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The Tempest Collection

"The Tempest" is a captivating play by William Shakespeare that continues to inspire artists across various mediums. In John William Waterhouse's painting "Miranda

Background imageThe Tempest Collection: Miranda. The Tempest, 1916. Artist: Waterhouse, John William (1849-1917)

Miranda. The Tempest, 1916. Artist: Waterhouse, John William (1849-1917)
Miranda. The Tempest, 1916. Private Collection

Background imageThe Tempest Collection: Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood)

Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood)
8617890 Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood) by Anonymous; National Museum, Krakow, Poland; Photo © Fine Art Images

Background imageThe Tempest Collection: Illustration From Shakespeares The Tempest

Illustration From Shakespeares The Tempest
Illustration depicting a scene from William Shakespeares play The Tempest, with the fairy Ariel holding onto the mast of a sailing ship as men stand on the deck below during a strorm

Background imageThe Tempest Collection: Prospero and Miranda watch the Tempest (colour litho)

Prospero and Miranda watch the Tempest (colour litho)
5988786 Prospero and Miranda watch the Tempest (colour litho) by Dugdale, Thomas Cantrell (1880-1952); Private Collection; (add.info.: Prospero and Miranda watch the Tempest)

Background imageThe Tempest Collection: Miranda, 1916 (oil on canvas)

Miranda, 1916 (oil on canvas)
Ma181771 Miranda, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 45.7x60 cm; Private Collection; (add.info.: one of two versions of Miranda; ); Photo eThe Ms Gallery, London; English

Background imageThe Tempest Collection: Ariel (The Tempest), c1870. Artist: Henry James Townsend

Ariel (The Tempest), c1870. Artist: Henry James Townsend
Ariel (The Tempest), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Background imageThe Tempest Collection: The Tempest. Prospero and Ariel

The Tempest. Prospero and Ariel. Private Collection

Background imageThe Tempest Collection: Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving)

Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving)
8632227 Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Emit Adolf Rossmaessler, 1806-1867, Rossmassler)

Background imageThe Tempest Collection: The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor)

The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor)
8736083 The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor) by Gericault, Theodore (1791-1824); Private Collection; (add.info)

Background imageThe Tempest Collection: Scene from The Tempest, (watercolour on paper laid on board)

Scene from The Tempest, (watercolour on paper laid on board)
657756 Scene from The Tempest, (watercolour on paper laid on board) by Dulac, Edmund (1882-1953); Private Collection; (add.info.: Scene from The Tempest. Edmond Dulac (1882-1953)

Background imageThe Tempest Collection: Briers, Furzes, Gorse and Thorn (The Tempest). Handcoioured botanical illustration drawn

Briers, Furzes, Gorse and Thorn (The Tempest). Handcoioured botanical illustration drawn
FLO4633830 Briers, Furzes, Gorse and Thorn (The Tempest). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London

Background imageThe Tempest Collection: Wheat, rye, barley, vetcehs, oats and peas. The Tempest. Handcoioured botanical illustration drawn

Wheat, rye, barley, vetcehs, oats and peas. The Tempest. Handcoioured botanical illustration drawn
FLO4633818 Wheat, rye, barley, vetcehs, oats and peas. The Tempest. Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe

Background imageThe Tempest Collection: 'The Tempest': Prospero adrift, 1860. Creator: Unknown. 'The Tempest': Prospero adrift, 1860

"The Tempest": Prospero adrift, 1860. Creator: Unknown. "The Tempest": Prospero adrift, 1860
"The Tempest": Prospero adrift, 1860. This is a superbly got-up edition of that romantic play of our great bard which, as much as any, affords materials for illustration

Background imageThe Tempest Collection: Scene from the play The Tempest by William Shakespeare, 1797. Creator: Romney, George (1734-1802)

Scene from the play The Tempest by William Shakespeare, 1797. Creator: Romney, George (1734-1802)
Scene from the play The Tempest by William Shakespeare, 1797. Private Collection

Background imageThe Tempest Collection: Miranda fait une partie d'échec avec Ferdinand qu'elle accuse, en plaisantant, de tricher, 1822

Miranda fait une partie d'échec avec Ferdinand qu'elle accuse, en plaisantant, de tricher, 1822
Miranda fait une partie d'echec avec Ferdinand qu'elle accuse, en plaisantant, de tricher, 1822. Miranda plays chess with Ferdinand who she jokingly accuses of cheating

Background imageThe Tempest Collection: A Study of Miranda for 'The Tempest', c. 1786. Creator: George Romney

A Study of Miranda for "The Tempest", c. 1786. Creator: George Romney
A Study of Miranda for "The Tempest", c. 1786

Background imageThe Tempest Collection: Prospero, Miranda, Caliban and Ariel, 1797. Creator: Jean Pierre Simon

Prospero, Miranda, Caliban and Ariel, 1797. Creator: Jean Pierre Simon
Prospero, Miranda, Caliban and Ariel, 1797

Background imageThe Tempest Collection: Original Studies for Shakespeare's Tempest, 1824/29. Creator: John Massey Wright

Original Studies for Shakespeare's Tempest, 1824/29. Creator: John Massey Wright
Original Studies for Shakespeare's Tempest, 1824/29

Background imageThe Tempest Collection: Signor Lablache as 'Caliban', 1850. Creator: Unknown. Signor Lablache as 'Caliban', 1850

Signor Lablache as "Caliban", 1850. Creator: Unknown. Signor Lablache as "Caliban", 1850
Signor Lablache as "Caliban", 1850. Italian opera singer Luigi Lablache in Fromental Halevy's "La Tempesta", at Her Majesty's Theatre, London

Background imageThe Tempest Collection: Scene from Halevy's New Opera of 'La Tempesta', at Her Majesty's Theatre, 1850. Creator: Unknown

Scene from Halevy's New Opera of "La Tempesta", at Her Majesty's Theatre, 1850. Creator: Unknown
Scene from Halevy's New Opera of "La Tempesta", at Her Majesty's Theatre, [London], 1850....one of the most beautilul specimens of scone-painting that can be imagined

Background imageThe Tempest Collection: C13644

C13644
4594483

Background imageThe Tempest Collection: A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)

A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)
7422862 A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting) by Robert-Fleury, Tony (1837-1912); (add.info.: Medicine. Psychology. A mad woman)

Background imageThe Tempest Collection: Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil

Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel
FLO4570536 Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel

Background imageThe Tempest Collection: A Storm - Prospero, Miranda and Caliban Spy the Shipwreck, 1778 (oil on canvas)

A Storm - Prospero, Miranda and Caliban Spy the Shipwreck, 1778 (oil on canvas)
NGW184283 A Storm - Prospero, Miranda and Caliban Spy the Shipwreck, 1778 (oil on canvas) by Jones, Thomas (1743-1803); 123.2x155 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Tempest Collection: Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired

Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired Francois Rabelais for
1734780 Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired Francois Rabelais for "Pantagruel" in 1532, engraving by Albert Robida by Robida

Background imageThe Tempest Collection: Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)

Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)
JLJ4578331 Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas) by Anonymous; 49x290 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageThe Tempest Collection: View of the city of Seville (Spain), 16th century (oil on canvas)

View of the city of Seville (Spain), 16th century (oil on canvas)
JLJ4650334 View of the city of Seville (Spain), 16th century (oil on canvas) by Sanchez Coello, Alonso (c.1531-88); Museo de America, Madrid

Background imageThe Tempest Collection: Come unto these yellow sands illustration from The Tempest, 1926

Come unto these yellow sands illustration from The Tempest, 1926
Come unto these yellow sands illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 376;

Background imageThe Tempest Collection: Interior of Westminster Abbey (b/w photo) (see also 294192)

Interior of Westminster Abbey (b/w photo) (see also 294192)
CLF294192 Interior of Westminster Abbey (b/w photo) (see also 294192) by Evans, Frederick Henry (1853-1943); (add.info.: main part of present building begun by King Henry III in 1245;)

Background imageThe Tempest Collection: The Staircase, Thrumpton Hall, Nottinghamshire, from 100 Favourite Houses (b/w photo)

The Staircase, Thrumpton Hall, Nottinghamshire, from 100 Favourite Houses (b/w photo)
CLF310432 The Staircase, Thrumpton Hall, Nottinghamshire, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info)

Background imageThe Tempest Collection: Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of

Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth
2915234 Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth and Lynette from the book The Gateway to Tennyson published 1910

Background imageThe Tempest Collection: Lion roof tile, c. 1650 (glazed earthenware)

Lion roof tile, c. 1650 (glazed earthenware)
GLS224031 Lion roof tile, c.1650 (glazed earthenware) by Chinese School (17th century); 22.2x41.9x14 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageThe Tempest Collection: Jesus raising Lazarus from his tomb, 1865-66 (engraving)

Jesus raising Lazarus from his tomb, 1865-66 (engraving)
536428 Jesus raising Lazarus from his tomb, 1865-66 (engraving) by Dore, Gustave (1832-83); (add.info.: John 2:43 From Gustave Dore illustrated Bible 1865-1866)

Background imageThe Tempest Collection: Triptych: The Visitation, between St. Michael and St. Francis (painting on wood)

Triptych: The Visitation, between St. Michael and St. Francis (painting on wood)
885750 Triptych: The Visitation, between St. Michael and St. Francis (painting on wood) by Pacchiarotti, Giacomo (1474-1539/40); Pinacoteca Nazionale, Siena, Tuscany

Background imageThe Tempest Collection: Portrait of Attila (395-453) King of the Huns - drawing from 'I misteri del vaticano' by Franco

Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843
ELD4957752 Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843; Private Collection; (add.info)

Background imageThe Tempest Collection: The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250)

The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250) in 1245 (Excommunication of Frederick II)
ELD4955105 The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250) in 1245 (Excommunication of Frederick II)

Background imageThe Tempest Collection: Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut)

Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut)
542809 Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut) by Russian School, (19th century); Universal History Archive/UIG

Background imageThe Tempest Collection: Our Lady of the Rosary, 16th century (oil on panel)

Our Lady of the Rosary, 16th century (oil on panel)
7063004 Our Lady of the Rosary, 16th century (oil on panel) by dalle Catene, Gian Gheramo (fl. 1520-33); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageThe Tempest Collection: Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870

Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870
PCT4259913 Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870. Illustration of the 1888 Hachette edition of the book "The Last of the Mohicans"

Background imageThe Tempest Collection: A Sketch, 1791 (oil on paper mounted on wood)

A Sketch, 1791 (oil on paper mounted on wood)
XOS5888418 A Sketch, 1791 (oil on paper mounted on wood) by West, Benjamin (1738-1820); 67.4x80 cm; Cleveland Museum of Art, OH, USA; (add.info.: By Benjamin West (1738-1820))

Background imageThe Tempest Collection: Deposition, 1455-60 circa, Colantonio (oil on panel)

Deposition, 1455-60 circa, Colantonio (oil on panel)
7064300 Deposition, 1455-60 circa, Colantonio (oil on panel) by Colantonio, Niccolo Antonio (fl.1455-62); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Deposition, 1455-60 circa)

Background imageThe Tempest Collection: Andreas Vesalius

Andreas Vesalius
3586029 Andreas Vesalius by French School, (19th century); (add.info.: Portrait of Andreas Vesalius (1514-1564) a Flemish/Netherlandish anatomist, physician, and author of books on human anatomy

Background imageThe Tempest Collection: The Tempest (colour litho)

The Tempest (colour litho)
3653323 The Tempest (colour litho) by Hammond, Gertrude E. Demain (1862-1952) (after); Private Collection; (add.info.: The Tempest)

Background imageThe Tempest Collection: Ferdinand and Miranda (colour litho)

Ferdinand and Miranda (colour litho)
5988779 Ferdinand and Miranda (colour litho) by Dugdale, Thomas Cantrell (1880-1952); Private Collection; (add.info.: Ferdinand and Miranda)

Background imageThe Tempest Collection: Les Pecheurs d'ecrevisses, c. 1608 (oil on canvas)

Les Pecheurs d'ecrevisses, c. 1608 (oil on canvas)
2958027 Les Pecheurs d'ecrevisses, c.1608 (oil on canvas) by Savery, Roelandt Jacobsz. (1576-1639); Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageThe Tempest Collection: The cellar of Grandgousier with big barrels, engraving by Robida to illustrate book by Francois

The cellar of Grandgousier with big barrels, engraving by Robida to illustrate book by Francois Rabelais
1761041 The cellar of Grandgousier with big barrels, engraving by Robida to illustrate book by Francois Rabelais "Gargantua" (1534) by Robida



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"The Tempest" is a captivating play by William Shakespeare that continues to inspire artists across various mediums. In John William Waterhouse's painting "Miranda. The Tempest, 1916, " we see the enchanting character of Miranda, who is central to the story. Her innocence and beauty are captured in this stunning artwork. Another intriguing piece related to "The Tempest" is "The Blackbird Song, " an oil on canvas painting from around 1908. This artwork evokes a sense of mystery and magic, much like the play itself. In an illustration from Shakespeare's original work, we witness Prospero and Miranda observing the tempest they have conjured up. The color lithograph brings their awe-inspiring moment to life. Henry James Townsend's portrayal of Ariel, one of the play's most ethereal characters, showcases his talent as an artist. This c1870 depiction captures Ariel's otherworldly essence perfectly. Moving away from specific artworks but still within the realm of inspiration for "The Tempest, " we find ourselves inside Westminster Abbey through a black-and-white photograph. Its grandeur reflects the majestic settings often associated with Shakespearean plays. Thrumpton Hall in Nottinghamshire offers another glimpse into architectural beauty that resonates with scenes from "The Tempest. " As seen in a monochrome photo featured in '100 Favourite Houses, ' it transports us back to medieval times where castles and halls were common settings for tales filled with knights and chivalry. Speaking of knights, Gareth and Lynette's story comes alive through illustrations found in 'The Gateway to Tennyson. ' A colored illustration depicts a medieval knight preparing his Morning Star weapon for battle—a scene reminiscent of conflicts portrayed within "The Tempest. " A glazed earthenware lion roof tile dating back to around 1650 adds yet another layer of intrigue surrounding this timeless play. Such artifacts remind us how deeply rooted literature can be within our history and culture.