Stigmata Collection (page 14)

St. Francis of Assisi (c. 1182-1220) 1642 (oil on canvas)
XIR86563 St. Francis of Assisi (c.1182-1220) 1642 (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); 200x162 cm; Monasterio de El Escorial, Spain; Italian, out of copyright

St. Francis of Assisi (c. 1182-1220)
XJL86549 St.Francis of Assisi (c.1182-1220) by Greco, El (Domenico Theotocopuli) (1541-1614); 138x56 cm; Museo de Santa Cruz, Toledo, Spain; Greek, out of copyright

Jerusalem The Emanation of The Giant Albion; Then the Divine Hand showing
XND70245 Jerusalem The Emanation of The Giant Albion; " Then the Divine Hand" showing Christ soaring above Albion within whose bosom " the Divine hand found the Two Limits

The Vision of Pope Gregory IX (1170-1241) 1297-99 (fresco)
XIR63356 The Vision of Pope Gregory IX (1170-1241) 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); 270x230 cm; San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

Altarpiece of the Dominicans: Noli Me Tangere, c. 1470-80 (oil on panel)
XIR62384 Altarpiece of the Dominicans: Noli Me Tangere, c.1470-80 (oil on panel) by Schongauer, Martin (c.1440-91) (school of); height: 115 cm; Musee d Unterlinden, Colmar, France; German

Christ in Hell (oil on panel)
BAL54071 Christ in Hell (oil on panel) by Pacher, Friedrich (1435-1508); Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; Austrian, out of copyright

Titian (German, active c. 1530-1550), Saint Francis Receiving the Stigmata, c. 1530, woodcut on laid paper

Italian 15th Century, Saint Francis Receiving the Stigmata, 1470-1480, woodcut

The Ecstasy of St. Francis (oil on canvas)
XIR476003 The Ecstasy of St. Francis (oil on canvas) by Coccapani, Sigismondo (1583-1642); Musee de la Chartreuse, Douai, France; (add.info.: L Extase de St FranAzois); Italian, out of copyright

German 15th Century, Saint Francis Receiving the Stigmata, 1500-1510, woodcut, hand-colored in green, yellow, indian red, and blue

St. Francis and Angels, c. 1250-1300 (tempera on panel)
XIR440736 St. Francis and Angels, c.1250-1300 (tempera on panel) by Italian School, (13th century); Santa Maria degli Angeli, Assisi, Italy; (add.info.: Saint Francois et les Anges; ); Italian

St. Francis (fresco) (detail of 440729)
XIR440728 St. Francis (fresco) (detail of 440729) by Cimabue (Cenni di Pepo) (c.1240-c.1301); San Francesco, Assisi, Italy; (add.info.: St Francois; ); Italian, out of copyright

Virgin and Child, Angels and St. Francis of Assisi (fresco) (see also 741489)
XIR440729 Virgin and Child, Angels and St. Francis of Assisi (fresco) (see also 741489) by Cimabue (Cenni di Pepo) (c.1240-c.1301); San Francesco, Lower Church, Assisi

Crucifix with The Virgin and Saint John, c. 1321-25 (tempera on wood)
XIR439282 Crucifix with The Virgin and Saint John, c.1321-25 (tempera on wood) by Martini, Simone (1284-1344); Chiesa della Misericordia, San Casciano

St. Francis of Assisi and St. John the Baptist, detail from Virgin and Child enthroned
XIR438871 St. Francis of Assisi and St. John the Baptist, detail from Virgin and Child enthroned surrounded by saints (tempera on panel) (see also 438870)

Pieta, engraved by Giulio Bonasone, 1556 (engraving)
XJF417355 Pieta, engraved by Giulio Bonasone, 1556 (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

King Francois of France and his wife Eleonore praying, from a 16th century stained
KW415625 King Francois of France and his wife Eleonore praying, from a 16th century stained glass window in Saint Gudule church, Brussels, from Les Arts au Moyen Age

The Resurrection of Christ, 1557 (painted enamel)
XIR414016 The Resurrection of Christ, 1557 (painted enamel) by Limosin, Leonard (c.1505-77); Musee National de la Renaissance, Ecouen, France; (add.info.: La Resurrection du Christ; ); French

Life of Christ, Incredulity of St. Thomas, preparatory study of tapestry cartoon
XIR383174 Life of Christ, Incredulity of St. Thomas, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris

Reproduction of the mosaic of the Last Judgement in the Baptistery, Florence (colour
BAL31462 Reproduction of the mosaic of the Last Judgement in the Baptistery, Florence (colour litho) by Italian School, (13th century) (after); Private Collection; Italian, out of copyright

The Holy Trinity, pub. 1511 (woodcut)
XAM78022 The Holy Trinity, pub. 1511 (woodcut) by DAOErer or Duerer, Albrecht (1471-1528); 39.2x28.4 cm; Private Collection; German, out of copyright

Saint Francis Receiving the Stigmata, c. 1445-50 (tempera on panel)
XOS741907 Saint Francis Receiving the Stigmata, c. 1445-50 (tempera on panel) by Veneziano, Domenico (c.1400-61); 27.5 x 30.5 cm; National Gallery of Art, Washington DC

Christ and the Twelve Apostles (oil on wood)
BAL283504 Christ and the Twelve Apostles (oil on wood) by German School, (15th century); 57x205 cm; Tula Museum of Fine Arts, Tula, Russia; German, out of copyright

Christ mourned by the Virgin and the female Saints, from The Great Passion series
XIR266935 Christ mourned by the Virgin and the female Saints, from The Great Passion series, 1497-1500 (woodcut) (b/w photo) by DAOErer or Duerer

Albert, Cardinal Elector of Mainz at the foot of the Cross (oil on panel)
XIR244970 Albert, Cardinal Elector of Mainz at the foot of the Cross (oil on panel) by Cranach, Lucas, the Elder (1472-1553); Alte Pinakothek, Munich

Christ the Mediator with Philip the Handsome (1478-1506) and his Entourage, left
XIR223222 Christ the Mediator with Philip the Handsome (1478-1506) and his Entourage, left hand panel from an altarpiece (oil on panel) (see also 223221) by Coter

The Death of St. Francis, from the Bardi Chapel (fresco)
XAL227152 The Death of St. Francis, from the Bardi Chapel (fresco) by Giotto di Bondone (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Mort de Saint Francois d Assise; ); Italian

Saint Francis Receiving the Stigmata, Lorenzo Monaco, c. 1420

Joseph of Arimathea Supporting the Dead Christ, 1435 (oil on panel) (detail
XJL187570 Joseph of Arimathea Supporting the Dead Christ, 1435 (oil on panel) (detail from the Descent from the Cross) (see also 187563) by Weyden, Rogier van der (1399-1464); Prado, Madrid

Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ)
XJL187563 Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ) (see also 187570) by Weyden, Rogier van der (1399-1464); Prado, Madrid, Spain; Netherlandish

Saint Francis, Jurriaan Cootwijck, 1724 - 1798

Triptych depicting the Crucifixion of Christ, c. 1350 (tempera and gold leaf on panel)
XKH182372 Triptych depicting the Crucifixion of Christ, c.1350 (tempera and gold leaf on panel) (see also 150814) by Master of Cologne, (fl.1300-50); Hamburger Kunsthalle, Hamburg, Germany; German

Lamentation of Christ by angels, Nicolas Pitau (I), Jacques Van Merle, unknown, 1668

Christ crowned with thorns, c. 1470 (tempera on wood)
XOS1765748 Christ crowned with thorns, c.1470 (tempera on wood) by Bouts, Dirck (c.1415-75); 43.8x37.1 cm; National Gallery, London, UK; Dutch, out of copyright

St. Francis, Jan van de Velde (II), Frederik de Wit, 1630-1690

Saint Francis, Adriaen van der Kabel, 1648 - 1705

Saint Catherine of Siena with stigmata at crucifix. Schelte Adamsz. Bolswert, Peter Paul Rubens, Martinus van den Enden, 1596 - 1659

Study of the robes of Christ, 1508 (gouache and ink on paper)
XIR161997 Study of the robes of Christ, 1508 (gouache and ink on paper) by DAOErer or Duerer, Albrecht (1471-1528); Louvre, Paris, France; (add.info.: Etude du manteau du Christ; ); German

St. Francis of Assisi, or The Miracle of the Roses, 1630 (oil on canvas)
XIR157024 St. Francis of Assisi, or The Miracle of the Roses, 1630 (oil on canvas) by Zurbaran, Francisco de (1598-1664); Museo de Cadiz

Christ taken down from the Cross, 1874 (oil on canvas)
XKH150955 Christ taken down from the Cross, 1874 (oil on canvas) by Truebner, Heinrich Wilhelm (1851-1917); 95x109.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Christ on the cross with St. Francis and the final judgment, Anonymous, 1490-1510

St. Catherine of Siena, Hieronymus Wierix, 1563 - before 1619

Francis of Assisi receiving the stigmata of Christ, Hieronymus Wierix, Johannes Baptista Vrints (I), 1584

Federico Barocci (Italian, 1528 - 1612). St. Francis Receiving the Stigmata. Engraving and etching from unfinished plate with an unsuccessful attempt at multiple bite

Saint Catherine of Siena Receiving the Stigmata; Domenico Beccafumi, Italian, 1484 - 1551; Italy, Europe; about 1513 - 1515; Oil and gold leaf on panel; Unframed: 28.6 x 41.3cm (11 1/4 x 16 1/4 in.)

Francis of Assisi (1182-1226) holding up hands to show stigmata. Italian. Founder of the Franciscan order. From Hartmann Schedel Liber chronicarum mundi (Nuremberg Chronicle) Nuremberg 1493. Woodcut

Flemish School, 16th century. Triptych. Central panel shows Holy Spirit at Pentecost. Left panel: Francis of Assisi receiving stigmata and St Elisabeth

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"Exploring the Mystical Phenomenon of Stigmata: From Padre Pio to St. Catherine of Siena" The enigmatic figure of Padre Pio, known for his stigmata, continues to captivate believers and skeptics alike. Saint Joseph of Cupertino in Ecstasy painting by Cignaroli depicts a moment of divine connection that resonates with the concept of stigmata. Easter cactus stigma under SEM reveals intricate details resembling the wounds associated with stigmatization. St. Catherine of Siena's portrayal from 1746 showcases her spiritual journey intertwined with her mystical experience of bearing Christ's wounds. Eleonore Zugun - a modern-day example shedding light on the ongoing debate surrounding stigmata phenomena. Pietro Lorenzetti's Madonna and Child between St Francis and St John the Evangelist hints at the profound connection between suffering and divinity. Francis Assisi, often linked to stigmatization, represents an embodiment of self-sacrifice and devotion through his life dedicated to poverty and service. In Christ in the House of His Parents by Sir John Everett Millais, we witness a different interpretation where Jesus' hands are marked as if foreshadowing future suffering. Buttercup flower under SEM bears resemblance to traditional depictions, reminding us that nature too holds its own secrets waiting to be discovered. St. Francis in Meditation painting from 1639 captures moments when mystics delve into deep contemplation seeking union with God. Intriguingly diverse yet interconnected, these glimpses into artistry and spirituality invite us to ponder upon the extraordinary phenomenon known as "stigmata.