The Eight Collection

The Bright Shawl, 1921 (oil on board)
823211 The Bright Shawl, 1921 (oil on board) by Shinn, Everett (1876-1953); 83x63.5 cm; Private Collection; (add.info.: The Bright Shawl. Everett Shinn (1876-1953). Oil on board

After the Performance, 1934-35 (oil on canvas)
823068 After the Performance, 1934-35 (oil on canvas) by Shinn, Everett (1876-1953); 45.7x30.5 cm; Private Collection; (add.info.: After the Performance. Everett Shinn (1876-1953)

The Tightrope Walker, 1904 (pastel on board)
822783 The Tightrope Walker, 1904 (pastel on board) by Shinn, Everett (1876-1953); 30.5x33 cm; Private Collection; (add.info.: The Tightrope Walker. Everett Shinn (1876-1953). Pastel on board

Polly's Clown, 1946 (oil on canvasboard)
651156 Polly's Clown, 1946 (oil on canvasboard) by Shinn, Everett (1876-1953); 40.2x30.5 cm; Private Collection; (add.info.: Polly's Clown. Everett Shinn (1876-1953). Oil on canvasboard

Windswept Street, New York, c.1907 (oil on canvas)
650950 Windswept Street, New York, c.1907 (oil on canvas) by Shinn, Everett (1876-1953); 30.5x99 cm; Private Collection; (add.info.: Windswept Street, New York. Everett Shinn (1876-1953)

The Juggling Clown, (oil on panel)
650737 The Juggling Clown, (oil on panel) by Shinn, Everett (1876-1953); 25.3x20.2 cm; Private Collection; (add.info.: The Juggling Clown. Everett Shinn (1876-1953). Oil on panel

Happy Guy, 1944 (oil on canvas)
650489 Happy Guy, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 61x51 cm; Private Collection; (add.info.: Happy Guy. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1944

Clown on Empty Seats, 1947 (oil on board)
823006 Clown on Empty Seats, 1947 (oil on board) by Shinn, Everett (1876-1953); 25.5x20.3 cm; Private Collection; (add.info.: Clown on Empty Seats. Everett Shinn (1876-1953). Oil on board

Clown with Drum, (oil on canvas laid down on panel)
823005 Clown with Drum, (oil on canvas laid down on panel) by Shinn, Everett (1876-1953); 30x24.8 cm; Private Collection; (add.info.: Clown with Drum. Everett Shinn (1876-1953)

Ballet, 1944 (oil on canvas)
1767564 Ballet, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 53.3x78.8 cm; Private Collection; (add.info.: Ballet. Everett Shinn (1876-1953). Oil on canvas. Painted in 1944

The Singer, 1902 (oil on canvas)
985406 The Singer, 1902 (oil on canvas) by Shinn, Everett (1876-1953); 67x44.2 cm; Private Collection; (add.info.: The Singer. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1902

In Central Park, 1904 (watercolour, gouache and pencil on cardboard)
985057 In Central Park, 1904 (watercolour, gouache and pencil on cardboard) by Shinn, Everett (1876-1953); 30.4x45 cm; Private Collection; (add.info.: In Central Park. Everett Shinn (1876-1953)

Stage - The Black Dress, (pastel on board)
651158 Stage - The Black Dress, (pastel on board) by Shinn, Everett (1876-1953); 39.3x29.8 cm; Private Collection; (add.info.: Stage - The Black Dress. Everett Shinn (1876-1953). Pastel on board

French Maiden, (oil on canvas)
985329 French Maiden, (oil on canvas) by Shinn, Everett (1876-1953); 38.5x48.3 cm; Private Collection; (add.info.: French Maiden. Everett Shinn (1876-1953). Oil on canvas

Rooftop Cafe, 1925 (pastel on blue paper laid down on board)
985265 Rooftop Cafe, 1925 (pastel on blue paper laid down on board) by Shinn, Everett (1876-1953); 28.5x38.8 cm; Private Collection; (add.info.: Rooftop Cafe. Everett Shinn (1876-1953)

The Soiree, 1905 (watercolour, gouache and pencil on cream paper laid down on pape)
985263 The Soiree, 1905 (watercolour, gouache and pencil on cream paper laid down on pape) by Shinn, Everett (1876-1953); 45x60.4 cm; Private Collection; (add.info.: The Soiree)

Ballet Girls, (oil on canvas laid down on board)
823003 Ballet Girls, (oil on canvas laid down on board) by Shinn, Everett (1876-1953); 25.5x20.3 cm; Private Collection; (add.info.: Ballet Girls. Everett Shinn (1876-1953)

The Bowling Game, 1929 (watercolour and pencil on paper)
822900 The Bowling Game, 1929 (watercolour and pencil on paper) by Shinn, Everett (1876-1953); 24.1x35.5 cm; Private Collection; (add.info.: The Bowling Game. Everett Shinn (1876-1953)

In the Loge, 1903 (oil and pastel on canvas laid on board)
650736 In the Loge, 1903 (oil and pastel on canvas laid on board) by Shinn, Everett (1876-1953); 64.8x43.3 cm; Private Collection; (add.info.: In the Loge. Everett Shinn (1876-1953)

Green Park, London, 1908 (pastel on board)
650733 Green Park, London, 1908 (pastel on board) by Shinn, Everett (1876-1953); 35.6x45.7 cm; Private Collection; (add.info.: Green Park, London. Everett Shinn (1876-1953). Pastel on board

Dancers Backstage, 1933 (oil on canvas)
1767491 Dancers Backstage, 1933 (oil on canvas) by Shinn, Everett (1876-1953); 26x31.1 cm; Private Collection; (add.info.: Dancers Backstage. Everett Shinn (1876-1953). Oil on canvas

Easter Sunday on Fifth Avenue, from 'Harper's Weekly' (litho) (b/w photo)
XJF105348 Easter Sunday on Fifth Avenue, from 'Harper's Weekly' (litho) (b/w photo) by Shinn, Everett (1876-1953); Private Collection; (add.info.: by Everett Shinn).

Ballet Girl on Stage, 1948 (oil on canvas)
1767379 Ballet Girl on Stage, 1948 (oil on canvas) by Shinn, Everett (1876-1953); 45.1x61 cm; Private Collection; (add.info.: Ballet Girl on Stage. Everett Shinn (1876-1953). Oil on canvas

Horsedrawn Bus, 1899 (pastel on paper)
985023 Horsedrawn Bus, 1899 (pastel on paper) by Shinn, Everett (1876-1953); 55.3x75.3 cm; Private Collection; (add.info.: Horsedrawn Bus. Everett Shinn (1876-1953). Pastel on paper. Painted in 1899

The Park in Winter, (pastel on artist's board)
984884 The Park in Winter, (pastel on artist's board) by Shinn, Everett (1876-1953); 54.6x69.5 cm; Private Collection; (add.info.: The Park in Winter. Everett Shinn (1876-1953)

The Ballet, 1943 (oil on canvas)
823004 The Ballet, 1943 (oil on canvas) by Shinn, Everett (1876-1953); 40.8x50.8 cm; Private Collection; (add.info.: The Ballet. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1943

The Voyeur and Her Bather, (oil on canvasboard)
822998 The Voyeur and Her Bather, (oil on canvasboard) by Shinn, Everett (1876-1953); 24.8x34.8 cm; Private Collection; (add.info.: The Voyeur and Her Bather. Everett Shinn (1876-1953)

The Dewey Arch, Madison Square, (pastel on paper laid down on japanese paper)
822780 The Dewey Arch, Madison Square, (pastel on paper laid down on japanese paper) by Shinn, Everett (1876-1953); 34.5x44.5 cm; Private Collection; (add.info.: The Dewey Arch, Madison Square)

Snow Storm, Madison Square, New York, (pastel and pencil on gray paper)
650909 Snow Storm, Madison Square, New York, (pastel and pencil on gray paper) by Shinn, Everett (1876-1953); 57.8x65.7 cm; Private Collection; (add.info.: Snow Storm, Madison Square, New York)

Worst Comes to Worst-We'll Look at His Etchings, 1934 (pastel and pencil on board)
822782 Worst Comes to Worst-We'll Look at His Etchings, 1934 (pastel and pencil on board) by Shinn, Everett (1876-1953); 57x42 cm; Private Collection; (add.info)

The Arch, Washington Square, 1929 (watercolour and pastel on board)
650732 The Arch, Washington Square, 1929 (watercolour and pastel on board) by Shinn, Everett (1876-1953); 31x46 cm; Private Collection; (add.info.: The Arch, Washington Square)

Tinsel Toes, 1914 (pastel, watercolour, brush and black ink on board)
650536 Tinsel Toes, 1914 (pastel, watercolour, brush and black ink on board) by Shinn, Everett (1876-1953); 68.8x75.4 cm; Private Collection; (add.info.: Tinsel Toes. Everett Shinn (1876-1953)

Snow Storm, Madison Square, New York, 1898 (pastel and pencil on gray prepared board)
984966 Snow Storm, Madison Square, New York, 1898 (pastel and pencil on gray prepared board) by Shinn, Everett (1876-1953); 57.8x65.7 cm; Private Collection; (add.info.: Snow Storm, Madison Square)

Street in Paris (pastel on canvas)
1767652 Street in Paris (pastel on canvas) by Shinn, Everett (1876-1953); 91.4x64.8 cm; Private Collection; (add.info.: Street in Paris. Everett Shinn (1876-1953). Pastel on canvas

The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board)
823342 The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board) by Shinn, Everett (1876-1953); 43.5x38.2 cm; Private Collection; (add.info)

The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board)
823341 The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board) by Shinn

In the Box, 1903 (oil & pastel on canvas)
CH92983 In the Box, 1903 (oil & pastel on canvas) by Shinn, Everett (1876-1953); 64.8x43.5 cm; Private Collection; (add.info.: by Everett Shinn); Photo © Christie's Images.

New York at Night, 1933 (pastel on paper)
CH204296 New York at Night, 1933 (pastel on paper) by Shinn, Everett (1876-1953); 48.4x30.5 cm; Private Collection; Photo © Christie's Images

Window Shopping (pastel on paper)
FIN161477 Window Shopping (pastel on paper) by Shinn, Everett (1876-1953); 31.8x37.1 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA.

Fire on 24th Street, New York City, 1907 (pastel on paper)
CH204244 Fire on 24th Street, New York City, 1907 (pastel on paper) by Shinn, Everett (1876-1953); Private Collection; Photo © Christie's Images

A Foggy Night (oil on canvas)
CH203850 A Foggy Night (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

Nursemaids, High Bridge Park (oil on canvas)
CH204285 Nursemaids, High Bridge Park (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

Woman Churning Butter (oil on panel)
BRN165349 Woman Churning Butter (oil on panel) by Luks, George Benjamin (1867-1933); The Barnes Foundation, Philadelphia, Pennsylvania, USA; © Barnes Foundation

Foggy Night, New York, (oil on canvas)
650562 Foggy Night, New York, (oil on canvas) by Luks, George Benjamin (1867-1933); 76.8x63.5 cm; Private Collection; (add.info.: Foggy Night, New York. George Benjamin Luks (1866-1933)

Railroad Crossing, The Berkshires, c. 1925 (w / c and pencil on paper)
3614011 Railroad Crossing, The Berkshires, c.1925 (w/c and pencil on paper) by Luks, George Benjamin (1867-1933); 35.2x50.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

The Clownss Daughter, (oil on canvas laid on board)
650734 The Clownss Daughter, (oil on canvas laid on board) by Luks, George Benjamin (1867-1933); 76.2x64 cm; Private Collection; (add.info.: The Clownss Daughter. George Benjamin Luks (1867-1933)

The Ledge, Elizabeth, Maine (oil on canvas)
CH204298 The Ledge, Elizabeth, Maine (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

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"The Eight: A Captivating Glimpse into Urban Realism" Step into a world where art breathes life into the streets, as "The Eight" captures the essence of everyday moments. From foggy nights to bustling city scenes, these masterpieces transport us through time and space. In "A Foggy Night, " the oil on canvas painting envelops us in an eerie atmosphere, shrouded in mystery and intrigue. Nursemaids stroll through High Bridge Park, their presence adding a touch of tenderness amidst the urban chaos. "Woman Churning Butter" takes us back to simpler times, reminding us of forgotten traditions and domestic serenity. The meticulous strokes on panel bring forth a sense of nostalgia that warms our hearts. "Hester Street, 1905" immerses us in the vibrant tapestry of immigrant life. Through bold brushstrokes on canvas, we witness the hustle and bustle of this melting pot cityscape—a testament to diversity and resilience. As night falls again in "Foggy Night, New York, " we find ourselves lost within its ethereal beauty. The interplay between light and shadow creates an otherworldly ambiance that captivates our imagination. "The Railroad Crossing, The Berkshires" transports us to a serene countryside with watercolor and pencil on paper. We can almost hear the distant chugging train as it traverses nature's untouched landscapes—an escape from urbanity's grip. In "The Clown's Daughter, " oil on canvas laid on board reveals tender family ties hidden behind painted smiles—a poignant reminder that even entertainers have stories beyond their performances. "The Ledge, Elizabeth Maine" invites us to explore coastal tranquility through delicate brushwork upon canvas. Waves crash against rugged cliffs as seagulls soar above—nature's raw power juxtaposed against human vulnerability. With "Spring Morning at Houston and Division Streets, " we are transported back to 1922 New York.