Tapestries Collection (page 9)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

The Death of Dido, 1679 (tapestry weave: silk and wool)
XOS5886561 The Death of Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 414x466.5 cm; Cleveland Museum of Art, OH

Dido and Aeneas, 1679 (tapestry weave: silk and wool)
XOS5886546 Dido and Aeneas, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Cleveland Museum of Art, OH

Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)
XOS5886549 Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool) by Romanelli

Peru, Sacred valley, detail of looming machine processing alpaca wool
2040-210213-01

Dyeing workshop at the Gobelins, French tapestry makers, 1760 (oil on canvas)
895999 Dyeing workshop at the Gobelins, French tapestry makers, 1760 (oil on canvas) by French School, (18th century); 37x30.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

The Portiere of the Famous, from the Gobelins Tapestry Factory, 1701-25 (tapestry)
XIR68508 The Portiere of the Famous, from the Gobelins Tapestry Factory, 1701-25 (tapestry) by Le Brun, Charles (1619-90) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris

The Norman cavalry attacks the English shield-wall and battle is joined, 1070 (wool embroidery on linen)
XCF115624 The Norman cavalry attacks the English shield-wall and battle is joined, 1070 (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Flemish tapestry. Series The Spheres. Hercules supporting the celestial sphere (Hercules sostiene la esfera celeste)
7207324 Flemish tapestry. Series The Spheres. Hercules supporting the celestial sphere (Hercules sostiene la esfera celeste). First tapestry in the series

Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown
Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Fig 1: Panel of a Screen by Saint-Ange. Figs 2-5

Marlborough at the Battle of Oudenarde, 1708, (1944). Creator: Unknown
Marlborough at the Battle of Oudenarde, 1708, (1944). Tapestry depicting British military leader John Churchill, 1st Duke of Marlborough (on a white horse) at the Battle of Oudenarde

The Sun King Louis XIV, Of France, With His Brilliant Court, 1664, (c1930)
The " Sun" King Louis XIV, Of France, With His Brilliant Court, 1664, (c1930). Louis XIVs audience with the Papal ambassador Sigismondo Chigi, 29 July 1664, at the palace of Fontainebleau

The Tapestry Room in Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Tapestry Room in Windsor Castle, c1899, (1901). The Tapestry room situated over George IV?s Gateway, comprising of the Gobelins tapestry which fills the panelled walls and the chairs

La Dame a la Licorne Tapestry Series, Brussels c1480. The set, on display in the Musee national du Moyen Age (former Musee de Cluny) in Paris

Larz Anderson house, Washington, D.C. - dining room, between 1890 and 1950. Creator: Frances Benjamin Johnston
Larz Anderson house, Washington, D.C. - dining room, between 1890 and 1950

Studio in house of Edward Lind Morse, R St. Washington, D.C. between 1890 and 1950. Creator: Frances Benjamin Johnston
Studio in house of Edward Lind Morse, R St. Washington, D.C. between 1890 and 1950. Fireplace

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - view of ballroom showing fireplace and four tapestries, c1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - ballroom - detail of fireplace and tapestry, c1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interiors of John R. McLean House, 1500 I St. N.W. Washington, D.C. - music room from staircase, ca.1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - music room looking toward ballroom, c1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - Staircase from across music room, c1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - music room with flowers, c1907

Home of Phoebe Apperson Hearst (widow of George Hearst) at 1400 New Hampshire Ave. NW... c1900
Home of Phoebe Apperson Hearst (widow of George Hearst) at 1400 New Hampshire Ave. NW, Washington, D.C. c1900. [Philanthropist

Denmark, Zealand, Copenhagen, Christianborg Palace, The Royal Reception Chambers, world history tapestry detail

The state bedroom, Normanton Park, Rutland, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311818 The state bedroom, Normanton Park, Rutland, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The dining room fireplace, Dawpool, Cheshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311753 The dining room fireplace, Dawpool, Cheshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

J. S. Henry Ltd Tapestries, Carpets & Draperies
A Decorative scheme illustration of a grand dining room, furnished with carpets, tapestries and hangings from J. S. Henry Ltd

Pastrana Tapestries, 1471 c Disembarkation in Asilah
The Pastrana tapestries: Disembarkation in Asilah. ca. 1471 - 1475. Cloth number 1 of the series on the conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal

The Tapestry Room, Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311713 The Tapestry Room, Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Tapestry Hall, Ardenrun, Surrey, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311706 The Tapestry Hall, Ardenrun, Surrey, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Sir George Savile's bedroom, Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley
CLF311865 Sir George Savile's bedroom, Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Tapestry Drawing Room at Newby Hall, Yorkshire, from The Country Houses of Robert Adam, by Eileen Harris
CLF289855 The Tapestry Drawing Room at Newby Hall, Yorkshire, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Tapestry, Month of January, possibly from Flanders, 1500-25 (wool)
3576114 Tapestry, Month of January, possibly from Flanders, 1500-25 (wool) by Belgian School, (16th century); 271.7x320 cm; Burrell Collection, Glasgow

Tapestry fragment depicting Gothic Church in Landscape, from the Apocalypse of Angers, 1350-75 (wool)
3576094 Tapestry fragment depicting Gothic Church in Landscape, from the Apocalypse of Angers, 1350-75 (wool) by French School, (14th century); 71.1x113 cm; Burrell Collection, Glasgow

Tapestry panel depicting St Barbara, the Virgin Mary, the Holy Trinity, St Joseph
3576084 Tapestry panel depicting St Barbara, the Virgin Mary, the Holy Trinity, St Joseph and St Catharine or Incarnation with Saints Barbara and Catherine, 1475 (wool) by Swiss School

Tapestry fragment depicting St Cosmas and St Damian, 1450-75 (wool & linen)
3576078 Tapestry fragment depicting St Cosmas and St Damian, 1450-75 (wool & linen) by Swiss School, (15th century); 81.2x77.4 cm; Burrell Collection, Glasgow

Tapestry cushion cover depicting the Fox, possibly the Wolf, preaching to the geese, from Basel, 1450-75 (wool)
3576076 Tapestry cushion cover depicting the Fox, possibly the Wolf, preaching to the geese, from Basel, 1450-75 (wool) by Swiss School, (15th century); 54.6x59 cm; Burrell Collection, Glasgow

Tapestry panel depicting the Death of the Virgin, from Middle Rhineland, possibly Trier, mid 15th century (wool)
3576058 Tapestry panel depicting the Death of the Virgin, from Middle Rhineland, possibly Trier, mid 15th century (wool) by German School, (15th century); 81.2x156.2 cm; Burrell Collection, Glasgow

Tapestry antependium depicting St Anne, the Virgin and Christ, and four female saints, from Middle Rhineland
3576057 Tapestry antependium depicting St Anne, the Virgin and Christ, and four female saints, from Middle Rhineland, 1475-99 (wool, silk, gold & silver threads) by German School

Part of altar frontal tapestry depicting the Holy Trinity, the Virgin, St John and two Angels, from Nuremberg, c
3576051 Part of altar frontal tapestry depicting the Holy Trinity, the Virgin, St John and two Angels, from Nuremberg, c.1420 (wool & linen) by German School

Tapestry depicting The Chase Chasse a l'ours or Bear Hunt, possibly from Arras, 1425-50 (wool)
3576104 Tapestry depicting The Chase Chasse a l'ours or Bear Hunt, possibly from Arras, 1425-50 (wool) by French School, (15th century); 154.9x171.5 cm; Burrell Collection, Glasgow

Mille fleurs tapestry fragment depicting animals, birds and landscape, c. 1500 (wool)
3576187 Mille fleurs tapestry fragment depicting animals, birds and landscape, c.1500 (wool) by European School, (16th century); 274.3x274.3 cm; Burrell Collection, Glasgow

Tapestry, Verdure with Arms of Miro, 1500-25 (wool & silk)
3576185 Tapestry, Verdure with Arms of Miro, 1500-25 (wool & silk) by European School, (16th century); 353x330.2 cm; Burrell Collection, Glasgow

Tapestry, Jason in Search of the Golden Fleece, possibly from Tournai, c. 1510 (wool)
3576123 Tapestry, Jason in Search of the Golden Fleece, possibly from Tournai, c.1510 (wool) by Belgian School, (16th century); 193.1x246.3 cm; Burrell Collection, Glasgow

Tapestry, Hercules at the Gate of Prycus City, or Hercules Assaulting a City, possibly from Tournai (wool & silk)
3576122 Tapestry, Hercules at the Gate of Prycus City, or Hercules Assaulting a City, possibly from Tournai (wool & silk) by Belgian School, (16th century); 335.2x388.6 cm; Burrell Collection

Tapestry, Month of September, possibly from Flanders, 1500-25 (wool)
3576117 Tapestry, Month of September, possibly from Flanders, 1500-25 (wool) by Belgian School, (16th century); 271.7x320 cm; Burrell Collection, Glasgow

Leaving home for the Carlisle Indian School (chromolitho), 1911 (chromolitho)
3672228 Leaving home for the Carlisle Indian School (chromolitho), 1911 (chromolitho) by Burbank, Elbridge Ayer (1858-1949); Newberry Library, Chicago, Illinois

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"The Bayeux Tapestry: A Historical Masterpiece Depicting the Battle of Hastings" Step back in time with the iconic Bayeux Tapestry, a remarkable work of art that chronicles one of history's most pivotal moments – the Battle of Hastings. Created between 1066 and 1077, this tapestry transports us to Normandy, France, where King Harold's foot soldiers stand valiantly armed with spears and battle axes. As we delve deeper into its intricate details, we witness the death of King Harold himself. The tapestry captures the heart-wrenching moment when an arrow finds its mark in his eye, forever etching this tragic event into our collective memory. But it is not just war that unfolds before our eyes; scenes of preparation for battle also grace this magnificent textile. We see craftsmen building ships with meticulous care as they ready themselves for impending conflict. Their dedication and skill are evident in every stitch. The clash between Norman cavalry and Harolds' steadfast foot soldiers forming a shield wall is another captivating scene depicted on this historical masterpiece. It showcases both bravery and strategy amidst chaos and turmoil. While the Bayeux Tapestry stands as an exceptional example from medieval Europe, it is not alone in its significance. Diego Velasquez's "Las Hilanderas" (The Spinners), painted in 1657 but recreated around 1934, offers another glimpse into the world of tapestries. This Spanish artwork beautifully portrays women engrossed in their craft while highlighting their importance within society. Returning to the Bayeux Tapestry itself, we witness William steering his ship amidst an invasion fleet using a signal lantern on mast and stern – a symbol of leadership guiding them towards victory or defeat. Even celestial events find their place within these woven threads; crowds point excitedly at Halleys Comet illuminating February 1066 skies above Normandy – perhaps seen as a sign of impending change and upheaval.