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Stucco Collection (page 6)

Stucco, a versatile and timeless art form, has been an integral part of various cultures throughout history

Background imageStucco Collection: Napoleon (1769-1821) and his wife Josephine (1763-1814) Preparing the Coronation

Napoleon (1769-1821) and his wife Josephine (1763-1814) Preparing the Coronation
CHT173592 Napoleon (1769-1821) and his wife Josephine (1763-1814) Preparing the Coronation, illustration from Bonaparte by G

Background imageStucco Collection: Doorway to the Raphael Loggia at the Vatican, from

Doorway to the Raphael Loggia at the Vatican, from
STC176454 Doorway to the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: Panel from the Raphael Loggia at the Vatican, from

Panel from the Raphael Loggia at the Vatican, from
STC176450 Panel from the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: Doorway to the Raphael Loggia at the Vatican, from

Doorway to the Raphael Loggia at the Vatican, from
STC176449 Doorway to the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: Page from the album Documents pour l histoire du vieux Paris, c

Page from the album Documents pour l histoire du vieux Paris, c
622597 Page from the album Documents pour l histoire du vieux Paris, c.1910 (albumen print) (see also 622596-600) by Atget

Background imageStucco Collection: Holkham II. 13, folio from Album Ashby II (w / c on paper)

Holkham II. 13, folio from Album Ashby II (w / c on paper)
5673787 Holkham II. 13, folio from Album Ashby II (w/c on paper) by Bartoli, Francesco (1675-1730); 26.3x17.2 cm; By kind permission of the Earl of Leicester

Background imageStucco Collection: A Norman Shaw house in Hampstead (b / w photo)

A Norman Shaw house in Hampstead (b / w photo)
STC439614 A Norman Shaw house in Hampstead (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageStucco Collection: Row of Houses on the Calle Riello, Venice (b / w photo)

Row of Houses on the Calle Riello, Venice (b / w photo)
FTB134169 Row of Houses on the Calle Riello, Venice (b/w photo) by Italian Photographer; Venice, Italy; Italian, out of copyright

Background imageStucco Collection: Pedestal table, 1804-14 (gilded wood)

Pedestal table, 1804-14 (gilded wood)
MMT157990 Pedestal table, 1804-14 (gilded wood) by Italian School, (19th century); diam: 66 cm; Musee Marmottan Monet, Paris, France; Italian, out of copyright

Background imageStucco Collection: Street Merchant in Istanbul, 1883 (oil on canvas)

Street Merchant in Istanbul, 1883 (oil on canvas)
CHT179321 Street Merchant in Istanbul, 1883 (oil on canvas) by Berteaux, Hippolyte (1843-1928); Private Collection; (add.info.: vendeur de rue a Istamboul; ); eArchives Charmet; French

Background imageStucco Collection: Panel from the Raphael Loggia at the Vatican, from

Panel from the Raphael Loggia at the Vatican, from
STC176459 Panel from the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: Panel from the Raphael Loggia at the Vatican, from

Panel from the Raphael Loggia at the Vatican, from
STC176458 Panel from the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: An Angel Saving a Falling Craftsman from Collapsing Scaffolding

An Angel Saving a Falling Craftsman from Collapsing Scaffolding
FTB95843 An Angel Saving a Falling Craftsman from Collapsing Scaffolding, from the Sala Capitolare (Hall of Surrender) c.1749 (fresco) by Tiepolo

Background imageStucco Collection: Danae, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco)

Danae, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco)
PWI105677 Danae, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco) by Rosso Fiorentino, Giovanni Battista (1494-1540); Chateau de Fontainebleau, Seine-et-Marne

Background imageStucco Collection: Charity (plaster)

Charity (plaster)
ALI280889 Charity (plaster) by Serpotta, Giacomo (1656-1732); Oratorio di San Lorenzo, Palermo, Sicily, Italy; Alinari

Background imageStucco Collection: Adoration of the Maji (plaster)

Adoration of the Maji (plaster)
ALI280882 Adoration of the Maji (plaster) by Serpotta, Giacomo (1656-1732); Santo Spirito, Agrigento, Italy; Alinari

Background imageStucco Collection: Antique painted capitals and stucco cornices

Antique painted capitals and stucco cornices from Herculaneum and Pompeii. Handcoloured lithograph by Cordes after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras

Background imageStucco Collection: Antique painted stucco cornices from buildings in Pompeii

Antique painted stucco cornices from buildings in Pompeii. Handcoloured lithograph by Dettmers after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras

Background imageStucco Collection: Stuccoes from the House of the Priestess of Isis; from the gardens of the Villa Farnesina (stucco)

Stuccoes from the House of the Priestess of Isis; from the gardens of the Villa Farnesina (stucco) (b / w photo)
ALI242795 Stuccoes from the House of the Priestess of Isis; from the gardens of the Villa Farnesina (stucco) (b/w photo) by Roman, (1st century AD); Museo Nazionale Romano, Rome

Background imageStucco Collection: Stucco design with Bacchantes from the House

Stucco design with Bacchantes from the House of Epigrams, Reg. V, Ins. 1, No. 18. The mural perished soon after its discovery in 1875

Background imageStucco Collection: Detail of a panel from the Yellow Room, Hotel des Stuart d Aubigny (wood)

Detail of a panel from the Yellow Room, Hotel des Stuart d Aubigny (wood)
XIR182932 Detail of a panel from the Yellow Room, Hotel des Stuart d Aubigny (wood) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French

Background imageStucco Collection: Headfort House, Eating Parlor, Chimney Piece, 1775 (w / c, pen & ink on paper)

Headfort House, Eating Parlor, Chimney Piece, 1775 (w / c, pen & ink on paper)
XYC277116 Headfort House, Eating Parlor, Chimney Piece, 1775 (w/c, pen & ink on paper) by Adam, Robert (1728-92); 45.6x62.4 cm; Yale Center for British Art, Gift of Paul Mellon

Background imageStucco Collection: The ballroom at the Hotel Savoy, c. 1895-96 (silver gelatin print)

The ballroom at the Hotel Savoy, c. 1895-96 (silver gelatin print)
MNY380755 The ballroom at the Hotel Savoy, c.1895-96 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York, USA; (add.info.: Hotel Savoy)

Background imageStucco Collection: Vestibule, after 1829 (pen & ink and w / c on paper)

Vestibule, after 1829 (pen & ink and w / c on paper)
XPH309217 Vestibule, after 1829 (pen & ink and w/c on paper) by German School, (19th century); Private Collection; (add.info.: Vestibuel; depicts a room in the Charlottenhof Palace, Potsdam, Germany)

Background imageStucco Collection: Old House in Lewins Mead (pencil & w / c on paper)

Old House in Lewins Mead (pencil & w / c on paper)
2832292 Old House in Lewins Mead (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageStucco Collection: Specimens of Tufa found in and around Herculaneum, Plate XXXXV

Specimens of Tufa found in and around Herculaneum, Plate XXXXV
1275123 Specimens of Tufa found in and around Herculaneum, Plate XXXXV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imageStucco Collection: One of the Principal Rooms of Seamore Place, illustration from

One of the Principal Rooms of Seamore Place, illustration from
696655 One of the Principal Rooms of Seamore Place, illustration from A Description of the Works of Art forming the Collection of Alfred de Rothschild by Charles Davis

Background imageStucco Collection: Adoration of the Maji (plaster)

Adoration of the Maji (plaster)
ALI280883 Adoration of the Maji (plaster) by Serpotta, Giacomo (1656-1732); Santo Spirito, Agrigento, Italy; Alinari

Background imageStucco Collection: The music room of the Louis XVI Suite at the Hotel St. Regis, 1937 (silver gelatin print)

The music room of the Louis XVI Suite at the Hotel St. Regis, 1937 (silver gelatin print)
MNY380754 The music room of the Louis XVI Suite at the Hotel St. Regis, 1937 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York

Background imageStucco Collection: The restaurant at Murrays Hotel, detail, c. 1908 (silver gelatin print)

The restaurant at Murrays Hotel, detail, c. 1908 (silver gelatin print)
MNY380688 The restaurant at Murrays Hotel, detail, c.1908 (silver gelatin print) by Byron Company (fl.1890-1942); 20.3x25.4 cm; Museum of the City of New York, USA; (add.info.: Murrays Hotel)

Background imageStucco Collection: Juno in her chariot attended by two peacocks, Ceiling of the Elizabeth Saloon (fresco)

Juno in her chariot attended by two peacocks, Ceiling of the Elizabeth Saloon (fresco)
465905 Juno in her chariot attended by two peacocks, Ceiling of the Elizabeth Saloon (fresco) by Wyatt, Matthew Cotes (1777-1862); Belvoir Castle, Leicestershire, UK; British, out of copyright

Background imageStucco Collection: St Martins in the Fields, from Ackermanns Microcosm of London

St Martins in the Fields, from Ackermanns Microcosm of London
STC170337 St Martins in the Fields, from Ackermanns Microcosm of London, engraved by Joseph Constantine Stadler (fl.1780-1812), 1809 (aquatint) by Rowlandson, T. (1756-1827) & Pugin, A.C

Background imageStucco Collection: Panel from the Raphael Loggia at the Vatican, from

Panel from the Raphael Loggia at the Vatican, from
STC176460 Panel from the Raphael Loggia at the Vatican, from Delle Loggie di Rafaele nel Vaticano, engraved by Giovanni Ottaviani (c.1735-1808)

Background imageStucco Collection: Ballroom at the Coplay Plaza hotel, Boston, 1912 or 1913 (silver gelatin print)

Ballroom at the Coplay Plaza hotel, Boston, 1912 or 1913 (silver gelatin print)
MNY380624 Ballroom at the Coplay Plaza hotel, Boston, 1912 or 1913 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York

Background imageStucco Collection: Headfort House. Staricase, side section, 1775 (pen & ink and w / c wash on paper)

Headfort House. Staricase, side section, 1775 (pen & ink and w / c wash on paper)
XYC156351 Headfort House. Staricase, side section, 1775 (pen & ink and w/c wash on paper) by Adam, Robert (1728-92); 53.8x37 cm; Yale Center for British Art, Paul Mellon Collection

Background imageStucco Collection: Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper)

Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper)
5926043 Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper) by Kent, William (1684-1748); 23.1x18.1 cm; eThe Devonshire Collections

Background imageStucco Collection: Sweet Briar, c. 1808 (watercolour and graphite on wove paper)

Sweet Briar, c. 1808 (watercolour and graphite on wove paper)
3526203 Sweet Briar, c.1808 (watercolour and graphite on wove paper) by Birch, William Russell (1755-1834); 17.15x25.08 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Background imageStucco Collection: Resurrection of Drusiana, 1435-43 (polychrome stucco)

Resurrection of Drusiana, 1435-43 (polychrome stucco)
3508279 Resurrection of Drusiana, 1435-43 (polychrome stucco) by Donatello, (c.1386-1466); Old Sacristy, San Lorenzo, Florence, Italy; (add.info.: Italia, Toscana, Firenze, Basilica di San Lorenzo)

Background imageStucco Collection: An old Tudor house standing on Little Tower Hill, London

An old Tudor house standing on Little Tower Hill, London
6340366 An old Tudor house standing on Little Tower Hill, London by Smith, John Thomas (1766-1833); (add.info.: An old Tudor house standing on Little Tower Hill, London)

Background imageStucco Collection: View of the central vestibule, built 1642-51 (photo)

View of the central vestibule, built 1642-51 (photo)
XIR236843 View of the central vestibule, built 1642-51 (photo) by Mansart, Francois (1598-1666); Chateau Maisons-Laffitte, St. Germain-en-Laye, Paris, France; French, out of copyright

Background imageStucco Collection: Two putti (plaster)

Two putti (plaster)
ALI280888 Two putti (plaster) by Serpotta, Giacomo (1656-1732); Conservata nell Ontario del Rosario, Palermo, Sicily; Alinari

Background imageStucco Collection: Innocence (plaster)

Innocence (plaster)
ALI280886 Innocence (plaster) by Serpotta, Giacomo (1656-1732); Galleria Regionale della Sicilia, Palermo, Italy; Alinari

Background imageStucco Collection: Presentation at the Temple (plaster)

Presentation at the Temple (plaster)
ALI280884 Presentation at the Temple (plaster) by Serpotta, Giacomo (1656-1732); Santo Spirito, Agrigento, Italy; Alinari

Background imageStucco Collection: Interior view of the Kasbah of Thamiel glaoui (photo)

Interior view of the Kasbah of Thamiel glaoui (photo)
GDG287841 Interior view of the Kasbah of Thamiel glaoui (photo) by Moroccan School; Kasbah of El Glaoui, Telouet, Morocco; (add.info.: residence of the pasha of Marrakech)

Background imageStucco Collection: Madrasa Bou Inamia, courtyard (photo)

Madrasa Bou Inamia, courtyard (photo)
GDG287835 Madrasa Bou Inamia, courtyard (photo) by Moroccan School; Madrasa Bou Inamia, Meknes, Morocco; (add.info.: madresa; built by Sultan Abou Inan during the 14th century;)

Background imageStucco Collection: Page from The Architect s, Surveyors and Engineers Compendium 1892 (engraving)

Page from The Architect s, Surveyors and Engineers Compendium 1892 (engraving)
3092735 Page from The Architect s, Surveyors and Engineers Compendium 1892 (engraving) by English School, (19th century); Private Collection; (add.info.: Page from The Architect s)



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Stucco, a versatile and timeless art form, has been an integral part of various cultures throughout history. From the captivating Egyptian art featuring the iconic Nefertiti bust to the vibrant Minoan fresco depicting boxing kids in ancient Greece, it has left its mark on numerous masterpieces. In Egypt, stucco was used alongside limestone to create intricate sculptures and reliefs that adorned temples and tombs. The Neues Museum proudly displays the stunning Nefertiti bust, showcasing the skillful craftsmanship achieved through combining stucco with other materials. Moving westward to Greece, we find ourselves captivated by a 16th-century B. C. Minoan fresco portraying energetic children engaged in boxing. The use as a medium allowed for lifelike details and vibrant colors that have stood the test of time. Traveling further into Europe, we encounter Kellie Castle's South Room bathed in sunlight captured beautifully by oil on canvas artwork from c. 1913. Stucco walls enhance this picturesque scene while adding texture and depth to the room's ambiance. Italy's charming town of Asolo showcases nature intertwining with architectural beauty as flowers gracefully grow around windows embellished with stucco decorations. This harmonious blend exemplifies how they are seamlessly merge man-made structures with natural elements. The Chiesa di Stella Maris in Porto Cervo stands as a testament to Michele Busiri Vici's talent in using stucco to create intricate designs within religious architecture. Its grandeur is enhanced by delicate details etched onto its surface. Not limited solely to visual arts, even literature finds expression through stucco work like Koranic phrases delicately carved into walls—a testament to Islamic culture's rich artistic heritage. From Asia comes another example of exquisite craftsmanship—the hand of a seated Buddha statue made entirely from stucco material—showcasing the versatility of this art form across different continents.