Tate Britain Collection

Shoeing, 1844, (1938). Artist: Edwin Henry Landseer
Shoeing, 1844. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Between Two Fires, c1892, (1938). Artist: Francis Davis Millet
Between Two Fires, c1892. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Portsmouth, c1824-5, (1905). Artist: JMW Turner
Portsmouth, c1824-5. Painting held in the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

The Vigil, c1884, (1938). Artist: John Pettie
The Vigil, c1884. The Vigil of Arms was one of the religious exercises, which in the Middle Ages preceded the conferment of knighthood

Seated Nude: The Black Hat, c1900. Artist: Philip Wilson Steer
Seated Nude: The Black Hat, c1900. Painting housed at the Tate Britain, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Off Valparaiso, 1899, (1938). Artist: J Greig Pirie
Off Valparaiso, 1899. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Hope, 1886, (1912). Artist: George Frederick Watts
Hope, 1886, (1912). Painting held at the Tate Britain, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Punch or May Day, 1829, (c1915). Artist: Benjamin Robert Haydon
Punch or May Day, 1829, (c1915). The painting is part of the collection of the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Bath of Psyche, c1890. Painting held in the Tate Britain, London. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

Beyond Mans Footsteps, c1894, (1928). Artist: Briton Riviere
Beyond Mans Footsteps, c1894, (1928). Painting held at the Tate Britain. From The Book of Polar Exploration, by E. L. Elias M.A. [George G. Harrap & Company Ltd, London, 1928]

A Nymph and Cupid: The Snake in the Grass, 1784, (1914). Artist: Sir Joshua Reynolds
A Nymph and Cupid: The Snake in the Grass, 1784. After an original painting by Joshua Reynolds (1723-1792). Original painting housed in the Tate, London. From The Connoisseur Vol

The Gallery of British Art at Millbank (engraving)
604571 The Gallery of British Art at Millbank (engraving) by English School, (19th century); Private Collection; (add.info.: The Gallery of British Art at Millbank, to be erected by Mr Henry Tate)

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England, London, Exterior of the Tate Britain art gallery in Pimlico

Catspaws off the Land, 1885, (c1915). Artist: Henry Moore
Catspaws off the Land, 1885, (c1915). Held by the Tate Modern. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Inside of a Stable, 1791, (c1915). Artist: George Morland
The Inside of a Stable, 1791, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Dr. Johnson in Ante-Room of Lord Chesterfield, 1748, (c1915). Artist: Edward Matthew Ward
Dr. Johnson in Ante-Room of Lord Chesterfield, 1748, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Poringland Oak, c1818-1820, (c1915). Artist: John Crome
The Poringland Oak, c1818-1820, (c1915). The painting is held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

King Cophetua and the Beggar Maid, 1884, (1911). Artist: Sir Edward Coley Burne-Jones
King Cophetua and the Beggar Maid, 1884, 1911. Painting held at the Tate Britain, London. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]

Edinburgh from Arthurs Seat, 1778, (1935). Artist: Thomas Hearne
Edinburgh from Arthurs Seat, 1778, (1935). From the collection of the Tate Modern, London. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Scene from ?Twelfth Night? (?Malvolio and the Countess?), c1840, (c1915). Artist: Daniel Maclise
Scene from ?Twelfth Night? (?Malvolio and the Countess?), c1840, (c1915). Held at Tate Britain, London. From Famous Pictures of the World, c1900

St Martin s-in-the-Fields, 1888, (c1915). Artist: William Logsdail
St Martin s-in-the-Fields, 1888, (c1915). Held at Tate Britain, London. From Famous Pictures of the World, c1900

The Annunciation, 1892, (c1900). Artist: Arthur Hacker
The Annunciation, 1892, (c1915). Held at the Tate Britain, London. From Famous Pictures of the World, c1900

Blossoms, 1881, (c1900). Artist: Albert Moore
Blossoms, 1881, (c1900). Held at the Tate Britain, London. From Famous Pictures of the World, c1900

The Graces Decorating a Terminal Figure of Hymen, 1773, (1911). Artist: Sir Joshua Reynolds
The Graces Decorating a Terminal Figure of Hymen, 1773, (1911). Barbara Montgomery (1757-1788), Elizabeth Montgomery (1751-1783) and Anne Montgomery (1752-1819)

The Modeller, 1891. Artist: Charles Shannon
The Modeller, 1891. Housed at the Tate Britain, London. From The Studio Volume 46. [London Offices of the Studio, London, 1909]

The Angler, c1912. Artist: William Newenham Montague Orpen
The Angler, c1912. Painting held by the Tate. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Monna Pomona, 1864. Painting housed at the Tate Britain, London. From The Worlds Greatest Paintings, edited by T. Leman Hare. [Odhams Press Ltd, London, 1934]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Painting housed in the Tate, London. [The Offices of the Studio, London & New York, 1944]

Old Battersea Bridge, 1874 (1933). Artist: Walter Greaves
Old Battersea Bridge, 1874 (1933). Painting held at the Tate Gallery, London. From The Studio Volume 106. [The Offices of the Studio, London, 1933]

A Laundry Maid Ironing, c1765, (1905). Artist: Henry Robert Morland
A Laundry Maid Ironing, c1765. Painting held at the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Ecce Ancilla Domini! (The Annunciation), 1849-50, (1911). Artist: Dante Gabriel Rossetti
Ecce Ancilla Domini! (The Annunciation), 1849-50. Painting held in the Tate, London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

Harmony, 1877, (1938). Artist: Frank Dicksee
Harmony, 1877. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Tate Britain Gallery, WEstminster, London, England, United Kingdom

Tate Britain, London, England, United Kingdom, Europe

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Discover the rich tapestry of art at Tate Britain, where history comes alive through brushstrokes and vivid imagination. Step into the world of Edwin Henry Landseer's 'Shoeing' (1844), as he captures the essence of a moment in time with his meticulous attention to detail. Feel the intensity radiate from Francis Davis Millet's 'Between Two Fires' (c1892), transporting you to a tumultuous era filled with conflicting emotions. JMW Turner takes us on a journey through time with his masterpieces. In 'A First Rate Taking in Stores' (1818), witness the power and majesty of naval warfare unfold before your eyes. Experience the serene beauty of Portsmouth in Turner's masterpiece from c1824-5, where every stroke brings life to its bustling harbor. John Pettie's 'The Vigil' (c1884) captivates our senses, immersing us in an atmosphere charged with anticipation and suspense. JMW Turner once again mesmerizes us with 'The Thames near Walton Bridges' (1805), showcasing his unparalleled ability to capture light and nature's ever-changing moods. Philip Wilson Steer invites us into an intimate moment with his captivating portrayal of a seated nude adorned by a black hat, evoking both mystery and allure. J Greig Pirie transports us across oceans in 'Off Valparaiso' (1899), capturing the raw power and vastness of nature against man-made vessels. George Frederick Watts infuses hope into our hearts through his poignant masterpiece aptly titled 'Hope' (1886). John Everett Millais enchants us with his ethereal depiction of Ophelia amidst lush foliage, inviting contemplation on life's fragility ('Ophelia', 1851-2). Benjamin Robert Haydon brings humor and joy to life in 'Punch or May Day' (1829), immortalizing the spirit of celebration.