Thong Collection

A man on his boat looks admiringly at model Carol Dwyer, wearing a revealing swimsuit May 1976

EyeUbiquitous_20107629
Vietnam, Ho Chi Minh City, Banqueting room in Reunification Hall

Young Burmese girl, c. 1875 (albumen print) (b / w photo)
XIR326654 Young Burmese girl, c.1875 (albumen print) (b/w photo) by Klier, Philip Adolphe (c.1845-1911); 26x21 cm; Private Collection; (add.info.: Jeune Birmane; Birmanie; Burma; Myanmar; ); English

Chinese rope makers, Qing Dynasty. Workers twisting and weaving rope from bamboo on a horizontal frame
FLO4590295 Chinese rope makers, Qing Dynasty. Workers twisting and weaving rope from bamboo on a horizontal frame. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble)
CUL4932365 Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble); (add.info.: Sculpture on marble. Madrid)

Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back
FLO4718344 Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string

Australe, Pepuano, Donna Guarani; inhabitants of New Holland, New Guinea, South America and Affrica
6202817 Australe, Pepuano, Donna Guarani; inhabitants of New Holland, New Guinea, South America and Affrica; (add.info.: "Australe, Pepuano, Donna Guarani; inhabitants of New Holland)

A physician in a bad wig laughing as he rests his foot on his patient's chin and tries to pull a tooth with string
FLO4718312 A physician in a bad wig laughing as he rests his foot on his patient's chin and tries to pull a tooth with string

Clothing Fashion Underwear model Joe Cain black bra knickers and stockings September 1992

Near naked man wades in a pond to gather water lilies - Bali
Near naked man in a cooly hat wades in a pond to gather water lilies. Bali, Indonesia Date: 1989

Male. Model Robin Steadman. Robin Steadman in "The Thong"
Male. Model Robin Steadman. Robin Steadman in " The Thong". March 1975 75-01562-003

Asia, Southeast Asia; Thailand; Ang Thong; Golden Buddha in Ang Thong Province of Thailand

Hug
Fabrizio Micheli

Plate 9. Walking, 1872-85 (collotype on paper)
3950290 Plate 9. Walking, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.6x37 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 350. Fencing, 1872-85 (collotype on paper)
3950328 Plate 350. Fencing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.3x34.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 340. Boxing; Open Hand, 1872-85 (collotype on paper)
3950324 Plate 340. Boxing; Open Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.3x32.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Thong (engraving)
2801591 Thong (engraving) by English School, (19th century); Private Collection; (add.info.: Thong. Illustration for An Illustrated Vocabulary For The Use Of The Deaf And Dumb (SPCK)

Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper)
3950331 Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 27.8x26.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 349. Fencing, 1872-85 (collotype on paper)
3950327 Plate 349. Fencing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.8x42.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 332. Boxing; Cross-Buttocks (Shoes), 1872-85 (collotype on paper)
3950316 Plate 332. Boxing; Cross-Buttocks (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.5x29.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 152. Jumping; Running Straight High Jump (Shoes), 1872-85 (collotype on paper)
3950296 Plate 152. Jumping; Running Straight High Jump (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x46.8 cm; Addison Gallery of American Art, Phillips Academy

Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper)
3950295 Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x44.3 cm; Addison Gallery of American Art, Phillips Academy

Plate 59. Starting for a Run (Shoes), 1872-85 (collotype on paper)
3950293 Plate 59. Starting for a Run (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.9x35.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 31. Walking, Carrying 75-lb stone on Right Shoulder, 1872-85 (collotype on paper)
3950292 Plate 31. Walking, Carrying 75-lb stone on Right Shoulder, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24x30.8 cm; Addison Gallery of American Art, Phillips Academy

Plate 334. Boxing; With Gloves (Shoes), 1872-85 (collotype on paper)
3950318 Plate 334. Boxing; With Gloves (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 29.4x25.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 322. Man Lifting Dumbbells, 1887 (collotype on paper)
3949810 Plate 322. Man Lifting Dumbbells, 1887 (collotype on paper) by Muybridge, Eadweard (1830-1904); Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 322. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper)
3950310 Plate 322. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x43.7 cm; Addison Gallery of American Art, Phillips Academy

Plate 320. Lifting a 50 lb Dumb-Bell, 1872-85 (collotype on paper)
3950308 Plate 320. Lifting a 50 lb Dumb-Bell, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x45.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 317. Heaving a 70-lb Rock, 1872-85 (collotype on paper)
3950305 Plate 317. Heaving a 70-lb Rock, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.5x40.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper)
3950332 Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.8x30.8 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 341. Boxing; Open Hand, 1872-85 (collotype on paper)
3950325 Plate 341. Boxing; Open Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x36.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 336. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
3950320 Plate 336. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.9x32.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 324. Curling 50-lb. Dumb-Bell, Model, 3 / 4 length, 1872-85 (collotype on paper)
3950312 Plate 324. Curling 50-lb. Dumb-Bell, Model, 3/4 length, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x45.4 cm; Addison Gallery of American Art, Phillips Academy

Plate 323. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper)
3950311 Plate 323. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.8x43.3 cm; Addison Gallery of American Art, Phillips Academy

Tassel with pierced round disc, found with the Oetzi Iceman (leather & stone)
WNB222123 Tassel with pierced round disc, found with the Oetzi Iceman (leather & stone) by Copper Age, (4th millennium BC); South Tyrol Museum of Archaeology, Bolzano

Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water
FLO4989384 Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string

Plate 356. Kneeling, Firing and Rising, 1872-85 (collotype on paper)
3950334 Plate 356. Kneeling, Firing and Rising, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.7x31.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 355. On Guard, Walking and Turning Around, 1872-85 (collotype on paper)
3950333 Plate 355. On Guard, Walking and Turning Around, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.9x35.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 352. Shoulder, Order, and Carry Arms, 1872-85 (collotype on paper)
3950330 Plate 352. Shoulder, Order, and Carry Arms, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.8x30.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 338. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
3950322 Plate 338. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.9x32.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 321. A, Lifting a 50 lb Dumb-Bell; B, Posing, 1872-85 (collotype on paper)
3950309 Plate 321. A, Lifting a 50 lb Dumb-Bell; B, Posing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.1x41.9 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 160. Jumping; Running Broad Jump (Shoes), 1872-85 (collotype on paper)
3950301 Plate 160. Jumping; Running Broad Jump (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.1x40.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 60. Running at a Half-Mile Gait (Shoes), 1872-1885 (collotype on paper)
3950294 Plate 60. Running at a Half-Mile Gait (Shoes), 1872-1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24x32.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 510. Contortions on the Ground, 1872-85 (collotype on paper)
3950356 Plate 510. Contortions on the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x41.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 351. Fix and Unfix Bayonets, 1872-85 (collotype on paper)
3950329 Plate 351. Fix and Unfix Bayonets, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.5x31 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 342. Boxing; Open Hand, 1872-85 (collotype on paper)
3950326 Plate 342. Boxing; Open Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x44.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 339. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
3950323 Plate 339. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x43.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 337. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
3950321 Plate 337. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.1x44.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

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"A Journey through Time: Exploring the Fascinating World of Thongs" A man on his boat looks admiringly at model Carol Dwyer, showcasing the allure of a perfectly fitted thong. Transporting us back to 1875, a captivating black and white photo captures a young Burmese girl in traditional attire, her delicate thong peeking out subtly. In an embrace that speaks volumes, two lovers share a hug while donning their favorite thongs, symbolizing intimacy and connection. Immersed in nature's beauty, a near-naked man gracefully wades through a pond to gather water lilies with confidence exuding from his choice of minimalist swimwear - the thong. Unveiling the latest trends in underwear fashion, male model Joe Cain confidently showcases a sleek black bra and knickers set that includes an alluring thong design. Nestled within Ang Thong Province of Thailand lies an enchanting Golden Buddha statue; its serene presence harmoniously blending tradition with modernity as visitors admire it wearing stylish Thai-inspired thongs beneath their clothing. Male model Robin Steadman captivates audiences as he struts down the runway in "The Thong, " effortlessly embodying strength and sensuality simultaneously. Delving into historical collotype prints from 1872-85 reveals plate 9 depicting walking figures adorned with discreet yet fashionable thongs - proof that even centuries ago, this undergarment was embraced for comfort and style alike. Plate 3 takes us further into history's footsteps as we witness individuals strolling elegantly while sporting trendy thongs during the late nineteenth century - reminding us that this timeless piece has stood the test of time. Plate 350 showcases fencing enthusiasts engaging in intense duels while clad in athletic gear including supportive yet flexible thongs underneath their uniforms – proving that functionality and comfort are key in every sport.