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Stigmata Collection (page 4)

"Exploring the Mystical Phenomenon of Stigmata: From Padre Pio to St

Background imageStigmata Collection: Christ as the Man of Sorrows, ca. 1522-25. Creator: Frans Crabbe van Espleghem

Christ as the Man of Sorrows, ca. 1522-25. Creator: Frans Crabbe van Espleghem
Christ as the Man of Sorrows, ca. 1522-25

Background imageStigmata Collection: Saint Francois - Saint Francis receiving the Stigmata par Gentile da Fabriano

Saint Francois - Saint Francis receiving the Stigmata par Gentile da Fabriano
FIA5404773 Saint Francois - Saint Francis receiving the Stigmata par Gentile da Fabriano (ca 1370-1427). Tempera on panel, size : 87x64, c.1420, Fondazione Magnani Rocca

Background imageStigmata Collection: Saint Francis Receiving the Stigmata, late 15th century (oil on gold ground panel)

Saint Francis Receiving the Stigmata, late 15th century (oil on gold ground panel)
1562552 Saint Francis Receiving the Stigmata, late 15th century (oil on gold ground panel) by Valencian School, (15th century); 88.9x55.8 cm; Private Collection; Photo eChristies Images; Spanish

Background imageStigmata Collection: Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest

Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest
990126 Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest (tempera on panel) by Master of the Pavia Deposition (fl.1510)

Background imageStigmata Collection: Redeemer, c. 1535 (marble)

Redeemer, c. 1535 (marble)
3702627 Redeemer, c.1535 (marble) by Fantoni, Giacomo (fl.c.1530-d.c.1543); Franchetti Gallery, Ca D Oro, Venice, Veneto, Italy; eMark Edward Smith; Italian, out of copyright

Background imageStigmata Collection: Pieta, 1476 (tempera on wood, gold ground)

Pieta, 1476 (tempera on wood, gold ground)
3618003 PietA, 1476 (tempera on wood, gold ground) by Crivelli, Carlo (c.1430/35-1495); 71.1 x 63.8 cm; Metropolitan Museum of Art, New York

Background imageStigmata Collection: The Incredulity and Confession of Thomas (engraving)

The Incredulity and Confession of Thomas (engraving)
5200646 The Incredulity and Confession of Thomas (engraving) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info.: The Incredulity and Confession of Thomas)

Background imageStigmata Collection: Jesus Christ, raised from the Dead (colour litho)

Jesus Christ, raised from the Dead (colour litho)
5198471 Jesus Christ, raised from the Dead (colour litho) by English School, (19th century); Private Collection; (add.info.: Jesus Christ, raised from the Dead)

Background imageStigmata Collection: Madonna and Child Enthroned with Angels and St Francis of Assisi (fresco)

Madonna and Child Enthroned with Angels and St Francis of Assisi (fresco)
704393 Madonna and Child Enthroned with Angels and St Francis of Assisi (fresco) by Cimabue, Giovanni (1240-1302); San Francesco, Assisi, Italy; (add.info.: Francis of Assisi (1181/2-1226)

Background imageStigmata Collection: St Francis of Assisi (fresco)

St Francis of Assisi (fresco)
704392 St Francis of Assisi (fresco) by Cimabue, Giovanni (1240-1302); San Francesco, Assisi, Italy; (add.info.: Francis of Assisi (1181/2-1226)

Background imageStigmata Collection: The Incredulity of St. Thomas, 1572 (oil on panel)

The Incredulity of St. Thomas, 1572 (oil on panel)
ALI380331 The Incredulity of St. Thomas, 1572 (oil on panel) by Vasari, Giorgio (1511-74); Santa Croce, Florence, Italy; Alinari

Background imageStigmata Collection: Saint Francis with an angel (fresco) (detail of 440729)

Saint Francis with an angel (fresco) (detail of 440729)
741489 Saint Francis with an angel (fresco) (detail of 440729) by Cimabue (Cenni di Pepo) (c.1240-c.1301); San Francesco, Lower Church, Assisi, Italy; Italian, out of copyright

Background imageStigmata Collection: Saint Francis, 1318 (fresco)

Saint Francis, 1318 (fresco)
741495 Saint Francis, 1318 (fresco) by Martini, Simone (1284-1344); 120 x 152 cm; Chapel of St Martin, San Francesco, Lower Church, Assisi, Italy; Italian, out of copyright

Background imageStigmata Collection: The Holy Shroud of Besancon, 1634 (engraving in black and yellowish brown

The Holy Shroud of Besancon, 1634 (engraving in black and yellowish brown
2968364 The Holy Shroud of BesanAzon, 1634 (engraving in black and yellowish brown, with hand additions in red gouache on cream, silk satin weave, folded) by Loisy

Background imageStigmata Collection: Madonna and Child with Saints (oil on panel)

Madonna and Child with Saints (oil on panel)
BAT274613 Madonna and Child with Saints (oil on panel) by Garbo, Raffaellino del (c.1466-1524); Cenacolo di S. Salvi, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageStigmata Collection: The Dead Christ, c. 1432 (pen & ink with wash on paper)

The Dead Christ, c. 1432 (pen & ink with wash on paper)
FIT282804 The Dead Christ, c.1432 (pen & ink with wash on paper) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 35.5x27.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageStigmata Collection: Dead Christ supported by two angels

Dead Christ supported by two angels
AII80448 Dead Christ supported by two angels by Santi or Sanzio, Giovanni (c.1435-94); Palazzo Ducale, Urbino, Italy; Italian, out of copyright

Background imageStigmata Collection: Madonna and Child with Saints (tempera on panel)

Madonna and Child with Saints (tempera on panel)
AII80370 Madonna and Child with Saints (tempera on panel) by Domenico di Michelino, (1417-91) (and workshop); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany

Background imageStigmata Collection: Lamentation of the Dead Christ, detail from the Sant Emidio polyptych

Lamentation of the Dead Christ, detail from the Sant Emidio polyptych
BAT76639 Lamentation of the Dead Christ, detail from the Sant Emidio polyptych, 1473 (tempera on panel) (detail of 76636) by Crivelli, Carlo (c.1430/35-1495); Sant Emidio, Ascoli Picena

Background imageStigmata Collection: Madonna and Child with St. Francis of Assisi and St. Mary Magdalene, 1503

Madonna and Child with St. Francis of Assisi and St. Mary Magdalene, 1503
AII80518 Madonna and Child with St. Francis of Assisi and St. Mary Magdalene, 1503 by Ghirlandaio, Ridolfo (Bigordi), Il (1483-1561); Galleria dell Accademia & Museo degli Strumenti Musicali

Background imageStigmata Collection: The Ecstasy of Saint Catherine (oil on canvas)

The Ecstasy of Saint Catherine (oil on canvas)
AII135274 The Ecstasy of Saint Catherine (oil on canvas) by Carracci, Agostino (1557-1602); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageStigmata Collection: The Resurrection, c. 1463 (fresco) (for details see 205585, 205586)

The Resurrection, c. 1463 (fresco) (for details see 205585, 205586)
BBC109787 The Resurrection, c.1463 (fresco) (for details see 205585, 205586) by Francesca, Piero della (c.1415-92); 225x200 cm; Pinacoteca, Sansepolcro, Italy; Italian, out of copyright

Background imageStigmata Collection: The Ruins (Inner Voices) 1885 (oil on canvas)

The Ruins (Inner Voices) 1885 (oil on canvas)
BOO185072 The Ruins (Inner Voices) 1885 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 214x124 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageStigmata Collection: The Holy Trinity (tempera on panel)

The Holy Trinity (tempera on panel)
ALI177902 The Holy Trinity (tempera on panel) by Semitecolo, Nicoletto (fl.1353-70); Cathedral, Padua, Veneto, Italy; Alinari

Background imageStigmata Collection: Historiated initial A depicting The Incredulity of St. Thomas, c. 1370 (vellum)

Historiated initial A depicting The Incredulity of St. Thomas, c. 1370 (vellum)
MMT215628 Historiated initial A depicting The Incredulity of St. Thomas, c.1370 (vellum) by Niccolo di Giacomo (14th century); Musee Marmottan Monet, Paris

Background imageStigmata Collection: Resurrection, detail, early 15th century (tempera)

Resurrection, detail, early 15th century (tempera)
AIS5376341 Resurrection, detail, early 15th century (tempera) by Borrassa, Lluis (c.1360-1425); Museu Nacional d Art de Catalunya, Barcelona, Spain; eIberfoto; Catalan, out of copyright

Background imageStigmata Collection: 'L incredulite de saint Thomas'

"L incredulite de saint Thomas"
FIA5402318 " L incredulite de saint Thomas" (The Incredulity of Saint Thomas) Peinture de Bartholomaeus (Barthel) Bruyn dit l ancien (1493-1555)

Background imageStigmata Collection: St Francis Receiving the Stigmata (litho)

St Francis Receiving the Stigmata (litho)
5208222 St Francis Receiving the Stigmata (litho) by Rubens, Peter Paul (1577-1640) (after); Private Collection; (add.info.: St Francis Receiving the Stigmata)

Background imageStigmata Collection: St Francis of Assisi receiving his stigmata, 1224 (litho)

St Francis of Assisi receiving his stigmata, 1224 (litho)
5208220 St Francis of Assisi receiving his stigmata, 1224 (litho) by Barocci or Baroccio, Federico Fiori (c.1535-1612) (after); Private Collection; (add.info)

Background imageStigmata Collection: Saint Francis Receiving the Stigmata, (oil on canvas)

Saint Francis Receiving the Stigmata, (oil on canvas)
659364 Saint Francis Receiving the Stigmata, (oil on canvas) by Carducho, Vicente (1571/76-1638); 131.9x96.4 cm; Private Collection; (add.info.: Saint Francis Receiving the Stigmata)

Background imageStigmata Collection: Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena, c

Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena, c
5242279 Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena, c.1570 (oil on panel) by Pino, Marco (c. 1520-79); 181.6x120.7 cm; J

Background imageStigmata Collection: St. Francis of Assissi, c. 1490 (tempera on panel)

St. Francis of Assissi, c. 1490 (tempera on panel)
SCP50012 St. Francis of Assissi, c.1490 (tempera on panel) by Francia, (Francesco di Marco Raibolini) Il (1450-1517); 65x44 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian

Background imageStigmata Collection: The Man of Sorrows, from Kassa, c. 1470-80 (tempera on panel)

The Man of Sorrows, from Kassa, c. 1470-80 (tempera on panel)
BAL49152 The Man of Sorrows, from Kassa, c.1470-80 (tempera on panel) by Hungarian School, (15th century); 63x52 cm; Hungarian National Gallery, Budapest, Hungary; (add.info.: From Kassa)

Background imageStigmata Collection: St. Francis

St. Francis
AII80634 St. Francis by Strozzi, Bernardo (1581-1644); Palazzo Bianco, Genoa, Italy; Italian, out of copyright

Background imageStigmata Collection: Pieta (Christus Patiens), 1550 (panel)

Pieta (Christus Patiens), 1550 (panel)
CAY72138 Pieta (Christus Patiens), 1550 (panel) by Macip, Vicente Juan (Juan de Juanes) (c.1510-79); 57.3x61.7 cm; Caylus Anticuario, Madrid, Spain; Spanish, out of copyright

Background imageStigmata Collection: Emblems and heraldic shields

Emblems and heraldic shields
An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel

Background imageStigmata Collection: St. Francis of Assisi (oil on canvas)

St. Francis of Assisi (oil on canvas)
MAE176572 St. Francis of Assisi (oil on canvas) by Peruvian School; Monasterio de Santa Catalina, Arequipa, Peru; ePaul Maeyaert; Peruvian, out of copyright

Background imageStigmata Collection: St. Francis in Glory surrounded by Chastity, Poverty and Obedience with Lust

St. Francis in Glory surrounded by Chastity, Poverty and Obedience with Lust
MMT215619 St. Francis in Glory surrounded by Chastity, Poverty and Obedience with Lust and Avarice at his feet (vellum) by Cortese, Cristoforo (c.1350-1445); Musee Marmottan Monet, Paris

Background imageStigmata Collection: The Last Judgement (vellum)

The Last Judgement (vellum)
MMT215613 The Last Judgement (vellum) by Italian School, (14th century); Musee Marmottan Monet, Paris, France; Italian, out of copyright

Background imageStigmata Collection: Jesus childing Thomas for his unbelief

Jesus childing Thomas for his unbelief
LLM339727 Jesus childing Thomas for his unbelief by Hole, William Brassey (1846-1917); Private Collection; (add.info.: Jesus childing Thomas for his unbelief)

Background imageStigmata Collection: Dead Christ Supported by an Angel, c. 1646-52 (oil on canvas)

Dead Christ Supported by an Angel, c. 1646-52 (oil on canvas)
SCP38662 Dead Christ Supported by an Angel, c.1646-52 (oil on canvas) by Cano, Alonso (1601-67); 178x121 cm; Prado, Madrid, Spain; Spanish, out of copyright

Background imageStigmata Collection: The Crucifixion, with SS. Dominic and Jerome, 1442 (fresco)

The Crucifixion, with SS. Dominic and Jerome, 1442 (fresco)
BEN29035 The Crucifixion, with SS. Dominic and Jerome, 1442 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 179x151 cm; Museo di San Marco, Florence

Background imageStigmata Collection: The Last Judgement Window, detail, Christ In Majesty, 1897 (stained glass)

The Last Judgement Window, detail, Christ In Majesty, 1897 (stained glass)
3474883 The Last Judgement Window, detail, Christ In Majesty, 1897 (stained glass) by Burne-Jones, Edward Coley (1833-98); St.Phillips Cathedral, Birmingham, West Midlands



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"Exploring the Mystical Phenomenon of Stigmata: From Padre Pio to St. Catherine of Siena" The enigmatic figure of Padre Pio, known for his stigmata, continues to captivate believers and skeptics alike. Saint Joseph of Cupertino in Ecstasy painting by Cignaroli depicts a moment of divine connection that resonates with the concept of stigmata. Easter cactus stigma under SEM reveals intricate details resembling the wounds associated with stigmatization. St. Catherine of Siena's portrayal from 1746 showcases her spiritual journey intertwined with her mystical experience of bearing Christ's wounds. Eleonore Zugun - a modern-day example shedding light on the ongoing debate surrounding stigmata phenomena. Pietro Lorenzetti's Madonna and Child between St Francis and St John the Evangelist hints at the profound connection between suffering and divinity. Francis Assisi, often linked to stigmatization, represents an embodiment of self-sacrifice and devotion through his life dedicated to poverty and service. In Christ in the House of His Parents by Sir John Everett Millais, we witness a different interpretation where Jesus' hands are marked as if foreshadowing future suffering. Buttercup flower under SEM bears resemblance to traditional depictions, reminding us that nature too holds its own secrets waiting to be discovered. St. Francis in Meditation painting from 1639 captures moments when mystics delve into deep contemplation seeking union with God. Intriguingly diverse yet interconnected, these glimpses into artistry and spirituality invite us to ponder upon the extraordinary phenomenon known as "stigmata.