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Somnolence Collection (page 2)

"Somnolence: A Journey Through the Dreamscapes of Art" Step into the world of art and explore the captivating theme of somnolence

Background imageSomnolence Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imageSomnolence Collection: Old man in a fur cap, looking down, 1635 (Etching)

Old man in a fur cap, looking down, 1635 (Etching)
7393415 Old man in a fur cap, looking down, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 5 x 10, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageSomnolence Collection: Sleeping Old Woman, 1637 (Etching)

Sleeping Old Woman, 1637 (Etching)
7393413 Sleeping Old Woman, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 7 x 5, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageSomnolence Collection: Old man with a long beard, 1630 (Etching)

Old man with a long beard, 1630 (Etching)
7393403 Old man with a long beard, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 6 x 8, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageSomnolence Collection: The Fountain of Life, detail of the journey to the fountain, 1418-30 (fresco)

The Fountain of Life, detail of the journey to the fountain, 1418-30 (fresco)
885643 The Fountain of Life, detail of the journey to the fountain, 1418-30 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageSomnolence Collection: Allegory of Joy and Melancholy, 1628 (oil on canvas)

Allegory of Joy and Melancholy, 1628 (oil on canvas)
7394035 Allegory of Joy and Melancholy, 1628 (oil on canvas) by Janssens, Abraham (1575-1632); 120.4x97.6 cm; Ashmolean Museum, University of Oxford

Background imageSomnolence Collection: Farnese Hercules, 2nd century AD, (marble)

Farnese Hercules, 2nd century AD, (marble)
7146880 Farnese Hercules, 2nd century AD, (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Farnese Hercules, 2nd century AD, italic marble)

Background imageSomnolence Collection: Saint Joseph, 17th century (oil on canvas)

Saint Joseph, 17th century (oil on canvas)
7129553 Saint Joseph, 17th century (oil on canvas) by Reni, Guido (1575-1642); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Saint Joseph, Guido Reni, cm 63 x 53)

Background imageSomnolence Collection: Nude Redhead Sitting on a Chair; Nu Rouge Assis sur une Chaise, (pastel and charcoal on paper)

Nude Redhead Sitting on a Chair; Nu Rouge Assis sur une Chaise, (pastel and charcoal on paper)
653562 Nude Redhead Sitting on a Chair; Nu Rouge Assis sur une Chaise, (pastel and charcoal on paper) by Permeke, Constant (1886-1952); 121x100 cm; Private Collection; (add.info)

Background imageSomnolence Collection: Repeal of Prohibition, 1933 (b/w photo)

Repeal of Prohibition, 1933 (b/w photo)
2603731 Repeal of Prohibition, 1933 (b/w photo) by American Photographer, (20th century); (add.info.: American barman exhausted by clearing up the empty bottles after the celebration of the laws)

Background imageSomnolence Collection: The Mocking of Christ, 1612-13, (painting)

The Mocking of Christ, 1612-13, (painting)
7130058 The Mocking of Christ, 1612-13, (painting) by Honthorst, Gerrit van (1590-1656); Santa Maria della Vittoria, Rome, Italy; (add.info.: The Mocking of Christ, 1612-13, Gerard van Honthorst)

Background imageSomnolence Collection: Christ and the Samaritan woman, 1690-1710 (oil on canvas)

Christ and the Samaritan woman, 1690-1710 (oil on canvas)
7352710 Christ and the Samaritan woman, 1690-1710 (oil on canvas) by Ferrari, Gregorio de (1644-1726); 187x262 cm; Museo Diocesano, Albenga

Background imageSomnolence Collection: The last hours of Carlo Alberto, Oporto, 1884 (oil on canvas)

The last hours of Carlo Alberto, Oporto, 1884 (oil on canvas)
3362011 The last hours of Carlo Alberto, Oporto, 1884 (oil on canvas) by Previati, Gaetano (1852-1920); 170x280 cm; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageSomnolence Collection: My mother is out of breath and rests herself in an elbow chair

My mother is out of breath and rests herself in an elbow chair
1192266 My mother is out of breath and rests herself in an elbow chair by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info)

Background imageSomnolence Collection: Fisherwoman, 1921 (painting)

Fisherwoman, 1921 (painting)
7332994 Fisherwoman, 1921 (painting) by Permeke, Constant (1886-1952); Mu.Zee, Ostend, Belgium; (add.info.: Constant Permeke (1886-1952)

Background imageSomnolence Collection: On the Terrace (oil on canvas)

On the Terrace (oil on canvas)
1767509 On the Terrace (oil on canvas) by Buehr, Karl Albert (1866-1952) ; 71.1x91.4 cm; Private Collection; (add.info.: On the Terrace. Karl Albert Buehr (1866-1952). Oil on canvas

Background imageSomnolence Collection: The Night, c. 19th century (painting)

The Night, c. 19th century (painting)
7333006 The Night, c. 19th century (painting) by Stevens, Alfred Emile (1823-1906); Mu.Zee, Ostend, Belgium; (add.info.: Alfred Stevens (1823-1906)

Background imageSomnolence Collection: Woman's anxiety (Inquietude maternelle) (marble)

Woman's anxiety (Inquietude maternelle) (marble)
7332451 Woman's anxiety (Inquietude maternelle) (marble) by Charlier, Guillaume (1854-1925); Musee des Beaux-Arts, Tournai, Belgium; (add.info.: Musee des Beaux-Arts, Hainaut)

Background imageSomnolence Collection: Tired, c. 1895-1900 (oil on canvas)

Tired, c. 1895-1900 (oil on canvas)
7343168 Tired, c.1895-1900 (oil on canvas) by Casas, Ramon (1866-1932); 96.2 x 85.41 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Ramon Casas (1866-1932))

Background imageSomnolence Collection: Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346)

Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration)
7304535 Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageSomnolence Collection: Woman in White, 1885 (oil on cardboard)

Woman in White, 1885 (oil on cardboard)
LAF470845 Woman in White, 1885 (oil on cardboard) by Toorop, Jan Theodore (1858-1928); 43.3x70.6 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSomnolence Collection: Young Girl Sleeping (oil on canvas)

Young Girl Sleeping (oil on canvas)
3471504 Young Girl Sleeping (oil on canvas) by Reynolds, Joshua (1723-92); 76.4x63.4 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSomnolence Collection: Return from the Mine (oil on canvas)

Return from the Mine (oil on canvas)
471182 Return from the Mine (oil on canvas) by Meunier, Constantin Emile (1831-1905); 159x115 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageSomnolence Collection: Joe Childs, Rothschild's Jockey, 1923 (oil on canvas)

Joe Childs, Rothschild's Jockey, 1923 (oil on canvas)
PNH354582 Joe Childs, Rothschild's Jockey, 1923 (oil on canvas) by Lavery, John (1856-1941); 45.5x35.5 cm; Private Collection; (add.info)

Background imageSomnolence Collection: Morning atmosphere

Morning atmosphere
7305488 Morning atmosphere by Krohg, Christian (1852-1925); 37.5x32 cm; Private Collection; (add.info.: Christian Krohg (1852-1925)); Photo © O. Vaering

Background imageSomnolence Collection: Tired, 1885 (oil on canvas)

Tired, 1885 (oil on canvas)
7308633 Tired, 1885 (oil on canvas) by Krohg, Christian (1852-1925); 80.2x61.2 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Christian Krohg (1852-1925))

Background imageSomnolence Collection: Rainy Weather, People Standing Under a Roof Waiting for the Rain to Stop, Painting by A. Bellet

Rainy Weather, People Standing Under a Roof Waiting for the Rain to Stop, Painting by A. Bellet
7280216 Rainy Weather, People Standing Under a Roof Waiting for the Rain to Stop, Painting by A. Bellet by Unknown Artist, (19th century); Private Collection; (add.info.: Rainy Weather)

Background imageSomnolence Collection: The Country Hospital, 1916 (w/c on paper)

The Country Hospital, 1916 (w/c on paper)
1753307 The Country Hospital, 1916 (w/c on paper) by Flameng, Francois (1856-1923); (add.info.: The Country Hospital, 1916 wounded French soldiers at first aid)

Background imageSomnolence Collection: Tired Street Vendor Leaning Against a House, Woman

Tired Street Vendor Leaning Against a House, Woman
7279537 Tired Street Vendor Leaning Against a House, Woman by Unknown Artist, (19th century); Private Collection; (add.info.: Tired Street Vendor Leaning Against a House, Woman, Historic)

Background imageSomnolence Collection: Scattering of the Acadians in 1755, c. 1900 (painting)

Scattering of the Acadians in 1755, c. 1900 (painting)
1743255 Scattering of the Acadians in 1755, c.1900 (painting) by Beau, Henri (1865-1949); (add.info.: Expulsion of the Acadians in 1755, known as the Great Upheaval or the Great Deportation)

Background imageSomnolence Collection: Charlemagne crossing the Alps in 773, detail of the Emperor and his retinue (oil on canvas)

Charlemagne crossing the Alps in 773, detail of the Emperor and his retinue (oil on canvas)
IND113006 Charlemagne crossing the Alps in 773, detail of the Emperor and his retinue (oil on canvas) by Roger, Eugene (1807-40); Chateau de Versailles, France; Index Fototeca

Background imageSomnolence Collection: A hunted hare is betrayed by farmyard animals. 1811 (etching)

A hunted hare is betrayed by farmyard animals. 1811 (etching)
7235868 A hunted hare is betrayed by farmyard animals. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: An exhausted hare chased by hounds is betrayed by farmyard animals)

Background imageSomnolence Collection: The Last of the Provisions, illustration from The Romance of Canada (colour litho)

The Last of the Provisions, illustration from The Romance of Canada (colour litho)
IL283079 The Last of the Provisions, illustration from The Romance of Canada (colour litho) by Stott, W.R.S. (1878-1939); Private Collection

Background imageSomnolence Collection: Story of the life of Moses. Detail of Moses putting on his shoes on his feet

Story of the life of Moses. Detail of Moses putting on his shoes on his feet
BEN5471114 Story of the life of Moses. Detail of Moses putting on his shoes on his feet. Painting by Alessandro di Mariano dei Filipepi known as Sandro Botticelli (1445-1510). Fresco, 1481

Background imageSomnolence Collection: A Morning Ride in Athens (engraving)

A Morning Ride in Athens (engraving)
1047097 A Morning Ride in Athens (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Morning Ride in Athens)

Background imageSomnolence Collection: Cain, No. 21 The Conscience, from The Legend of the Centuries by Victor Hugo, 1859

Cain, No. 21 The Conscience, from The Legend of the Centuries by Victor Hugo, 1859, 1880 (oil on canvas)
XIR62609 Cain, No. 21 The Conscience, from The Legend of the Centuries by Victor Hugo, 1859, 1880 (oil on canvas) by Cormon, Fernand (1854-1924); 380x700 cm; Musee d Orsay, Paris

Background imageSomnolence Collection: GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)

GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)
7262211 GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Background imageSomnolence Collection: A Drowsy Sot, 1756-1827 (Watercolour)

A Drowsy Sot, 1756-1827 (Watercolour)
7261405 A Drowsy Sot, 1756-1827 (Watercolour) by Rowlandson, Thomas (1756-1827); 12.7x9 cm; Maidstone Museum and Art Gallery, Kent

Background imageSomnolence Collection: The Page, (watercolour)

The Page, (watercolour)
826683 The Page, (watercolour) by Maclise, Daniel (Croquis, Alfred) (1806-70); 30.3x14 cm; Private Collection; (add.info.: The Page. Daniel Maclise (1806-70). Watercolour

Background imageSomnolence Collection: Portrait of Lett Haines, 1927 (oil on canvas)

Portrait of Lett Haines, 1927 (oil on canvas)
657678 Portrait of Lett Haines, 1927 (oil on canvas) by Hodgkins, Frances (1869-1947); 63.5x51.5 cm; Private Collection; (add.info.: Portrait of Lett Haines. Frances Hodgkins (1869-1947)

Background imageSomnolence Collection: The Tired Seamstress, 1866 (oil on canvas)

The Tired Seamstress, 1866 (oil on canvas)
656891 The Tired Seamstress, 1866 (oil on canvas) by Midwood, William Henry (1833-88); 28x35in cm; Private Collection; (add.info.: The Tired Seamstress. William Henry Midwood (fl.1867-1875)

Background imageSomnolence Collection: Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas)

Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas)
1199605 Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 92x71 cm; Private Collection; Photo © Christies Images

Background imageSomnolence Collection: After the Dance; Dopo il Ballo, (oil on canvas)

After the Dance; Dopo il Ballo, (oil on canvas)
653537 After the Dance; Dopo il Ballo, (oil on canvas) by Caputo, Ulisse (1872-1948); 80.6x55.3 cm; Private Collection; (add.info.: After the Dance; Dopo il Ballo. Ulisse Caputo (1872-1948)

Background imageSomnolence Collection: The Cab Runner, 'The weary miles'(colour litho)

The Cab Runner, "The weary miles"(colour litho)
2775746 The Cab Runner, " The weary miles" (colour litho) by Adams, William Dacres (1864-1951); Private Collection; (add.info.: The Cab Runner)

Background imageSomnolence Collection: The Opening of Parliament, Incidents in the Commons (engraving)

The Opening of Parliament, Incidents in the Commons (engraving)
1604028 The Opening of Parliament, Incidents in the Commons (engraving) by Wilson, Thomas Walter (1851-1912); Private Collection; (add.info.: The Opening of Parliament, Incidents in the Commons)

Background imageSomnolence Collection: After the Ball, (oil on panel)

After the Ball, (oil on panel)
989427 After the Ball, (oil on panel) by Salinas Tervel, Juan Pablo (1871-1946); 23.2x38.1 cm; Private Collection; (add.info.: After the Ball. Juan Pablo Salinas (1871-1946). Oil on panel

Background imageSomnolence Collection: The Close of a Summers Day, 1909 (oil on canvas)

The Close of a Summers Day, 1909 (oil on canvas)
656959 The Close of a Summers Day, 1909 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: The Close of a Summers Day. Harold Harvey (1874-1941). Oil on canvas

Background imageSomnolence Collection: Come, lets to bed, says Sleepy Head (colour litho)

Come, lets to bed, says Sleepy Head (colour litho)
7157425 Come, lets to bed, says Sleepy Head (colour litho) by English School, (20th century); Private Collection; (add.info.: Come, lets to bed, says Sleepy Head)



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"Somnolence: A Journey Through the Dreamscapes of Art" Step into the world of art and explore the captivating theme of somnolence. From timeless masterpieces to delicate sketches, these artworks offer a glimpse into the realm of slumber and tranquility. "The Man in the Chair, 1875 (oil on canvas)" portrays a weary figure lost in deep contemplation, his eyes heavy with drowsiness. The artist skillfully captures the essence through subtle brushstrokes and muted colors. In "Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache), " we witness an intimate scene where illness lulls its subject into peaceful sleep. The delicate strokes convey both vulnerability and serenity. "Don Quixote and Sancho Panza, c. 1864-65 (oil on canvas)" takes us on an imaginative journey as two iconic characters find solace in slumber amidst their adventurous escapades. The painting invites us to ponder dreams within dreams. With "Angelus (pastel on paper), " we are transported to a moment frozen in time—a couple pausing for prayer at dusk while fatigue gently embraces them. This ethereal artwork evokes a sense of calmness that only sleep can bring. "Mamma Mia Poveretta, 1901-06 (oil on canvas)" depicts a mother cradling her child as they both succumb to weariness. The tender bond between parent and child is beautifully captured here—an ode to maternal love amid moments of restful respite. In "His Only Friend (oil on canvas), " an elderly man finds solace in slumber alongside his loyal canine companion. Their shared tranquility speaks volumes about companionship and finding comfort even during solitary moments. Through "Ruth Herbert asleep, 1858 (graphite on paper), " we witness the delicate lines that bring a sleeping figure to life.