above – a powerful symbol that resonates even today. Delve deeper into Vannucci's artistry as he portrays Christ facing temptation from the devil in "Christ tempted by the devil. " This thought-provoking piece reminds us of our own struggles against temptation and serves as an eternal reminder to stay strong amidst adversity. Intriguingly juxtaposing mercy and justice lies Vannucci's "Christ between mercy and justice. " This tondo challenges us to find balance between these two virtues while contemplating their profound implications on humanity. Marvel at yet another creation by Vannucci – "Creator enthroned among angels and cherubs. " With every stroke on this fresco's canvas-like ceiling, he brings forth a vision that celebrates divinity surrounded by ethereal beings. Raphael returns to captivate us once more with his mastery over various subjects. In his fresco titled "Philosophy, " he invites us to ponder life's deepest questions while being enveloped in an atmosphere brimming with wisdom and intellectual curiosity. Venturing beyond the realm of traditional tondos, we encounter intriguing oil paintings.