Tied Up Collection (page 5)

Prometheus Freed by Hercules, 1781-1785 (oil on canvas)
1766412 Prometheus Freed by Hercules, 1781-1785 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63x75 cm; Private Collection; (add.info.: Prometheus Freed by Hercules)

The Sacrifice of Isaac, (oil on canvas)
651228 The Sacrifice of Isaac, (oil on canvas) by Champaigne, Philippe de (1602-74); 179.8x149.5 cm; Private Collection; (add.info.: The Sacrifice of Isaac. Philippe de Champaigne (1602-1624)

Roger et Angelique, (pencil on calque laid down on wove paper)
990004 Roger et Angelique, (pencil on calque laid down on wove paper) by Ingres, Jean Auguste Dominique (1780-1867); 47x37.2 cm; Private Collection; (add.info.: Roger et Angelique)

The Martyrdom of Saint Bartholomew, (oil on canvas)
659337 The Martyrdom of Saint Bartholomew, (oil on canvas) by Badalocchio, Sisto (1581/5-1647); 119.3x155.5 cm; Private Collection; (add.info.: The Martyrdom of Saint Bartholomew)

"The Monkeys wound many coils around his body. "from
3614747 A" The Monkeys wound many coils around his body.A" from A The Wonderful Wizard of OzA by L. Frank Baum by Denslow

The Mocking of Christ, 1637 (woodblock print)
880693 The Mocking of Christ, 1637 (woodblock print) by Chinese School (17th century); Minneapolis Institute of Arts, MN, USA; (add.info.: The Mocking of Christ)

Mars Bound by Cupid, c. 1515-1520 (drypoint)
883708 Mars Bound by Cupid, c.1515-1520 (drypoint) by Master of 1515 (fl.1515-20); 17.5x13.2 cm; Minneapolis Institute of Arts, MN

Little John and the Forester
LLM455729 Little John and the Forester by Crane, Walter (1845-1915); Private Collection; (add.info.: Little John and the Forester)

Twenty two prisoners brought in one band from Colchester to London
STC469255 Twenty two prisoners brought in one band from Colchester to London, illustration from Foxes Martyrs c.1703 (litho) by English School

Shoeing the Bay Mare, c. 1885-90 (oil on canvas)
TW426913 Shoeing the Bay Mare, c.1885-90 (oil on canvas) by Hedley, Ralph (1848-1913); 66x64 cm; Laing Art Gallery, Newcastle-upon-Tyne

Program for Banquet, Die Zukunft (The Future), 1905 (photogravure on menu card)
XYC311163 Program for Banquet, Die Zukunft (The Future), 1905 (photogravure on menu card) by Herkomer, Hubert von (1849-1914); 24.1x16.5 cm; Yale Center for British Art, Paul Mellon Fund; English

Study for Jean d Air, from the Burghers of Calais, c. 1905-10 (bronze)
NUL120324 Study for Jean d Air, from the Burghers of Calais, c.1905-10 (bronze) by Rodin, Auguste (1840-1917); height: 68.5 cm; Private Collection; (add.info)

The Martyrdom of St Thecla, detail from the High Altar (alabaster)
XJL186917 The Martyrdom of St Thecla, detail from the High Altar (alabaster) by Johan, Pere (1398-1458); Tarragona Cathedral, Catalonia, Spain; Spanish, out of copyright

Martyrdom of St. Sebastian, 1565
FTB60653 Martyrdom of St. Sebastian, 1565 by Veronese, (Paolo Caliari) (1528-88); San Sebastiano, Venice, Italy; Italian, out of copyright

Christ before Caiaphas. 1512 (Burin engraving on copper)
5890592 Christ before Caiaphas. 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; (add.info.: Joseph ben Caiaphas was)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

The Flagellation of Christ (oil on panel)
990401 The Flagellation of Christ (oil on panel) by Baco, Jacomart (Jacomart, Jaime) (c.1413-61) (studio of); 94.5x70.3 cm; Private Collection; (add.info.: The Flagellation of Christ)

Chap delighted with his parcel (Peak Freans Biscuit Box!)
A Young chap delighted to discover a parcel has arrived for him, containing a Peak Freans Biscuit Box! (or so says the hand-written message!!) Date: circa 1900s

Pasteur and Rabies, caricature of the experiments of Louis Pasteur (1822-95) from
CHT234621 Pasteur and Rabies, caricature of the experiments of Louis Pasteur (1822-95) from Le Grelot, 8th November 1885 (coloured engraving) by French School

The Flagellation of Christ (oil on panel)
REV345903 The Flagellation of Christ (oil on panel) by Spanish School, (17th century); Monasterio de Santa Maria de San Salvador, Canas, Spain; Spanish, out of copyright

St. Sebastian and St. James the Great, panel from the Church San Andres of Tortura
REV345848 St. Sebastian and St. James the Great, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood) (see also 345849)

Greatheart rescues Feeble-mind from Giant Slay-Good
LLM455793 Greatheart rescues Feeble-mind from Giant Slay-Good by Selous, Henry Courtney (1811-90) (after); Private Collection; (add.info.: Greatheart rescues Feeble-mind from Giant Slay-Good)

An elderly couple robbed by masked intruders in their home in the Gers, France (colour litho)
2795563 An elderly couple robbed by masked intruders in their home in the Gers, France (colour litho) by French School, (20th century); Private Collection; (add.info)

Street entertainer: weirdly garbed Houdini of the pit queue (b / w photo)
3637419 Street entertainer: weirdly garbed Houdini of the pit queue (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Street entertainer)

Initiation of a Commander of the Temple (engraving)
3100766 Initiation of a Commander of the Temple (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Commander of the Temple)

La revanche du gibier. Illustration for Le Pele-Mele, 1901 (colour litho)
3100573 La revanche du gibier. Illustration for Le Pele-Mele, 1901 (colour litho) by French School, (20th century); Private Collection; (add.info.: La revanche du gibier)

How to keep husbands at home, nights (colour litho)
3104936 How to keep husbands at home, nights (colour litho) by American School, (19th century); Private Collection; (add.info.: How to keep husbands at home, nights)

Saint Sebastian, c. 1490 (oil on canvas)
3702642 Saint Sebastian, c.1490 (oil on canvas) by Mantegna, Andrea (1431-1506); Franchetti Gallery, Ca D Oro, Venice, Veneto

St. Cornely performing a miracle (painted wood)
NUL258899 St. Cornely performing a miracle (painted wood) by French School, (17th century); St. Cornely, Carnac, France; (add.info.: saint Cornelius; ); French, out of copyright

The Flagellation of Christ, detail from an altarpiece, 1496 (oil on panel)
XIR245100 The Flagellation of Christ, detail from an altarpiece, 1496 (oil on panel) by Holbein the Elder, Hans (1460/5-1524); Fuerstenberg Sammlung, Donaueschingen, Germany; German, out of copyright

He bound the Abbot to a tree, illustration from Chap-books of the Eighteenth
489671 He bound the Abbot to a tree, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Abraham and Isaac, 1421 (gilded marble)
BAT192534 Abraham and Isaac, 1421 (gilded marble) by Donatello, (c.1386-1466); Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Study for The Temptation of St. Anthony, 1878 (gouache on paper)
MMT220028 Study for The Temptation of St. Anthony, 1878 (gouache on paper) by Rops, Felicien (1833-98); 34x27 cm; Musee Marmottan Monet, Paris

Ecce Homo (oil on canvas)
XIR420037 Ecce Homo (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 58x40.1 cm; Musee des Beaux-Arts, Caen, France; (add.info.: Behold the Man; ); Italian, out of copyright

Luna, 1885 (oil on canvas)
WDM35604 Luna, 1885 (oil on canvas) by Morgan, Evelyn De (1855-1919); 73x58.4 cm; De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English, out of copyright

Ecce Homo, 1512 (Burin engraving on copper)
5890596 Ecce Homo, 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

Hunting Hounds, c. 1850-97 (oil on panel)
877160 Hunting Hounds, c.1850-97 (oil on panel) by Penne, Charles Oliver de (1831-97); 27.2x21.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French

Mutiny on board the Italian three-masted sailing ship Fenice (colour litho)
3620862 Mutiny on board the Italian three-masted sailing ship Fenice (colour litho) by Carrey, (fl.1900) (after); Private Collection; (add.info.: Mutiny on board the Italian ship Fenice)

She made the arches of the forest ring with her screams (colour litho)
3626824 She made the arches of the forest ring with her screams (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info)

Escape from a horrible death (colour litho)
2779541 Escape from a horrible death (colour litho) by French School, (20th century); Private Collection; (add.info.: Escape from a horrible death)

Scene from Thesmophoriazusae (chromolitho)
2782974 Scene from Thesmophoriazusae (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Thesmophoriazusae)

Two audacious criminals (colour litho)
2782275 Two audacious criminals (colour litho) by French School, (20th century); Private Collection; (add.info.: Two audacious criminals. Deux Audacieux Bandits)

Captives, including a bishop, dragged and bound before the triumphal car of a Roman
615275 Captives, including a bishop, dragged and bound before the triumphal car of a Roman general (pen & brown ink, pen heightened with white body colour)

"This one is fat", said Cuillen, and she rolled a bulky Fenian along like a
STC411979 " This one is fat", said Cuillen, and she rolled a bulky Fenian along like a wheel, illustration from Irish Fairy Tales by James Stephens, 1920 (colour litho) by Rackham

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"Bound by Fate: Exploring the Ties That Bind" "Behold the Reward of those Who Meddle in Other Peoples Affairs, c1900-1950: A cautionary tale of interference and its consequences. " "Saint Sebastian, 1642: Guercino's masterpiece capturing the strength and resilience of a martyr bound by arrows. " "Convict Ship: Unveiling the haunting history behind these vessels that transported prisoners to distant lands. " "Andromeda, 1869 (oil on canvas): The captivating story of a princess tied up as an offering to a sea monster, immortalized through art. " "Fasces: Symbolizing power and authority, these bound bundles remind us of both unity and control throughout history. " "Film: Nameless Men, 1928 - A gripping narrative exploring the lives entangled in anonymity and societal expectations. " "The Sacrifice of Isaac, 1616 (oil on panel): Delving into biblical lore where Abraham is tested with his son's life hanging by a thread. " "Boats tied up on a river in the old town of Fenghuang, Hunan Province, China, Asia - An enchanting glimpse into traditional riverside life amidst ancient architecture. " "Foynes Harbour, River Shannon, County Limerick Ireland - Tracing maritime heritage through boats tethered along this picturesque Irish harbor. " "The Crow, 1849 (oil on panel) - Edgar Allan Poe's iconic poem brought to life through haunting brushstrokes depicting a raven perched upon despair. " "Martyrdom of St. Sebastian ca. 1600 : Jan Muller captures Sebastian's unwavering faith even when bound by ropes awaiting his fate. " “Punishment of female debtors in Abyssinia (Ethiopia).