Theatreroyaldrurylane Collection

Edmund Kean in Richard III, 1822.. Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeares Richard III at the Theatre Royal Drury Lane

John Cooper in The Pirate, 1822.. Mr. John Cooper as Clement Cleveland in The Pirate at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Edward Fitzwilliam in The Review, 1822.. Mr. Edward Fitzwilliam as Looney Macwolter in The Review at the Theatre Royal Drury Lane

William Dowton in The Hypocrite, 1822.. Mr. William Dowton as Doctor Cantwell in The Hypocrite at the Theatre Royal Drury Lane

Henry Gattie in Monsieur Tonson, 1822.. Mr. Henry Gattie as Monsieur Morbleu in the farce Monsieur Tonson at the Theatre Royal Drury Lane

Edward Knight in Love in a Village, 1822.. Mr. Edward Knight as Hodge in the opera Love in a Village at the Theatre Royal Drury Lane

John Harley in The Review, 1822.. Mr. John Pritt Harley as Caleb Quotem in The Review at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Mrs Siddons as Lady Macbeth, 1822
Mrs. Siddons as Lady Macbeth, 1822.. Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by George Harlowe

Frances Copeland in Maid or Wife, 1822.. Miss Frances Copeland as Fanny in Maid or Wife at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Harriet Smithson in Wives as They Were, 1822.. Miss Harriet Constance Smithson as Miss Dorrillon in Wives as They Were and Maids as They Are at the Theatre Royal Drury Lane

Maria Bland in Monsieur Tonson, 1822.. Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in Monsieur Tonson the Theatre Royal Drury Lane

George Smith in No Song No Supper, 1822.. Mr. George Smith as Robin in No Song No Supper at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting

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Step back in time to the year 1822, where the Theatre Royal Drury Lane was alive with captivating performances that left audiences spellbound. From Edmund Kean's mesmerizing portrayal of Richard III to John Cooper's swashbuckling performance in The Pirate, this historic venue showcased the finest talents of its era. Edward Fitzwilliam brought laughter and wit to the stage with his impeccable comedic timing in The Review, while William Dowton masterfully portrayed hypocrisy in The Hypocrite. Henry Gattie charmed audiences as Monsieur Tonson, leaving them roaring with laughter at his antics. Love blossomed on stage as Edward Knight wooed hearts in Love in a Village, capturing the essence of romance and enchanting all who watched. Meanwhile, John Harley delivered a memorable performance alongside Fitzwilliam in The Review, their chemistry igniting sparks that lit up the theater. The legendary Mrs Siddons graced the stage as Lady Macbeth, her commanding presence sending shivers down spines and leaving spectators awestruck by her talent. Frances Copeland captivated hearts as Maid or Wife unfolded before eager eyes, while Harriet Smithson breathed life into Wives as They Were with her magnetic performance. Maria Bland added grace and charm to Monsieur Tonson alongside Gattie, creating an unforgettable duo that had audiences begging for more. And let us not forget George Smith's delightful rendition of No Song No Supper - a musical extravaganza that filled hearts with joy and melodies that lingered long after curtains fell. These were but glimpses into a world where imagination soared within these hallowed walls; where dreams came alive through artistry unparalleled. Theatre Royal Drury Lane stood tall as a beacon of entertainment during this remarkable year - 1822 - forever etching its name into history books as an iconic symbol of theatrical brilliance.