Stencil Collection (page 6)

"Falbalas et fanfreluches, Almanach des Modes", fashions for 1921 (pochoir print)
BAL16319 " Falbalas et fanfreluches, Almanach des Modes", fashions for 1921 (pochoir print) by Barbier, Georges (1882-1932); Victoria & Albert Museum, London, UK

George Barbier illustration (colour engraving)
7239666 George Barbier illustration (colour engraving) by Barbier, Georges (1882-1932) (after); Private Collection; (add.info.: Robe de chambre - Dressing gown)

Panel, United States, 19th century. Creator: Unknown
Panel, United States, 19th century

Plate, France, 1866 / 75. Creators: Felix Bracquemond, Creil Pottery
Plate, France, 1866/75

Ottawa Opera House, Ottawa, Illinois, Wall Stencil Design, c. 1875

Stencilled Floor, c. 1938. Creator: Jerome Hoxie
Stencilled Floor, c. 1938

Stencilled Wall (Detail), c. 1937. Creator: Ray Holden
Stencilled Wall (Detail), c. 1937

Wall Stencil, c. 1936. Creator: Ray Holden
Wall Stencil, c. 1936

Detail of Stencilled Wall, c. 1937. Creator: Ray Holden
Detail of Stencilled Wall, c. 1937

Wall Stencil (Section of), c. 1937. Creator: Ray Holden
Wall Stencil (Section of), c. 1937

Stencilled Wall (From an Inn), c. 1937. Creator: Ray Holden
Stencilled Wall (From an Inn), c. 1937

Stencil Wall Decoration, c. 1936. Creator: Ray Holden
Stencil Wall Decoration, c. 1936

Wall Stencil (From an Inn), c. 1936. Creator: Ray Holden
Wall Stencil (From an Inn), c. 1936

Stencilled Floor, 1935 / 1942. Creator: Jerome Hoxie
Stencilled Floor, 1935/1942

Stencilled Wall, c. 1936 / 1942. Creator: Ray Holden
Stencilled Wall, c. 1936/1942

Stencilled Wall Decoration, c. 1936. Creator: Ray Holden
Stencilled Wall Decoration, c. 1936

Stencilled Wall (Detail), c. 1940. Creator: Alvin M Gully
Stencilled Wall (Detail), c. 1940

Stencilled Wall, c. 1936. Creator: Ray Holden
Stencilled Wall, c. 1936

Wall Stencil (copy), c. 1936. Creator: Ray Holden
Wall Stencil (copy), c. 1936

Stencilled Ballroom, c. 1936. Creator: Ray Holden
Stencilled Ballroom, c. 1936

Stencilled Rocker, 1938. Creator: Lawrence Flynn
Stencilled Rocker, 1938

Stencilled Inkwells, c. 1940. Creator: Lawrence Flynn
Stencilled Inkwells, c. 1940

Stencilled Chair - One of Set of Six, 1938. Creator: Lawrence Flynn
Stencilled Chair - One of Set of Six, 1938

Hitchcock Rocker, c. 1936. Creator: Lawrence Flynn
Hitchcock Rocker, c. 1936

Hitchcock Chair, 1936. Creator: Lawrence Flynn
Hitchcock Chair, 1936

Hitchcock Chair Back, 1936. Creator: Lawrence Flynn
Hitchcock Chair Back, 1936

Hitchcock chair, probably 1936. Creator: Lawrence Flynn
Hitchcock chair, probably 1936

Hitchcock Chair Back, c. 1936. Creator: Lawrence Flynn
Hitchcock Chair Back, c. 1936

Design on Back of Hitchcock Chair, c. 1936. Creator: Lawrence Flynn
Design on Back of Hitchcock Chair, c. 1936

Back of Stencilled Chair, 1938. Creator: Lawrence Flynn
Back of Stencilled Chair, 1938

Colored stucco from Pompeii in the Museum of Naples
6340182 Colored stucco from Pompeii in the Museum of Naples by Gusman, Pierre (1862-1941); (add.info.: Colored stucco from Pompeii in the Museum of Naples. Stuc colorie, Musee de Naples)

Oecus or parlour in the House of M
6340139 Oecus or parlour in the House of M by Gusman, Pierre (1862-1941); (add.info.: Oecus or parlour in the House of M. Spurius Mesor. Pompeii. In the Museum of Naples)

Oecus or parlour in the House of the Labyrinth
6340098 Oecus or parlour in the House of the Labyrinth by Gusman, Pierre (1862-1941); (add.info.: Oecus or parlour in the House of the Labyrinth. Casa del Labirinto, Pompeii. Second Pompeian Style)

Rhodian peristyle of the House of the Silver Wedding, Casa delle Nozze d Argento, Pompeii
6340095 Rhodian peristyle of the House of the Silver Wedding, Casa delle Nozze d Argento, Pompeii by Gusman, Pierre (1862-1941); (add.info.: Rhodian peristyle of the House of the Silver Wedding)

Buttercup in art nouveau patterns for wallpapers and a vase, 1897 (lithograph)
FLO4637926 Buttercup in art nouveau patterns for wallpapers and a vase, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P)

Monks hood botanical study, 1897 (lithograph)
FLO4637894 Monks hood botanical study, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P. Verneuil with stencil handcoloring from Eugene Grassets Plants)

Lilac botanical study
FLO4637885 Lilac botanical study. by Grasset, Eugene (1841-1917); (add.info.: Lithograph by Anna Martin with stencil handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris)

Woman in evening gown of polka-dot linen decorated with lace and roses. Toilette de nuit en linon a pois garnie de
5893003 Woman in evening gown of polka-dot linen decorated with lace and roses. Toilette de nuit en linon a pois garnie de dentelle et de petites roses

Botanical illustration of a snowdrop, Galanthus nivalis, 1897 (lithograph)
5855515 Botanical illustration of a snowdrop, Galanthus nivalis, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info)

The water lily, Nelumbo lutea, in fabric, cross-stitch tapestry, and relief mold patterns. Lithograph by C. G
5855493 The water lily, Nelumbo lutea, in fabric, cross-stitch tapestry, and relief mold patterns. Lithograph by C. G. Schlumberger, 1897 (lithograph) by Grasset

The water lily, Nelumbo lutea, and flower parts, 1897 (lithograph)
5855492 The water lily, Nelumbo lutea, and flower parts, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by Marc Mangin with pochoir (stencil)

The poppy, Papaver somniferum, in stained glass, wallpaper, fabric and tile patterns
5855490 The poppy, Papaver somniferum, in stained glass, wallpaper, fabric and tile patterns. Lithograph by Marc Mangin, 1897 (lithograph) by Grasset

The iris in patterns for fabrics and tiles, 1897 (lithograph)
5855487 The iris in patterns for fabrics and tiles, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by E)

Iris plant and flower parts, with inset, 1897 (lithograph)
5855485 Iris plant and flower parts, with inset, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P)

Stencil Letters, letters cut away (litho)
6002077 Stencil Letters, letters cut away (litho) by English School, (19th century); Private Collection; (add.info.: Stencil Letters, letters cut away)

Cover design, BBC at War booklet by Antonia White, WW2
Cover design, BBC at War booklet by Antonia White Date: 1941

Woman in linen dress looking at herself in the mirror. Robe de linon de fil. Handcoloured pochoir (stencil) etching after an illustration by Adrien Etienne Drian from Tommaso Antonginis Journal des

Woman in outfit for the racetrack in winning colours, 1913
Woman in outfit for the racetrack in winning colours of poppy red, blue and white. Toilette aux couleurs gagnantes. Handcoloured pochoir (stencil)

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Stencil art has a rich history that spans across continents and centuries. From the captivating works of Banksy in London, England, UK to the mesmerizing Lilac botanical study, stencils have always been a powerful tool for artistic expression. Even in prehistoric times, humans utilized stencils to leave their mark on cave walls. The Pech Merle cave in France showcases an awe-inspiring handprint stencil that transports us back thousands of years. Stencils continue to evolve as design motifs, with the delicate Snowdrop and Nasturtium botanical studies capturing nature's beauty with precision and grace. In Argentina's Cueva de los Manos at Rio Pinturas, imprints of human hands on rock serve as a testament to our ancient ancestors' creativity. The world of fashion also embraces stenciling techniques. A handcoloured pochoir etching from Tommaso Antonginis Journal des Dames et des Modes depicts a woman in a swimming costume by the sea holding a crab – showcasing how they can bring life and vibrancy to illustrations. In 1914, fashionable couples energetically danced at balls while donning exquisite attire – an era where stencil patterns adorned fabrics with elegance and sophistication. And who could forget the whimsical image of a woman dressed as le coq (rooster), showcasing how stenciling can transform individuals into fantastical creatures? Botanical studies such as the Thistle and Jonquil illustrate how intricate details can be captured through stencil artistry. These depictions not only showcase nature's diversity but also highlight the meticulous craftsmanship behind each creation. Whether it is political commentary or simply appreciating natural beauty, stencil art continues to captivate audiences worldwide. Its versatility allows artists to convey messages both profound and playful while leaving an indelible mark on our cultural landscape.