Fraud Blocker Skip to main content

Stuart Era Collection

The Stuart Era, spanning from the early 17th to the late 18th century, was a fascinating period in English history characterized by political turmoil

Background imageStuart Era Collection: Two cavaliers (w / c on paper)

Two cavaliers (w / c on paper)
WAG421371 Two cavaliers (w/c on paper) by Beavis, Richard (1824-96); Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Background imageStuart Era Collection: Anne Killigrew, (oil on canvas)

Anne Killigrew, (oil on canvas)
HEH416452 Anne Killigrew, (oil on canvas) by Dyck, Anthony van (1599-1641); 222.3x130.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageStuart Era Collection: Lady Essex Finch, later Countess of Nottingham, c. 1675 (oil on canvas)

Lady Essex Finch, later Countess of Nottingham, c. 1675 (oil on canvas)
HEH416392 Lady Essex Finch, later Countess of Nottingham, c.1675 (oil on canvas) by Lely, Peter (1618-80); 116.8x96.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageStuart Era Collection: Sir William Robinson, Knt. 1693 (oil on canvas)

Sir William Robinson, Knt. 1693 (oil on canvas)
HEH416371 Sir William Robinson, Knt. 1693 (oil on canvas) by Kneller, Godfrey (1646-1723); 127x102.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageStuart Era Collection: A cavalier in a darkened interior, a bird on his sword, 1843 (oil on canvas)

A cavalier in a darkened interior, a bird on his sword, 1843 (oil on canvas)
2561288 A cavalier in a darkened interior, a bird on his sword, 1843 (oil on canvas) by Collingwood, William (1819-1903); 61x81.9 cm; Private Collection; Photo eChristies Images; English

Background imageStuart Era Collection: Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile)

Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile)
6336186 Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 328x498 cm; eThe Devonshire Collections

Background imageStuart Era Collection: Portrait of Mary Ruthven, engraved by William Faithorne (engraving)

Portrait of Mary Ruthven, engraved by William Faithorne (engraving)
2636037 Portrait of Mary Ruthven, engraved by William Faithorne (engraving) by Dyck, Anthony van (1599-1641) (after); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Faithorne)

Background imageStuart Era Collection: Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble)

Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble)
1217862 Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble) by Dieussart, Francois (1600-61); Ashmolean Museum, University of Oxford

Background imageStuart Era Collection: Two historical figures of gentlemen, c. 1810 (pearlware)

Two historical figures of gentlemen, c. 1810 (pearlware)
490426 Two historical figures of gentlemen, c.1810 (pearlware) by English School, (19th century); height: 57 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageStuart Era Collection: Portrait of Barbara Villiers (oil on canvas)

Portrait of Barbara Villiers (oil on canvas)
AGN358251 Portrait of Barbara Villiers (oil on canvas) by Lely, Peter (1618-80); Private Collection; (add.info.: Barbara Palmer, nee Villiers (1640-1709); First Duchess of Cleveland

Background imageStuart Era Collection: Prince Rupert at the Battle of Naseby I (w / c on paper)

Prince Rupert at the Battle of Naseby I (w / c on paper)
WAG421388 Prince Rupert at the Battle of Naseby I (w/c on paper) by Cattermole, George (1800-68); Wolverhampton Art Gallery, West Midlands

Background imageStuart Era Collection: Title Page for Dekker his Dreame by Thomas Dekker, published 1620 (engraving)

Title Page for Dekker his Dreame by Thomas Dekker, published 1620 (engraving)
XJF439982 Title Page for Dekker his Dreame by Thomas Dekker, published 1620 (engraving) by English School, (17th century); Private Collection; (add.info)

Background imageStuart Era Collection: Sir William Sanderson, 1658 (engraving)

Sir William Sanderson, 1658 (engraving)
2636039 Sir William Sanderson, 1658 (engraving) by Faithorne, William (1616-91); 25.1x17.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageStuart Era Collection: Unknown woman, c. 1639 (oil on canvas)

Unknown woman, c. 1639 (oil on canvas)
HEH416435 Unknown woman, c.1639 (oil on canvas) by Dyck, Anthony van (1599-1641); 73.7x58.4 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageStuart Era Collection: Isabel and Thomas Crathorne, 1767 (oil on canvas)

Isabel and Thomas Crathorne, 1767 (oil on canvas)
HEH416415 Isabel and Thomas Crathorne, 1767 (oil on canvas) by Cotes, Francis (1726-70); 133.4x151.1 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageStuart Era Collection: Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares

Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares
HEH416340 Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares: The Young Fortune Tellers, c.1774-75 (oil on canvas) by Reynolds, Joshua (1723-92); 142.9x113.7 cm; Huntington Library

Background imageStuart Era Collection: Henricus Aldrich, engraved by John Smith (1652-1743), 1696 (mezzotint)

Henricus Aldrich, engraved by John Smith (1652-1743), 1696 (mezzotint)
DEC418559 Henricus Aldrich, engraved by John Smith (1652-1743), 1696 (mezzotint) by Kneller, Godfrey (1646-1723) (after); 39.3x27.6 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageStuart Era Collection: Kings Lynn, 1687 (marble)

Kings Lynn, 1687 (marble)
LLW402846 Kings Lynn, 1687 (marble) by English School, (17th century); Barbados Museum, Bridgetown, Barbados; (add.info.: Lyn Regis; ); Photo: eLucinda Lambton; English, out of copyright

Background imageStuart Era Collection: Sir Dudley Carleton, 1628 (oil on panel)

Sir Dudley Carleton, 1628 (oil on panel)
1217931 Sir Dudley Carleton, 1628 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641); 64.5x53.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Background imageStuart Era Collection: Charles I and the Knights of the Garter in Procession, 1638

Charles I and the Knights of the Garter in Procession, 1638
1217916 Charles I and the Knights of the Garter in Procession, 1638 (oil over silverpoint on panel) by Dyck, Anthony van (1599-1641); 29.2x130.8 cm; Ashmolean Museum, University of Oxford

Background imageStuart Era Collection: Portrait of Lady Bowyer, 1636 (oil on canvas)

Portrait of Lady Bowyer, 1636 (oil on canvas)
491566 Portrait of Lady Bowyer, 1636 (oil on canvas) by Johnson, Cornelius I (1593-1661); 78.8x64.8 cm; Private Collection; (add.info)

Background imageStuart Era Collection: Portrait of a nobleman, traditionally identified as Philip I, King of Castile, c

Portrait of a nobleman, traditionally identified as Philip I, King of Castile, c
2641314 Portrait of a nobleman, traditionally identified as Philip I, King of Castile, c.1630 (oil on panel) by French School

Background imageStuart Era Collection: Portrait of Charles I, 1658 (engraving)

Portrait of Charles I, 1658 (engraving)
2636038 Portrait of Charles I, 1658 (engraving) by Faithorne, William (1616-91); 37.3x28.3 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: King Charles I Carolus Primus D.G)


All Professionally Made to Order for Quick Shipping

The Stuart Era, spanning from the early 17th to the late 18th century, was a fascinating period in English history characterized by political turmoil, artistic innovation, and cultural transformation. This captivating era is beautifully captured through various artworks and historical artifacts. One such artwork is "Two Cavaliers, " a stunning piece depicted on paper that showcases the elegance and grandeur of two gallant gentlemen during this time. Their cavalier attire exudes sophistication and reflects the fashion trends of the Stuart Era. Anne Killigrew's oil painting presents us with a mesmerizing portrait that captures her subject's beauty and grace. The intricate details in this masterpiece allow us to appreciate Killigrew's talent as an artist while providing insight into the societal ideals of female beauty during this period. Lady Essex Finch, later known as Countess of Nottingham, is immortalized in another oil painting from around 1675. The canvas portrays her regal presence and noble stature, emphasizing her importance within aristocratic circles during the Stuart Era. Sir William Robinson's oil painting from 1693 offers a glimpse into his distinguished life as a knight. His commanding pose conveys authority while showcasing his opulent clothing and accessories that were emblematic of high-ranking individuals at that time. In contrast to these lavish portraits, we encounter an intriguing scene featuring a cavalier in a darkened interior with a bird perched on his sword. Painted in 1843 on canvas, it evokes curiosity about its symbolic meaning or narrative context within the broader historical landscape. Moving beyond paintings, we explore Christs Charge to St. Peter—a textile created between 1635-39 at Mortlake workshop—depicting biblical scenes with remarkable craftsmanship. This exquisite piece exemplifies how artistry extended beyond traditional mediums during this era. Engravings also played an essential role in capturing significant figures like Mary Ruthven through William Faithorne's skilled handiwork.