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Spell Collection (page 3)

"Unveiling the Enchantment: A Spellbinding Journey through Fairy Tales and Legends" Step into a world where magic reigns supreme

Background imageSpell Collection: The Spell of Football - spectators

The Spell of Football - spectators engrossed in the game. 1907

Background imageSpell Collection: Latona transforming the peasants into frogs, c. 1644 (oil on copper)

Latona transforming the peasants into frogs, c. 1644 (oil on copper)
FIT282858 Latona transforming the peasants into frogs, c.1644 (oil on copper) by Hulsman, Johann (fl.1632); 23.8x30.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageSpell Collection: The Prince coming into the Princesss bedroom at the enchanted castle

The Prince coming into the Princesss bedroom at the enchanted castle
PER190851 The Prince coming into the Princesss bedroom at the enchanted castle, illustration for The Sleeping Beauty by Charles Perrault (1628-1703) (engraving) by Dore

Background imageSpell Collection: Cippus depicing Horus as a child standing on crocodiles (pink granite)

Cippus depicing Horus as a child standing on crocodiles (pink granite)
CHT235111 Cippus depicing Horus as a child standing on crocodiles (pink granite) by Egyptian Ptolemaic Period (332-30 BC); Private Collection; (add.info)

Background imageSpell Collection: Circe, from The Childrens Hour: Stories from the Classics

Circe, from The Childrens Hour: Stories from the Classics
IL262831 Circe, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Background imageSpell Collection: Front cover of The Great Wizard of the Norths Handbook of Natural Magic

Front cover of The Great Wizard of the Norths Handbook of Natural Magic
AQS256838 Front cover of The Great Wizard of the Norths Handbook of Natural Magic by John H. Anderson (engraving) by American School, (19th century); American Antiquarian Society, Worcester

Background imageSpell Collection: The Bear Turns into a Prince (chromolitho)

The Bear Turns into a Prince (chromolitho)
734917 The Bear Turns into a Prince (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Bear Turns into a Prince)

Background imageSpell Collection: The Garden Court, from the Briar Rose Series, 1890 (photogravure)

The Garden Court, from the Briar Rose Series, 1890 (photogravure)
3726033 The Garden Court, from the Briar Rose Series, 1890 (photogravure) by Burne-Jones, Edward Coley (1833-98) (after); 41.9x78.1 cm; Private Collection; By courtesy of Julian Hartnoll; English

Background imageSpell Collection: Latona turning the shepherds into frogs

Latona turning the shepherds into frogs
3433590 Latona turning the shepherds into frogs by Chiari, Giuseppe Bartolomeo (1654-1724); Galleria Spada, Rome, Lazio, Italy; (add.info)

Background imageSpell Collection: Illustration, The Tempest, by William Shakespeare

Illustration, The Tempest, by William Shakespeare
Illustration by Kenny Meadows to The Tempest, by William Shakespeare. The storm at sea, watched by Ariel. Date: 1840

Background imageSpell Collection: Macbeth (etching)

Macbeth (etching)
1071440 Macbeth (etching) by Delacroix, Ferdinand Victor Eugene (1798-1863); 32.1x24.8 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts, The Alfred and Juanita Bromberg Collection

Background imageSpell Collection: The Sleeping Palace (pen and black ink)

The Sleeping Palace (pen and black ink)
1217711 The Sleeping Palace (pen and black ink) by Millais, John Everett (1829-96); 8.3x9.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSpell Collection: A set of sixteen tiles arranged in pairs to form eight illustrations of the

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217586 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.5 cm; Ashmolean Museum

Background imageSpell Collection: Norna performing her curative spell on Minna Troil (engraving)

Norna performing her curative spell on Minna Troil (engraving)
3628593 Norna performing her curative spell on Minna Troil (engraving) by Houston, John Adam P. (1812-84); Private Collection; (add.info.: Norna performing her curative spell on Minna Troil)

Background imageSpell Collection: The Bewitched Groom (engraving)

The Bewitched Groom (engraving)
3646428 The Bewitched Groom (engraving) by Baldung Grien, Hans (1484/5-1545) (after); Private Collection; (add.info.: The Bewitched Groom)

Background imageSpell Collection: A Midsummer Nights Dream, 1840 (oil on canvas)

A Midsummer Nights Dream, 1840 (oil on canvas)
PNH368259 A Midsummer Nights Dream, 1840 (oil on canvas) by Scott, David (1806-1849) (attr. to); 24.6x34.2 cm; Private Collection; (add.info.: Titania, Queen of the Fairies)

Background imageSpell Collection: Excalibur the Sword, illustration from The Story of King Arthur and his Knights

Excalibur the Sword, illustration from The Story of King Arthur and his Knights
STC324298 Excalibur the Sword, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

Background imageSpell Collection: Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War

Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War
NCO190182 Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Background imageSpell Collection: Abracadabra, from The Ingoldsby Legends or Mirth and Marvels

Abracadabra, from The Ingoldsby Legends or Mirth and Marvels
KW366261 Abracadabra, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School, (19th century); Private Collection; English, out of copyright

Background imageSpell Collection: Latona and the Frogs (oil on copper)

Latona and the Frogs (oil on copper)
GG109491 Latona and the Frogs (oil on copper) by Trevisani, Francesco (1656-1746); 16.1x26.3 cm; Private Collection; (add.info.: mother of Apollo and Diana; ); Photo eGavin Graham Gallery, London

Background imageSpell Collection: Pharmakeutria (Brewing the Love Philtre) (w / c, bodycolour & gum arabic on paper laid down)

Pharmakeutria (Brewing the Love Philtre) (w / c, bodycolour & gum arabic on paper laid down)
1152921 Pharmakeutria (Brewing the Love Philtre) (w/c, bodycolour & gum arabic on paper laid down on panel) by Stillman, Marie Spartali (1844-1927)

Background imageSpell Collection: The Sleeping Beauty, 1908 (tempera on panel)

The Sleeping Beauty, 1908 (tempera on panel)
BIR115509 The Sleeping Beauty, 1908 (tempera on panel) by Southall, Joseph Edward (1861-1944); 26x34.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageSpell Collection: Rinaldo and Armida

Rinaldo and Armida
FTB60373 Rinaldo and Armida by Hayez, Francesco (1791-1882); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice, Italy; (add.info.: Armida distracts him from Crusades and duty; ); Italian

Background imageSpell Collection: Linen mummy bandage with vignettes from The Book of the Dead

Linen mummy bandage with vignettes from The Book of the Dead
TFM63450 Linen mummy bandage with vignettes from The Book of the Dead, Ptolemaic-Roman Period, c.100 BC-AD 200 (linen) by Egyptian; 12x55 cm; Freud Museum, London, UK; eFreud Museum

Background imageSpell Collection: Ulysses and Calypso

Ulysses and Calypso
KAB76937 Ulysses and Calypso by Giordano, Luca (1634-1705); Pinacoteca dei Concordi, Rovigo, Italy; eDario Grimaldi; Italian, out of copyright

Background imageSpell Collection: The Crystal Ball, 1902 (oil on canvas)

The Crystal Ball, 1902 (oil on canvas)
6315530 The Crystal Ball, 1902 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: Post-restoration); Photo eFine Art Images; English, out of copyright

Background imageSpell Collection: Detail from A Witches Sabbath, illustration from Tableau de L

Detail from A Witches Sabbath, illustration from Tableau de L
829408 Detail from A Witches Sabbath, illustration from Tableau de L Inconstance des Mauuais Anges et Demons, by Pierre de Lancre, 1613 (engraving) by Ziarnki (Ziarnko)

Background imageSpell Collection: Incantation (w / c & b / c on paper)

Incantation (w / c & b / c on paper)
869259 Incantation (w/c & b/c on paper) by Grant, Carleton (fl.1883-99); 34.3x51.4 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageSpell Collection: Belle-Etoile breaks the Spell (colour litho)

Belle-Etoile breaks the Spell (colour litho)
2812746 Belle-Etoile breaks the Spell (colour litho) by Crane, Walter (1845-1915) (after); Private Collection; (add.info.: Belle-Etoile breaks the Spell)

Background imageSpell Collection: Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c

Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c
BAL9366 Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c.1250 (painted papyrus) by Egyptian 19th Dynasty (c.1292-1187 BC); British Museum, London

Background imageSpell Collection: Circe sends the Swine (The Companions of Ulysses) to the Styes

Circe sends the Swine (The Companions of Ulysses) to the Styes
STC323724 Circe sends the Swine (The Companions of Ulysses) to the Styes, frontispiece from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper) by Ford

Background imageSpell Collection: St Davids Day in Wales (engraving)

St Davids Day in Wales (engraving)
1055628 St Davids Day in Wales (engraving) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: St Davids Day in Wales)

Background imageSpell Collection: Circe and he swine, 1929 (litho)

Circe and he swine, 1929 (litho)
3060296 Circe and he swine, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one)

Background imageSpell Collection: Medea, 1868 (oil on panel)

Medea, 1868 (oil on panel)
BIR115518 Medea, 1868 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); 61.2x45.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageSpell Collection: Landscape with Leto and the peasants transformed into frogs (oil)

Landscape with Leto and the peasants transformed into frogs (oil)
SCP38709 Landscape with Leto and the peasants transformed into frogs (oil) by Aguero, Benito-Manuel de (1626-70); Prado, Madrid, Spain; (add.info.: mother of Apollo and Diana; ); Spanish

Background imageSpell Collection: A Witch, upon a Mounts Edge, or Fuzelli, published by Hannah Humphrey in 1791

A Witch, upon a Mounts Edge, or Fuzelli, published by Hannah Humphrey in 1791
NCO193145 A Witch, upon a Mounts Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageSpell Collection: La Poule Noire, work of divination and magic, used especially in the countryside between

La Poule Noire, work of divination and magic, used especially in the countryside between
CHT184975 La Poule Noire, work of divination and magic, used especially in the countryside between 1820 and 1880 (colour litho) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageSpell Collection: Black Magic, the month of November for a magic calendar published in Art Nouveau

Black Magic, the month of November for a magic calendar published in Art Nouveau
CHT173753 Black Magic, the month of November for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi, Manuel (1860-1934); Private Collection; eArchives Charmet; Italian

Background imageSpell Collection: Witches Preparing for the Sabbath (oil on panel)

Witches Preparing for the Sabbath (oil on panel)
LST204437 Witches Preparing for the Sabbath (oil on panel) by Teniers, David the Younger (1610-90) (studio of); 40.6x52.1 cm; Private Collection; (add.info)

Background imageSpell Collection: Jason watching Medea put the dragon guarding the golden fleece to sleep (colour litho)

Jason watching Medea put the dragon guarding the golden fleece to sleep (colour litho)
6000272 Jason watching Medea put the dragon guarding the golden fleece to sleep (colour litho) by Scheiner, Artus (1863-1938); Private Collection; (add.info)

Background imageSpell Collection: Royal Academy 1877, Pictures Prophesied (engraving)

Royal Academy 1877, Pictures Prophesied (engraving)
1615960 Royal Academy 1877, Pictures Prophesied (engraving) by Armitage, Edward (1817-96); Private Collection; (add.info.: Royal Academy 1877, Pictures Prophesied)

Background imageSpell Collection: A set of sixteen tiles arranged in pairs to form eight illustrations of the

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217589 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.8 cm; Ashmolean Museum

Background imageSpell Collection: She changed her into a spider, illustration from The Story of Greece

She changed her into a spider, illustration from The Story of Greece
3082563 She changed her into a spider, illustration from The Story of Greece, 1930s (colour litho) by Crane, Walter (1845-1915); Private Collection; (add.info)

Background imageSpell Collection: History repeats itself, an unrecorded panic at Whipsnade, owing to a spell of wet weather (litho)

History repeats itself, an unrecorded panic at Whipsnade, owing to a spell of wet weather (litho)
1090719 History repeats itself, an unrecorded panic at Whipsnade, owing to a spell of wet weather (litho) by Robinson, William Heath (1872-1944); Private Collection; (add.info)

Background imageSpell Collection: Princess Giauhara changes King Beder into a white bird, 1930s (colour litho)

Princess Giauhara changes King Beder into a white bird, 1930s (colour litho)
1122823 Princess Giauhara changes King Beder into a white bird, 1930s (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info)

Background imageSpell Collection: The Sleeping Beauty (litho)

The Sleeping Beauty (litho)
3626707 The Sleeping Beauty (litho) by English School, (20th century); Private Collection; (add.info.: The Sleeping Beauty)

Background imageSpell Collection: Merlin and Viviane, the Lady of the Lake (chromolitho)

Merlin and Viviane, the Lady of the Lake (chromolitho)
3100697 Merlin and Viviane, the Lady of the Lake (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Merlin and Viviane, the Lady of the Lake)



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"Unveiling the Enchantment: A Spellbinding Journey through Fairy Tales and Legends" Step into a world where magic reigns supreme, as we delve into the captivating realm of spells and sorcery. From the enchanting pages of "Fairy Tales of Winter - Cinderella" by Pauline Baynes to the mesmerizing melodies of a snake charmer's flute, prepare to be spellbound. Witness Siegfried and Odette's ethereal love unfold in Tchaikovsky's timeless masterpiece, Swan Lake ballet. As they dance with grace, their hearts entwined in an unbreakable spell. Beware the witch and her black cat, for they possess ancient knowledge that can both heal and harm. They hold secrets passed down through generations, tapping into realms beyond our comprehension. Travel back to ancient times alongside Odysseus as he tames wild animals with his cunning wit. Through his connection with nature, he harnesses an extraordinary power that defies all odds. In 1877 at Lloyds of London, The Loss Book tells tales of misfortunes met by those who dared challenge fate. Spells gone awry or simply unfortunate events? Only time will reveal their true nature. Centuries ago in Swabia, witness witches wielding fire as they destroy houses with malevolent intent. Their dark arts leave behind only ashes and despair – a chilling reminder of humanity's fear towards those who dabble in forbidden magic. Venture north to Berwick where witches gather under moonlit skies casting spells that stir winds and bend reality itself. In their unity lies immense power; beware crossing paths with these formidable enchantresses. Join Miranda, Prospero, and Ariel from Shakespeare's "The Tempest" on their mystical island retreat. Together they weave spells that manipulate destiny while exploring themes of forgiveness and redemption amidst magical chaos. As summer unfolds its vibrant tapestry in "Fairy Tales of Summer.