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Tied Up Collection

"Bound by Fate: Exploring the Ties That Bind" "Behold the Reward of those Who Meddle in Other Peoples Affairs

Background imageTied Up Collection: Behold the Reward of those Who Meddle in Other Peoples Affairs, c1900-1950

Behold the Reward of those Who Meddle in Other Peoples Affairs, c1900-1950
Behold the Reward of those Who Meddle in Other Peoples Affairs. c1900-1950

Background imageTied Up Collection: Odysseus passing the Sirens rock, 3rd century

Odysseus passing the Sirens rock, 3rd century
Roman mosaic from Tunisia of Odysseus passing the Sirens rock, tied to the mast, 3rd century

Background imageTied Up Collection: Convict Ship

Convict Ship
circa 1870: Convicts on a ship bound for Botany Bay, Australia. (Photo by Hulton Archive/Getty Images)

Background imageTied Up Collection: Fasces

Fasces
The Fasces, an axe tied to a bundle of sticks, the symbol of Ancient Roman magistrates which was adopted as their emblem by the Fascists in the 20th century

Background imageTied Up Collection: Saint Sebastian, 1642. Artist: Guercino

Saint Sebastian, 1642. Artist: Guercino
Saint Sebastian, 1642. Guercino (1591-1666). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageTied Up Collection: Film: Nameless Men, 1928

Film: Nameless Men, 1928

Background imageTied Up Collection: Andromeda, 1869 (oil on canvas)

Andromeda, 1869 (oil on canvas)
989658 Andromeda, 1869 (oil on canvas) by Dore, Gustave (1832-83); 255.2x171.5 cm; Private Collection; (add.info.: Andromeda. Gustave Dore (1832-1883). Oil on canvas. Signed and dated 1869

Background imageTied Up Collection: The Sacrifice of Isaac, 1616 (oil on panel)

The Sacrifice of Isaac, 1616 (oil on panel)
XIR90050 The Sacrifice of Isaac, 1616 (oil on panel) by Lastman, Pieter (1583-1633); 36x42 cm; Louvre, Paris, France; Dutch, out of copyright

Background imageTied Up Collection: Loki's Punishment, 1936. Creator: Ida Matton

Loki's Punishment, 1936. Creator: Ida Matton
Loki's Punishment, 1936

Background imageTied Up Collection: Martyrdom of St. Sebastian, ca. 1600. Creator: Jan Muller

Martyrdom of St. Sebastian, ca. 1600. Creator: Jan Muller
Martyrdom of St. Sebastian, ca. 1600

Background imageTied Up Collection: Punishment of female debtors in Abyssinia (Ethiopia)

Punishment of female debtors in Abyssinia (Ethiopia), East Africa - tied up with a chain until they pay their debts! Date: circa 1930s

Background imageTied Up Collection: The Snake and the Frog, 1898. Artist: Kawanabe Kyosai

The Snake and the Frog, 1898. Artist: Kawanabe Kyosai
The Snake and the Frog, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageTied Up Collection: Skegness is SO bracing - McGill parody of Hassall poster

Skegness is SO bracing - McGill parody of Hassall poster
Skegness is SO bracing - A Donald McGill parody of the famous Jolly Fisherman poster created by artist John Hassall in 1908 for the Great Northern Railway (GNR)

Background imageTied Up Collection: A naked man with a long white beard is seated on the ground with his knees up

A naked man with a long white beard is seated on the ground with his knees up
XYC309883 A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

Background imageTied Up Collection: Satan bound for a Thousand Years, from the Apocalypse. n. d. Creator: Jean Duvet

Satan bound for a Thousand Years, from the Apocalypse. n. d. Creator: Jean Duvet
Satan bound for a Thousand Years, from the Apocalypse.n.d

Background imageTied Up Collection: The Farnese Bull, National Museum, Naples, Italy, c1909. Creator: Unknown

The Farnese Bull, National Museum, Naples, Italy, c1909. Creator: Unknown
The Farnese Bull, National Museum, Naples, Italy, c1909. The Farnese Bull is a copy of a Hellenistic sculpture at the National Archaeological Museum in Naples

Background imageTied Up Collection: By whose stripes ye were healed, mid 19th century. Creator:s Freeman

By whose stripes ye were healed, mid 19th century. Creator:s Freeman
By whose stripes ye were healed, mid 19th century. Biblical scene, from 1 Peter 2: 24: Who his own self bare our sins in his own body on the tree, that we, being dead to sins

Background imageTied Up Collection: They cried out, saying, Crucify him, crucify him, c1840. Creator: George Presbury

They cried out, saying, Crucify him, crucify him, c1840. Creator: George Presbury
They cried out, saying, Crucify him, crucify him, c1840. Biblical scene, from John 19: 6: When the chief priests therefore and officers saw him, they cried out, saying, Crucify him, crucify him

Background imageTied Up Collection: John Nevil Maskelyne performs a spirit cabinet illusion, c1910. Creator: Unknown

John Nevil Maskelyne performs a spirit cabinet illusion, c1910. Creator: Unknown
John Nevil Maskelyne performs a spirit cabinet illusion, c1910. How the tricks are performed - " A coach-horn or megaphone is useful for picking things up

Background imageTied Up Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageTied Up Collection: Apollo and Marsyas, 17th century. Artist: Peter Paul Rubens

Apollo and Marsyas, 17th century. Artist: Peter Paul Rubens
Apollo and Marsyas, 17th century. Rubens, Pieter Paul (1577-1640). Found in the collection of the Far Eastern Art Museum, Khabarovsk

Background imageTied Up Collection: Etruscan Relief on funerary Urn, Odysseus (Ulysses) bound to mast with Sirens, c4th century BC

Etruscan Relief on funerary Urn, Odysseus (Ulysses) bound to mast with Sirens, c4th century BC. Florence Archaeological Museum

Background imageTied Up Collection: VIGILANTES, 1893. Woman vigilantes whipping a man for slandering their friend. Wood engraving, 1893

VIGILANTES, 1893. Woman vigilantes whipping a man for slandering their friend. Wood engraving, 1893

Background imageTied Up Collection: Foynes Harbour, River Shannon, County Limerick, Ireland

Foynes Harbour, River Shannon, County Limerick, Ireland
Foynes Harbour, River Shannon, County Limerick, Republic of Ireland. Date: circa 1910s

Background imageTied Up Collection: The Crow, 1849 (oil on panel)

The Crow, 1849 (oil on panel)
3550931 The Crow, 1849 (oil on panel) by Bonvin, Francois (1817-87); 41.9x49.5 cm; Burrell Collection, Glasgow, Scotland; (add.info.: La Corbeau or The Crow)

Background imageTied Up Collection: Slaughtering (oil on canvas)

Slaughtering (oil on canvas)
471332 Slaughtering (oil on canvas) by Stobbaerts, Jan (1838-1914); 104.5x151.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageTied Up Collection: The Kings Sons Shooting Their Fathers Corpse, ca. 1500. Creator: Matthaus Zasinger

The Kings Sons Shooting Their Fathers Corpse, ca. 1500. Creator: Matthaus Zasinger
The Kings Sons Shooting Their Fathers Corpse, ca. 1500

Background imageTied Up Collection: The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90. ca. 1480-90. Creator: Anon

The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90. ca. 1480-90. Creator: Anon
The Martyrdom of Saint Sebastian, with three archers, ca. 1480-90

Background imageTied Up Collection: La Mort de Chramme. The death of Chram, son of Chlothar I, King of the Franks, 561 (engraving)

La Mort de Chramme. The death of Chram, son of Chlothar I, King of the Franks, 561 (engraving)
6029294 La Mort de Chramme. The death of Chram, son of Chlothar I, King of the Franks, 561 (engraving) by Luminais, Evariste Vital (1822-96); Private Collection; (add.info.: La Mort de Chramme)

Background imageTied Up Collection: Detail of a Castilian School altarpiece showing St. Sebastian (oil on panel)

Detail of a Castilian School altarpiece showing St. Sebastian (oil on panel)
3471098 Detail of a Castilian School altarpiece showing St. Sebastian (oil on panel) by Spanish School, (15th century); Alcazar, Segovia, Spain

Background imageTied Up Collection: Violent robbery of a farm near Aalst, Belgium (colour litho)

Violent robbery of a farm near Aalst, Belgium (colour litho)
2795700 Violent robbery of a farm near Aalst, Belgium (colour litho) by French School, (20th century); Private Collection; (add.info.: Violent robbery of a farm near Aalst, Belgium)

Background imageTied Up Collection: Chivalry, 1885 (oil on canvas)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Background imageTied Up Collection: A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

Background imageTied Up Collection: Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)

Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)
827727 Saint Sebastian prepared for Martydom, c.1622 (oil on canvas) by Dyck, Anthony van (1599-1641); 142x194 cm; Private Collection; (add.info.: Saint Sebastian prepared for Martydom)

Background imageTied Up Collection: Ruggiero Rescuing Angelica, 1841 (oil on canvas)

Ruggiero Rescuing Angelica, 1841 (oil on canvas)
XIR182582 Ruggiero Rescuing Angelica, 1841 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France

Background imageTied Up Collection: Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto

Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533)
CHT239758 Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533) published 1888, Paris (engraving) by Dore

Background imageTied Up Collection: The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)

The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)
XIL212533 The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas) by Blanc, Joseph Paul (1846-1904); 334x225 cm; Musee des Beaux-Arts, Lille, France

Background imageTied Up Collection: The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy

The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho)
IL193482 The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho) by Michael, Arthur C

Background imageTied Up Collection: Flagellation, 1519 (fresco)

Flagellation, 1519 (fresco)
2562737 Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Background imageTied Up Collection: Flagellation, 1519 (fresco)

Flagellation, 1519 (fresco)
2562736 Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Background imageTied Up Collection: Jesus in front of Pontius Pilate and the Flagellation, 1519 (fresco)

Jesus in front of Pontius Pilate and the Flagellation, 1519 (fresco)
2562734 Jesus in front of Pontius Pilate and the Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy

Background imageTied Up Collection: Robin Hood meets the Bishop of Hereford, illustration from Robin Hood

Robin Hood meets the Bishop of Hereford, illustration from Robin Hood and his Life in the Merry Greenwood
IL197702 Robin Hood meets the Bishop of Hereford, illustration from Robin Hood and his Life in the Merry Greenwood, told by Rose Yeatman Woolf, published by Raphael Tuck



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"Bound by Fate: Exploring the Ties That Bind" "Behold the Reward of those Who Meddle in Other Peoples Affairs, c1900-1950: A cautionary tale of interference and its consequences. " "Saint Sebastian, 1642: Guercino's masterpiece capturing the strength and resilience of a martyr bound by arrows. " "Convict Ship: Unveiling the haunting history behind these vessels that transported prisoners to distant lands. " "Andromeda, 1869 (oil on canvas): The captivating story of a princess tied up as an offering to a sea monster, immortalized through art. " "Fasces: Symbolizing power and authority, these bound bundles remind us of both unity and control throughout history. " "Film: Nameless Men, 1928 - A gripping narrative exploring the lives entangled in anonymity and societal expectations. " "The Sacrifice of Isaac, 1616 (oil on panel): Delving into biblical lore where Abraham is tested with his son's life hanging by a thread. " "Boats tied up on a river in the old town of Fenghuang, Hunan Province, China, Asia - An enchanting glimpse into traditional riverside life amidst ancient architecture. " "Foynes Harbour, River Shannon, County Limerick Ireland - Tracing maritime heritage through boats tethered along this picturesque Irish harbor. " "The Crow, 1849 (oil on panel) - Edgar Allan Poe's iconic poem brought to life through haunting brushstrokes depicting a raven perched upon despair. " "Martyrdom of St. Sebastian ca. 1600 : Jan Muller captures Sebastian's unwavering faith even when bound by ropes awaiting his fate. " “Punishment of female debtors in Abyssinia (Ethiopia).