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Supporting Collection (page 5)

"Supporting the Artistic Narrative: From Hogarth's Beer Street to Pietro Lorenzetti's Madonna and Child" In a world filled with diverse artistic expressions

Background imageSupporting Collection: Ruins of Maharubi Palace, Zanzibar, East Africa

Ruins of Maharubi Palace, Zanzibar, East Africa - built outside Zanzibar Town in 1882 for Sultan Barghash to house his impressively large harem

Background imageSupporting Collection: Drunken Silenus, c. 1616 (oil on canvas)

Drunken Silenus, c. 1616 (oil on canvas)
898194 Drunken Silenus, c.1616 (oil on canvas) by Dyck, Anthony van (1599-1641); 133.5x109.5 cm; Gemaeldegalerie Alte Meister, Dresden, Germany; (add.info.: Drunk catfish); Flemish, out of copyright

Background imageSupporting Collection: Holding Hands And Praying Over The Bible

Holding Hands And Praying Over The Bible

Background imageSupporting Collection: Five Teenagers With T-Shirts Spelling Jesus

Five Teenagers With T-Shirts Spelling Jesus

Background imageSupporting Collection: Inset circular portrait photograph of Miss Marie Studholme

Inset circular portrait photograph of Miss Marie Studholme (Caroline Maria Lupton) (1872-1930) - English actress and singer known for her supporting and sometimes starring roles in Victorian

Background imageSupporting Collection: Statue of Atlas - Rockefeller Center - New York, USA

Statue of Atlas - Rockefeller Center - New York, USA. Date: 1930s

Background imageSupporting Collection: Scene in Covent Garden, Westminster, London, 1830. Artist: Isaac Robert Cruikshank

Scene in Covent Garden, Westminster, London, 1830. Artist: Isaac Robert Cruikshank
Scene in Covent Garden, Westminster, London, 1830. One of the afflicting occurrences in life in London, Tom, Jerry and Logic arrested in their progress home by the melancholy discovery of Corinthian

Background imageSupporting Collection: Procession to the hustings after a successful canvass, no: 14, 1784

Procession to the hustings after a successful canvass, no: 14, 1784
Procession to the hustings after a successful canvass, no:14, 1784. An election procession including the Duchess of Devonshire and two other ladies (probably Lady Duncannon and Mrs Crewe)

Background imageSupporting Collection: Jack Ketch executing sentence on a culprit, 1832. Artist

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

Background imageSupporting Collection: A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C Williams

A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C Williams
A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. A crowd of labourers and beggars doffing their hats or drawing the Lord Mayors coach, containing Sheriff Wood

Background imageSupporting Collection: Christabel Pankhurst waving to the hunger strikers from a house overlooking Holloway Prison, 1909

Christabel Pankhurst waving to the hunger strikers from a house overlooking Holloway Prison, 1909. Christabel Pankhurst (1880-1958) was one of the leaders of the British suffragette movement

Background imageSupporting Collection: Contestants in a dance marathon, Chicago, Illinois, USA, 1930

Contestants in a dance marathon, Chicago, Illinois, USA, 1930. The girl has fallen asleep. Dance marathons were popular competitions organised in the United States in the 1920s and 1930s

Background imageSupporting Collection: Stern Reality, or Last but not Least, 1908. Artist: Lance Thackeray

Stern Reality, or Last but not Least, 1908. Artist: Lance Thackeray
Stern Reality, or Last but not Least, 1908. From The Light Side of Egypt, 1908

Background imageSupporting Collection: Support Arms 2nd Motion, 1798 (1909). Artist: Thomas Rowlandson

Support Arms 2nd Motion, 1798 (1909). Artist: Thomas Rowlandson
Support Arms 2nd Motion, 1798 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageSupporting Collection: Display by the Aldershot gymnastic staff, Hampshire, 1896. Artist: Gregory & Co

Display by the Aldershot gymnastic staff, Hampshire, 1896. Artist: Gregory & Co
Display by the Aldershot gymnastic staff, Hampshire, 1896. A print from The Navy and Army Illustrated, 31st January 1896

Background imageSupporting Collection: Display by the staff of the Aldershot gymnasium, Hampshire, 1895. Artist: Gregory & Co

Display by the staff of the Aldershot gymnasium, Hampshire, 1895. Artist: Gregory & Co
Display by the staff of the Aldershot gymnasium, Hampshire, 1895. The physical training of the soldier. A print from The Navy and Army Illustrated, 20th December 1895

Background imageSupporting Collection: Stigmatization of Saint Catherine of Siena, 1870

Stigmatization of Saint Catherine of Siena, 1870
Stigmatization of Saint Catherine of Siena, (1870). After the painting by Sodoma in an Domenico, Siena, Italy. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageSupporting Collection: Humpty Dumpty, 1878 (1895)

Humpty Dumpty, 1878 (1895). First rough pencil sketch for Punch cartoon Disraeli and Cyprus supporting a Humpty Dumpty figure representing the Ottoman Empire sitting on top of a wall representing

Background imageSupporting Collection: French Costume, (1885)

French Costume, (1885). A womans elaborate and heavy hairstyle is held up with a stick by her black servant. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789

Background imageSupporting Collection: Atlas Supports the Heavens on his Shoulders, 1655. Artist: Michel de Marolles

Atlas Supports the Heavens on his Shoulders, 1655. Artist: Michel de Marolles
Atlas Supports the Heavens on his Shoulders, 1655. A plate from Michel de Marolless Tableaux du Temple des Muses, Paris, 1655. Found in the collection of Jean Claude Carriere

Background imageSupporting Collection: Hungarian parliament, (5th July 1848), 1900. Artist: Paul Burde

Hungarian parliament, (5th July 1848), 1900. Artist: Paul Burde
Hungarian parliament, (5th July 1848), 1900

Background imageSupporting Collection: Atlas supports the heavens on his shoulders, 1733. Artist: Bernard Picart

Atlas supports the heavens on his shoulders, 1733. Artist: Bernard Picart
Atlas supports the heavens on his shoulders, 1733. A plate from Le Temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

Background imageSupporting Collection: They have flown, 1799. Artist: Francisco Goya

They have flown, 1799. Artist: Francisco Goya
They have flown, 1799. Plate 61 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageSupporting Collection: The Death of Napoleon the Great, 5 May 1821, 1825

The Death of Napoleon the Great, 5 May 1821, 1825. Napoleon Bonaparte (Napoleon I) (1769-1821), Emperor of France 1804-1815

Background imageSupporting Collection: Piazzi Madonna ( Virgin and Child ), 1420-1430s. Artist: Donatello

Piazzi Madonna ( Virgin and Child ), 1420-1430s. Artist: Donatello
Piazzi Madonna ( Virgin and Child ), 1420-1430s. From the Staatliche Museum, Berlin

Background imageSupporting Collection: Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli

Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli
Madonna and Child ( Madonna of the Book ), 1483. The Child is seated on the Virgins lap, looking questioningly into his mothers face. Round his wrist is a crown of thorns

Background imageSupporting Collection: Madonna and Child, 1230. Artist: Barone Berlinghier

Madonna and Child, 1230. Artist: Barone Berlinghier
Madonna and Child, 1230. This image shows a strong Byzantine influence. From the Metropolitan Museum, New York

Background imageSupporting Collection: Pieta of Saint-Germain-des-Pres, c1500

Pieta of Saint-Germain-des-Pres, c1500. The scene is the deposition of the cross. The Virgin Mary supports the body of Christ on her lap. Behind her is St John the Apostle

Background imageSupporting Collection: Lamentation over Christ, early 16th century. Artist: Gerard David

Lamentation over Christ, early 16th century. Artist: Gerard David
Lamentation over Christ, early 16th century. The Virgin Mary kisses the head of the dead Christ whose forehead shows the wounds inflicted by the crown of thorns

Background imageSupporting Collection: The Trinity, 14th century. Artist: Robert Campin

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

Background imageSupporting Collection: The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Artist: Raphael

The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Artist: Raphael
The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Jesus takes a pink from the hand of John the Baptist clothed in an animal skin. From the National Gallery, London

Background imageSupporting Collection: World War 2: Free French propaganda poster c1942-1944

World War 2: Free French propaganda poster c1942-1944
World War 2: Free French propaganda poster c1942-44. The poster contains the Cross of Lorraine, the Free French symbol, and shows the French army fighting for France

Background imageSupporting Collection: The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini

The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini
The Dead Christ Supported by Angels, 1465-1470. From the National Gallery, London

Background imageSupporting Collection: The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci

The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci
The Three Maries ( The Dead Christ Mourned ), c1604. The Virgin Mary, lamenting, holds the body of the dead Christ in her lap

Background imageSupporting Collection: Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling

Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling
Altarpiece of the Moreel chantry, 1484. In the centre St Christopher carries the Christ Child across the water. Also depicted are the Benedictine monk St Maurus (left)

Background imageSupporting Collection: Drunken Silenus, 1747. Artist: Carle Vanloo

Drunken Silenus, 1747. Artist: Carle Vanloo
Drunken Silenus, 1747. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked, a bloated lord of the revels

Background imageSupporting Collection: The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Background imageSupporting Collection: Madonna and Child, c1510. Artist: Titian

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Background imageSupporting Collection: The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo

The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo
The Martyrdom of St Agatha, c1756. From the Staatliche Museen, Berlin, Germany

Background imageSupporting Collection: Virgin of Humility, 15th century. Artist: Giovanni di Paolo

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

Background imageSupporting Collection: The Virgin and the Child, 15th century(?)

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

Background imageSupporting Collection: The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Background imageSupporting Collection: Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Background imageSupporting Collection: Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Background imageSupporting Collection: Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn

Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn
Old Man Playing with Child, 1635-1640. From the British Museum, London

Background imageSupporting Collection: David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Background imageSupporting Collection: Ancient Egyptian cosmos, c1025 BC

Ancient Egyptian cosmos, c1025 BC. Nut (heaven), stretches over the Earth, represented by her brother Geb, who lies below her

Background imageSupporting Collection: Image of the Egyptian creative myth from the Papyrus of Anhai

Image of the Egyptian creative myth from the Papyrus of Anhai, showing Shu (the god of air) supporting the boat of Khefri (the scarab-headed god of creation)



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"Supporting the Artistic Narrative: From Hogarth's Beer Street to Pietro Lorenzetti's Madonna and Child" In a world filled with diverse artistic expressions, supporting various forms of creative endeavors becomes paramount. Just like William Hogarth depicted in his iconic painting "Beer Street, " we must acknowledge the power of art to reflect societal issues such as drinking and intemperance. But let us not forget the strokes of genius that emerge from unexpected places, much like an innovative swimming stroke that leaves spectators in awe. Whether it is through a whimsical etching titled "A Man Loaded with Mischief, or Matrimony, " or the towering presence of an electricity pylon symbolizing progress and connectivity, supporting artistic ventures means embracing all forms of expression. From grand celebrations like the "Decorations for the Coronation - Singapore" to intimate moments captured by artists throughout history, such as a pregnant woman immortalized on canvas or chess pieces strategically placed on a board, each artwork tells its own unique story. Even when faced with danger lurking beneath calm waters, just as depicted in "Crocodiles of a Squadron, " we find ourselves drawn into narratives that challenge our perceptions. And what better way to support creativity than by recognizing our place within this vast universe? As seen in portrayals like "The Earth, " we are reminded of our interconnectedness and responsibility towards preserving nature's beauty. Yet amidst these thought-provoking works lies room for lightheartedness too – imagine witnessing a common council beast returning from a turtle feast. Such playful scenes remind us that art can bring joy even during challenging times. Finally, let us not overlook timeless masterpieces such as Pietro Lorenzetti's "Madonna and Child between St Francis and St John the Evangelist. " By supporting these treasured artworks across generations, we ensure their preservation for future audiences to appreciate. Supporting artistic endeavors encompasses more than just the artists themselves.