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Supernatural Collection (page 9)

"Unleash the Supernatural: A Journey into the Mysterious and Enchanting Realm" Step into a world where reality blurs with fantasy

Background imageSupernatural Collection: Death of the Fairy Queen (oil on canvas)

Death of the Fairy Queen (oil on canvas)
fairy, fairy queen, mourning, sadness, woodland, pansies, fairytale, wood, flowers, pre raphaelite, romanticist, supernatural, grieving, bower, death, emotion, geraniums, foliage, sad, emotional

Background imageSupernatural Collection: An accordion levitating during a seance with Eusapia Palladino (1854-1918

An accordion levitating during a seance with Eusapia Palladino (1854-1918
CHT217820 An accordion levitating during a seance with Eusapia Palladino (1854-1918) 15th March 1903, from Phaenomene des Mediumusmus

Background imageSupernatural Collection: Miss Hilda Glyder on Stage, (oil on canvas)

Miss Hilda Glyder on Stage, (oil on canvas)
657884 Miss Hilda Glyder on Stage, (oil on canvas) by Sickert, Walter Richard (1860-1942); Private Collection; (add.info.: Miss Hilda Glyder on Stage. Walter Richard Sickert (1860-1942)

Background imageSupernatural Collection: The Earl of Surrey Beholding the Fayre Geraldine in the Mirror

The Earl of Surrey Beholding the Fayre Geraldine in the Mirror
658821 The Earl of Surrey Beholding the Fayre Geraldine in the Mirror, 1853 (watercolour heightened with white) by Corbould

Background imageSupernatural Collection: Caedmons Awakening, (oil on canvas)

Caedmons Awakening, (oil on canvas)
658484 Caedmons Awakening, (oil on canvas) by Hughes, Arthur (1832-1915); 61x83.2 cm; Private Collection; (add.info.: Caedmons Awakening. Arthur Hughes (1832-1915). Oil on canvas

Background imageSupernatural Collection: Mother and Child; Mere et Enfant, 1922 (oil on canvas)

Mother and Child; Mere et Enfant, 1922 (oil on canvas)
656341 Mother and Child; Mere et Enfant, 1922 (oil on canvas) by Gris, Juan (1887-1927); 92x73 cm; Private Collection; (add.info.: Mother and Child; Mere et Enfant. Juan Gris (1887-1927)

Background imageSupernatural Collection: Mysticher Kopf: Jungling I, c. 1917 (oil on cardboard)

Mysticher Kopf: Jungling I, c. 1917 (oil on cardboard)
656308 Mysticher Kopf: Jungling I, c.1917 (oil on cardboard) by Jawlensky, Alexej von (1864-1941); 40x27.8 cm; Private Collection; (add.info.: Mysticher Kopf: Jungling I)

Background imageSupernatural Collection: The Nymphs in the Garden; Les Nymphes dans un Jardin, (oil on canvas)

The Nymphs in the Garden; Les Nymphes dans un Jardin, (oil on canvas)
653324 The Nymphs in the Garden; Les Nymphes dans un Jardin, (oil on canvas) by Martin, Henri (1860-1943); 63.5x79.4 cm; Private Collection; (add.info)

Background imageSupernatural Collection: The Spirits of the Bells, illustration to The Chimes

The Spirits of the Bells, illustration to The Chimes
DHM139129 The Spirits of the Bells, illustration to The Chimes by Charles Dickens (1812-70) 1845 (colour engraving) by English School, (19th century); Charles Dickens Museum, London

Background imageSupernatural Collection: The Garden of Enchantment - stage set for Parsifal, 1914 (oil on canvas)

The Garden of Enchantment - stage set for Parsifal, 1914 (oil on canvas)
BRA33279 The Garden of Enchantment - stage set for Parsifal, 1914 (oil on canvas) by Mostyn, Thomas Edwin (1864-1930); 178x230 cm; Bradford Art Galleries and Museums, West Yorkshire

Background imageSupernatural Collection: Tales of Wonder - This attempt to describe the effects of the sublime

Tales of Wonder - This attempt to describe the effects of the sublime
STC188386 Tales of Wonder - This attempt to describe the effects of the sublime and wonderful is dedicated to M.G. Lewis Esq, published by McLeary (colour litho) by Seymour

Background imageSupernatural Collection: Black Magic, the month of November for a magic calendar published in Art Nouveau

Black Magic, the month of November for a magic calendar published in Art Nouveau
CHT173753 Black Magic, the month of November for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi, Manuel (1860-1934); Private Collection; eArchives Charmet; Italian

Background imageSupernatural Collection: The White Lady of the River Fecht, illustration from the Legends of Alsace

The White Lady of the River Fecht, illustration from the Legends of Alsace
CHT174656 The White Lady of the River Fecht, illustration from the Legends of Alsace by Georges Spetz, 1905 (colour litho) by Spindler, Charles (1865-1938); Bibliotheque des Arts Decoratifs, Paris

Background imageSupernatural Collection: The Lupeux, illustration for Legendes Rustiques

The Lupeux, illustration for Legendes Rustiques
CHT174651 The Lupeux, illustration for Legendes Rustiques by George Sand (1804-76) 1858 (litho) by Sand, Baron Dudevant Jean Francois Maurice (1823-89); Bibliotheque des Arts Decoratifs, Paris

Background imageSupernatural Collection: Departure for the Sabbath, copy of an illustration from

Departure for the Sabbath, copy of an illustration from
STC202567 Departure for the Sabbath, copy of an illustration from Von den Unholden oder Hexen by Ulrich Molior, Constanz 1489, used in a History of Magic

Background imageSupernatural Collection: Two pages from The Magus, pub. 1801, and a table showing the seven days of

Two pages from The Magus, pub. 1801, and a table showing the seven days of
XTD68845 Two pages from The Magus, pub. 1801, and a table showing the seven days of the week with their governing angels, symbols, astrological signs etc. by Barrett, Francis (fl)

Background imageSupernatural Collection: Tom Tacks Ghost, 1808 (hand-coloured engraving)

Tom Tacks Ghost, 1808 (hand-coloured engraving)
2562186 Tom Tacks Ghost, 1808 (hand-coloured engraving) by Cruikshank, Isaac Robert (1789-1856) & George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSupernatural Collection: Beati Mundo Corde, 1890 (oil on canvas)

Beati Mundo Corde, 1890 (oil on canvas)
6200862 Beati Mundo Corde, 1890 (oil on canvas) by Paton, Joseph Noel (1821-1901); 177.8x245.1 cm; The McManus, Dundee, UK; (add.info)

Background imageSupernatural Collection: Page 35 Three native idols, 1768-75 (w / c)

Page 35 Three native idols, 1768-75 (w / c)
5670300 Page 35 Three native idols, 1768-75 (w/c) by Hodges, William (1744-97); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

Background imageSupernatural Collection: Heinrich Cornelius Agrippa, from 'True Portraits

Heinrich Cornelius Agrippa, from "True Portraits
5668950 Heinrich Cornelius Agrippa, from A" True PortraitsA...A" by AndreThevet, published in 1584 (engraving) by Thevet

Background imageSupernatural Collection: A Mermaid, 1900 (oil on canvas)

A Mermaid, 1900 (oil on canvas)
5051363 A Mermaid, 1900 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x66.6 cm; Royal Academy of Arts, London, UK; English, out of copyright

Background imageSupernatural Collection: The Alchemist (oil on panel)

The Alchemist (oil on panel)
1767295 The Alchemist (oil on panel) by Breakspeare, William A. (1855-1914); 23.7x32.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSupernatural Collection: A selection of Frankfurt blue and white ceramics in a Chinese style

A selection of Frankfurt blue and white ceramics in a Chinese style
1766870 A selection of Frankfurt blue and white ceramics in a Chinese style, including two Frankfurt blue and white spirit-flasks, a pair of Frankfurt octagonal Yan Yan vases

Background imageSupernatural Collection: The Magic Circle (oil on canvas)

The Magic Circle (oil on canvas)
1766749 The Magic Circle (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: The Magic Circle. John William Waterhouse (1849-1917)

Background imageSupernatural Collection: A set of sixteen tiles arranged in pairs to form eight illustrations of the

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217589 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.8 cm; Ashmolean Museum

Background imageSupernatural Collection: Plaque depicting winged creatures, Nimrud, Mesopotamia, 8th-7th century BC (ivory)

Plaque depicting winged creatures, Nimrud, Mesopotamia, 8th-7th century BC (ivory)
3288498 Plaque depicting winged creatures, Nimrud, Mesopotamia, 8th-7th century BC (ivory) by Assyrian School; Photo eZev Radovan; out of copyright

Background imageSupernatural Collection: Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam

Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam
3281669 Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam by Kamal Al-Din Abu Salim Muhammad Bin Talha Al-Qurashi Al- Adawi Al-Rasibi Al-Halabi (d.1254)

Background imageSupernatural Collection: Fairies in a Birds Nest, c. 1860 (oil on canvas)

Fairies in a Birds Nest, c. 1860 (oil on canvas)
824176 Fairies in a Birds Nest, c.1860 (oil on canvas) by Fitzgerald, John Anster (1832-1906); 25x30.5 cm; Private Collection; (add.info.: Fairies in a Birds Nest. John Anster Fitzgerald (1832-1906)

Background imageSupernatural Collection: Study for Paradis Perdu, (oil on canvas)

Study for Paradis Perdu, (oil on canvas)
989910 Study for Paradis Perdu, (oil on canvas) by Cabanel, Alexandre (1823-89); 61x45.7 cm; Private Collection; (add.info.: Study for Paradis Perdu. Alexandre Cabanel (1824-1889). Oil on canvas

Background imageSupernatural Collection: The Hampton Court Palace Ghost (b / w photo)

The Hampton Court Palace Ghost (b / w photo)
3095211 The Hampton Court Palace Ghost (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Hampton Court Palace Ghost)

Background imageSupernatural Collection: Haida double thunderbird (colour litho)

Haida double thunderbird (colour litho)
980713 Haida double thunderbird (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Haida double thunderbird)

Background imageSupernatural Collection: Returning Thanks to the Great Spirit (engraving)

Returning Thanks to the Great Spirit (engraving)
980411 Returning Thanks to the Great Spirit (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Returning Thanks to the Great Spirit)

Background imageSupernatural Collection: The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias

The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias
827750 The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias, (oil on panel) by Palmezzano, Marco (1458-1539); 258.4x182.2 cm; Private Collection; (add.info)

Background imageSupernatural Collection: Valkyrie, 1865 (oil on canvas)

Valkyrie, 1865 (oil on canvas)
3086713 Valkyrie, 1865 (oil on canvas) by Arbo, Peter Nicolai (1831-92); 263x203 cm; National Museum, Stockholm, Sweden; (add.info)

Background imageSupernatural Collection: The Exalted Emperors and The Gods of the Five Directions

The Exalted Emperors and The Gods of the Five Directions
882162 The Exalted Emperors and The Gods of the Five Directions, from a Buddhist land and water ritual set (ink, colours & gold on silk) by Chinese School (16th century)

Background imageSupernatural Collection: The Buddhist Guardian Mahabala, from a Buddhist Land and Water Ritual Set (ink

The Buddhist Guardian Mahabala, from a Buddhist Land and Water Ritual Set (ink
882160 The Buddhist Guardian Mahabala, from a Buddhist Land and Water Ritual Set (ink, colours & gold on silk) by Chinese School (16th century); Minneapolis Institute of Arts, MN

Background imageSupernatural Collection: The Chimera, 1866 (oil on panel)

The Chimera, 1866 (oil on panel)
3432959 The Chimera, 1866 (oil on panel) by Moreau, Gustave (1826-98); 33x26.6 cm; Private Collection; (add.info.: La ChimAre); Photo eChristies Images; French, out of copyright

Background imageSupernatural Collection: The Vampire Seduces Jenny, illustration from The Vampyre

The Vampire Seduces Jenny, illustration from The Vampyre
GIA3515864 The Vampire Seduces Jenny, illustration from The Vampyre by John William Polidori (engraving) by Italian School, (19th century); Private Collection; eGiancarlo Costa; Italian

Background imageSupernatural Collection: The Assumption of the Virgin, c. 1630-1635 (oil on canvas)

The Assumption of the Virgin, c. 1630-1635 (oil on canvas)
3576772 The Assumption of the Virgin, c.1630-1635 (oil on canvas) by Stanzione, Massimo (1585-1656); 275.6x189.5 cm; North Carolina Museum of Art, Raleigh, USA; (add.info.:); Gift of the Sameul H

Background imageSupernatural Collection: Saint Peter Martyr Exorcising a Woman Possessed by a Devil, 1440-50 (tempera on panel)

Saint Peter Martyr Exorcising a Woman Possessed by a Devil, 1440-50 (tempera on panel)
2970802 Saint Peter Martyr Exorcising a Woman Possessed by a Devil, 1440-50 (tempera on panel) by Vivarini, Antonio (c.1415-1476/84); 51.3x33.7 cm; The Art Institute of Chicago, IL, USA; George F

Background imageSupernatural Collection: A Witches Sabbath, c. 1650 (oil on panel)

A Witches Sabbath, c. 1650 (oil on panel)
2970573 A Witches Sabbath, c.1650 (oil on panel) by Saftleven, Cornelis (1607-81); 54.3x78.2 cm; The Art Institute of Chicago, IL, USA; George F. Porter Collection; Dutch, out of copyright

Background imageSupernatural Collection: Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint)

Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint)
3112272 Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageSupernatural Collection: A Nightmare, (oil on canvas)

A Nightmare, (oil on canvas)
652162 A Nightmare, (oil on canvas) by Holst, Theodor M. von (1810-44); 151.7x91.5 cm; Private Collection; (add.info.: A Nightmare. Theodor M. von Holst (1810-1844). Oil on canvas

Background imageSupernatural Collection: Elves in a Wood, 1908 (pen & ink with w / c on paper)

Elves in a Wood, 1908 (pen & ink with w / c on paper)
615703 Elves in a Wood, 1908 (pen & ink with w/c on paper) by Rackham, Arthur (1867-1939); 16x16 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSupernatural Collection: Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas)

Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas)
656579 Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas) by Gris, Juan (1887-1927); 33x41 cm; Private Collection; (add.info.: Book and Fruit Bowl; Livre et Compotier)

Background imageSupernatural Collection: Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes

Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
659746 Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley



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"Unleash the Supernatural: A Journey into the Mysterious and Enchanting Realm" Step into a world where reality blurs with fantasy, as depicted in The Wicker Man (1973) UK Quad Artwork. This captivating artwork invites you to explore the depths of your imagination. Beware the Black Cat, perched upon pumpkins and a broomstick, symbolizing its association with witchcraft and Halloween. Its piercing eyes seem to hold secrets from another realm. Chanctonbury Ring in West Sussex, England stands as an ancient site shrouded in supernatural tales. Whispers of spirits linger among its mystical landscape, waiting to be discovered by those brave enough to venture forth. The haunting howls of wolves under a moonlit sky evoke both fear and fascination. Their eerie calls echo through the night, reminding us of their connection to folklore and legends that have captivated humanity for centuries. In 1966, The Queen's House Ghost made its ethereal presence known on the Tulip Staircase. This chilling apparition continues to intrigue believers and skeptics alike, leaving behind an air of mystery that lingers within these walls. John Dee and Edward Kelly dared to summon the dead in their quest for forbidden knowledge. Their story is etched within a History of Magic—a testament to mankind's eternal fascination with unlocking supernatural powers beyond our comprehension. Deathly Diners beckon you into their macabre feast—an invitation reserved only for those willing to confront mortality head-on. These spectral figures remind us that life's fragility is intertwined with otherworldly forces we may never fully understand. A lone wolf raises its voice against a full moon at night—a mesmerizing sight that evokes primal instincts buried deep within our souls. It serves as a reminder that nature holds untamed magic just beyond our grasp. An elegant European Silver Spotted Tabby Cat lies gracefully on a branch—its regal presence hinting at a connection to ancient beliefs and superstitions.